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DIGITAL CAMERA & SCANNER SUPERGUIDE, P. 76 



S7.99 U.S./S8.99 Canada 


0 70992 06924 8 


THE ESSENTIAL MACINTOSH^ RESOURCE 
www.macworJd.com 


Macworld 
celebrates the 
iMac's one-year 
anniversary with 
31 fabulous, 
[unky, and freaky 
IglMac add-ons. 




















































www.lti £. j f? t ; t' >m /m wf w .hi i n 1 ... w ■ ■ H » *ir 


tt<t '<'1W9 toCic. L)m AE ngMv fcsijrwpd 







CONNECTED 


ts FireWire'" connector at 400 


FireWire enabled peripherals. And 


it's still hotswappable. Plus, it's 


to 36GB. All of 


aval 


peripherals working together as one. 


Made for ideas 





Features 

Cover Story 

68 The Fun Is Back! 

BY CHRISTOPHER BREEN It’sfl 

great rime to be a Mac user, ain't it? 
So celebrate by taking a spin 
through our colorful roundup of 
wacky Mac products for every occa¬ 
sion* Discover all the hm and freaky 
goodies that await you! 



Frolic through our carnival of fun 
Mac goodies, page 68. 


yV 1 " $ .. ,7 

S' . ’ ’. •■ ' l 


Picture Perfect: 
Macworld’s 

Pro Imaging Guide, p. 76 


- 


. 78 

Digital Cameras Develop 

by deke McClelland Still searching 
to r th e perfect d igijaI ca mera ? Alacworl d 
Lab tested 14’megapixel cameras to help 

. you get a better picture* 

■ * • - 

86 PEPSI 

Slide Scanners Show Off 

by bruce" eraser ■ Need to digitize 
your high-quality slides or film? Mac- 
. world Lab put 7 slide scanners through 
their paces to help you pick a winner* ~ 


-T -t ■ T 


ON THE COVER 

Photograph by A !nrh joiunsn 


Create 

Graphics 

105 Avoid Photoshop's Color 
Calamities 

ay rruce fraser Defend your 
scans from Photoshop J's RGB 
color-space confusion. 

Graphics 

110 Fast, Filmless Photo Collages 

BY MIKE WOOLDRIDGE Make 

quick and easy photo collages with 
snaps from your digital camera* 

Workflow 

113 Collaborate Long-Distance 

by ji m he i d Learn die best ways 
to work with clients and colleagues 
across the miles* 



2 September 1999 MACWORLD 


Create cool collages from digital 
photos, page 110. 














Opinion 

17 Letters 

23 The Vision Thing 

by anorew gore Amaz¬ 
ing MP3: the music revolution 
is digitized. 



Run shareware games that won't 
break the banl^ page 65, 


News 

27 Web Sites as Design Tools? 

New Web-based applications from 
Extcnsis and other developers will 
soon let you preflight PDF files 
and retouch photos without leav¬ 
ing your Web browser. 

28 MP3 Audio Tunes Up on 
the Mac 

New software products nudge the 
MP3 audio format to center stage 
on the Mac. 

28 Photoshop Gets Web Savvy 

Adobe Systems rolls the Web- 
graphics features of ImageReady 
into a new version of Photoshop. 

29 Deneba Canvas Adds 
SpriteEffects 

Deneba*s integrated graphics soft¬ 
ware package now lets you apply 
Adobe Photoshop filters to vector 
illustrations, 

29 Product Watch 

New products for your Macintosh, 
including flatbed scanners from 
Umax and digital cameras from 
Ricoh and Epson. 


65 The Game Room 

BY CHRISTOPHER BREEN 

Cool shareware games for the 
budget conscious, 

184 The Desktop Critic 

BY DAVID ROGUE What 

Apple and Microsoft should 
steal from each other. 

10 How to Contact Macworld 



Practically perfect new Power Bo ok Gls, 
page 34. 


Secrets 

95 Files without Borders 

by joseph schorr Meet the 
magical control panel that lets 
files slide seamlessly from Mac 
to PC. 

99 Quick Tips 

BY LON POOLE Tips, tricks, 
and shortcuts. 



34 


36 


38 


40 


42 

43 


44 

47 

49 

51 

52 

54 

56 

58 

60 

62 


Reviews 

MM '/j PowerBook C3/333; 

MMI PowerBook G3/400 
High-end portable systems 

MM Canon BJC-60G0; 

MM Epson Stylus Photo 750; 

MM Epson Stylus Photo 1200; 

MM HP DeskJet 882C; 

MM HP DeskJet 895C 
Color ink-jet printers 

Ml LaCie 22S CDRW-USB; 

MM QPSQue; 

MM' Sony Spressa USB CRX100E/X 

USB CD-RW drives 

MM' Jam 2.5; 

MM> MasterList CD 2.1; 

MM WaveBurner 1.0 

Audio CD-writing software 

M* Peak 2.03 

Audio editor/processor 

MM Hyperprism Plug-in Pack; 

MM Native Power Pack fl 
Audio plug-ins 

MM Commotion 2.0 
Video-pain ting tool 

MM Apple Power Macintosh G3/450 
High-end system 

MM MonacoEZcolor 
Color-management software 

Ml 1 '* AppleTalk to IP Migration Suite 

Networking utilities 

Mlv? Palm VII 

Handheld persona! organizer 

MM Adobe Type Manager 4,5 

Font manager 

MM On Guard 3,2 

Security utility 

Ml MacTuner 2.0.5 
Database of streaming stations 

M 1 ^ LANsurveyor 5,0 
Network-management software 

MM* SoftRouter Plus 6.0.1 

Routing software 


Get intimate with the control 
panel that let? Mac and PC filet 
cross the border, page 95. 


www, macworJd.com September 1999 3 








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T 

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EDJTOD IN Ch!(F 


Andrew Guns 
Sjvt*] Benedict 



Short iCart; $149; Tail (Cart $199; Great accessories. Call us at 800*325-3841 


mcutivr assistant to r«t editor in chief 


E □ I T 0 ft I A L 


EDITOR 

SI HI OR EDKOR/HlwS A ND REVIEWS 
SENIOR EDI TORr DEPARTMENTS 
SENIOR (PiTOH^E at yitfS 
SC HI OR ASSOCIATE TOMORS 


ASSOCIATE EDITOR 
ASSISTANT EDITORS 


Mkharl Penwarden 
Stephen Beale 
N'iik)' Peterson 
Jason Snell 
AHvvnn Bate*, 

Limb Comer, 
Sehullr Sawyer 
Bnmke G. Wheeler 
Michael Gowan, 
Jonathan Scff 


CONTRIBUTING EDITORS 

J Jerry' bortmm Gbnstnphcr Breen. Bruce Fraser, Ted I-amlau, 
Dcke .McClelland. Kik .MsMewvLi. "Join Ntgritlo, David Pdj^Je, 
Lon Poole, Stephan Snmogyi, Fran Min N. Tissler 


INTERNATIONAL EDITORS 

Steven Nohle. AuMrali. 1 , Bernini Lc Du, France; Andreas; 
Burthen* Germany: Knricu I.otii, Italy; Vuslito Moriya, Japan; 
Tomasz, IJitncr* Poland: Daniel de HI as, Spain; Lennart 
HjIjusmui. Sweden; Fred Janie, Taiwan; ILilunio Ap.ik, Turkey; 
Simon jure, United Kingdom 


LAB 

UCHHICAE DIRECTOR 
LA< DIRECTOR 
SENIOR LAI AH ALT STS 

ASSOCIATE LAB ANALYST 
INVENTORY COORDNAfOR 


J df PitTelk.Hi 
Kristina Dc Nike 
jeffy K- -MikteaJ, 
ku iii Mnchell 
Gd l.uyihla 
Ulyssis Bravo 


COPT EDIT 


MANAGING ton OR Claire M Breen 

ASSISTANT MANAGING EOUOR Paul-.Michael Knit; 

copy chief Jun ZtdNrnic-a 


ART AND 

DESIGN DIRECTOR 

art director 
ASSOCIATE OmCMEAf 

DESIGN ASSOCIATES 


DESIGN 

Fit,mur l.cidirmn 
Sylvia Chcvricr 
Manha Katx, 
Michael Rattiry 
Jackie Goodman, 
jonjih.in Woolscm 


ONLINE 

VICE PRESIDENT. SAKS. A Fu*|tfH|fl 
DIRECTOR OT CONTENT 
SENIOR Online folio* 

CONTENT ENGINEER 
ASSISTANT CON TEH' ENGINEER 
DIRECTOR. BUSINESS DEVELOPMENT TOR ONLINE 
ONLINE AC PROD OCT TON MANAGER 


Mat! Sweeney 
Matthew Rulhenberj; 
Philip W. Dyer 
Jeff Cheney 
Run N-cal 
Nicholas HlTVcy 
Sieve Spingub 


6 September 1939 MACWORLD 
























AH trademarks used herein are either the property of Pantone, Inc. or other companies Adobe and illustrator ere registered trademarks of Adobe Systems, Inc QuarkXPress is a trademark 
of Quark, Inc. and all applicable affiliated companies, Reg. U.S. Pat. & Tm. Oft. and in many other countries. © Pantone, Inc., 1999 



i PANTONE CREATIVE SERIES #4 , 


NORTH 


AMERICAN 






Description: 

Habitat: 

Comments: 


5' to 6T; OQChSOO lbs). 

Art Openings, Dive Bars. 

Appears in muted tones. 


large eyed, nocturnal. 

Design Retrospectives, 

paradoxically attracted to 


clothes hip; thin skinned 

Awards Dinners. 

colors. Highly unadaptable 


frequent chin scratching, 

An Supply Stores. 

to design changes. 






Life Cycle: 

PANTONE CofcorSuite • for 
Graphics is critical during ail 
stages of development; 


Hatching 

Graphicus is highly threatened in the 
nascent concept stage; instinctively 
avoids color selection danger using 

the PANTONE Color Survival Kit 
{PANTONE Color Formula Guide, 
PANTONE Process Color System' 
Guide and PANTONE Solid To 
Process Guide) stored in belly pouch, 


Courtship 

Flamboyant plumage precedes the 
mating ritual. Shows off colors on¬ 
screen with PANTONE ColorReady™ 
plug-in for QuarkXPress™, Adobe * 1 
Illustrator or Macromedia* 
FreeHand y , to compare output of 
printer, proofer and on-press. 
Feathers nest with color palettes 
built in ColorReady™. Culminates in 
frenetic approval dance with client 


Reproduction 

Reproduction insures the species' 
future. Note how the designer 
creates an accurate, predictable 
reproductive environment using 
PANTONE Personal Color 
Calibrator" 1 , to match monitor 
and printer color output. 




See Graphicus adapt to the predatory Clientus unreasonpbiiis at 

species.pantone.com 

or call 88B-PANTONE, press 2, mention "HT 



PANTONE 









or less! 

available everywhere 


Sometimes bad things do happen 
to good computers. Your screen 
freezes. (Along with the blood in your 
veins ) Or your 6-months-and-afmost- 
done project is accidentally thrown 
out with the trash. (Hello?) Or files 
are mysteriously “corrupted/ 1 I just 
don't haw the time to reconstruct my 
docs, files, bookmarks, fonts, preferences, 
financials, reports, and e-mail. Do you? 


PRESIDENT AND CEO 
ASSISTANT TO THE CEO 
CHIEF FINANCIAL OEFICCR 
BUSINESS MANAGER: 

ACCOUNTING COORDINATOR 
DIRECTOR OF HUMAN RESOURCES 

human Resource manager 


Colin Crawford 
Sharon Sandersnn 
Stephen Daniels 
Eos tie he minis 
Honda Bitmer 
Sue Murphy 
AlajriKi Chow 


DISPLAY ADVERTISING SALES 

VICE Pfl ESlDE NT r SALES. A P HSUS HER jS la U Sw« Hey 

associate publisher Stc vc Pk*vin (415/24}-3509) 

sale* * marketing coordinator Karla Kyras (415/278-8542) 
SALE s AS s I stant Jennifer Russell (415/243-3 5 7?) 

national accounts manacer Jessica Russ (415/243-35S3) 
A CCD UNT EX ecu tpve Coretta X bright (415/243-3615) 

national accounts manager. Sara Gilley (97A/3 2 7-4499) 

account executive Margaret Level Green (41 3/243-1582) 


My hard drive 
just crashed. 



Retrospect Express provides automatic 
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at a no-brainer price lt T s never been 
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strikes, the laws of prob¬ 
ability guarantee that 
sooner or later, your 
number will come up. 
But for less than *49, 
Retrospect Express 
guarantees that you’ll be 
smiling when it docs, 


■ 



eastern advertising director Gymhia Ramsey (973/243-1197) 
national accounts manager Paul Bonarrigo (508/53 3-4020) 
account executive Jo ZutordLi (516/277-4134) 

shopper account manager Niki Scran?, (41 5/243-3664) 

shopper account manager Carol Johnstone (415/243-3691) 
shopper administrative assistant Missa Mach (415/243-3628) 


RESEARCH 

SENIOR RESEARCH ANAIV4T 


Phillip INhhcn 


MARKETING 


marketing manager Francesca Koe 

TRADE SHOWfEVENTS MANAGER NaJlCV GdlflUt)' 


MACWORLD GLOBAL PRODUCT SUPPORT CENTER 

coordinator Sharon SaildurcOEl 


PRODUCTION 


VICE PHESJUENT OF MANUFACTURING 

production director 

MANUfACrUR-NG TECHNICAL DIRECTOR 

digit At An coordinators 

ad Sales coordinator 


Anne Foley 

Cynthia hJtiirctadt 
Clayton IlabtriTlail 

Russ NcimEincwt, 
Mac Scon 
Rkk Sandoval 


i> A egbhrMipn or Mat PabKihin ^ EEC, ATanva-xW ii 
4fl |aurti*|i r.p( tfMi*E<>d wl'li Applj Comjiu.Ter, Ifltt 

MlrtrtJAif. MttViH, AUcWeP*. Mlcwartf tataHClrv*. MtivtatM 
Mmpptt. MW. MW tAP. AtW StWflptf, «if etfJcHF OMt, fi^rj 
Gr.p-Aiti, Qmtfc r^pjE, Stt? Buyt-rs* Toor,. ^ihIvph 

Ebpp pet and ConsfN<*MJiK Cenlitmtr lit [ridema^t of 

Mit PuHi>Mn*. ’LL c Aj?i^r. Ihr Applr I050. *rtf Fife Eta Ml* 
am MjEitt^red TfidvmAtkl, am; MtdtlUn jmd PgwtiRvoit at 
Uildenurki. gl Applr Computet. |n«. Prjnltd sn. the Umted Slalet 
of AflTJ-ti CmWFifiHt P l?9& PjfMiihlnjr, L L.C All n ( rin 
rtwfvtd 


8 September 1999 MACWORLD 















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New 

► 

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980 

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38W 

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98S 

Save as™ 

Revert to Saved 

ae^ss 

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98E 1 

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98^5 DS 

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Project Scheduling Made Easy! 


lON'T TELL 
MY BOSS 




Version 6.02 1 

• ExpmssDate' * FastSteps" 
Opim/Export MS Project MPX files 
• Full AppleScript Suport 
^ * Histograms * Hyperlinks J 
* and much more.., M 


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m 


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Vbpa 


10 September 1999 MACWORLD 



























eye candy ► 



itieoH 

Image Communication 


dUi 


The power of color to entice. To mesmerize. To make presentations more involving. You [know] the use of color is as unlimited ^ 




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I 


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ricoh-usa.com 


£ 1999 Ricoh Corporation 


Choose 4 at www.macworld.com/gettnfo 





















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jVJadntosh Edition 


fuel. 


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SEPTEMBER 


Letters 


Going All the Way 

T HE MACWORLD WEE MERCHANTS 
Companion” (June 1999} didn’t go 
quite Far enough in discussing e-eommerce 
site development. Sure, you can set up the 
best site on the Web using Tom Negrino’s 
suggestions, but if you don’t market it, 
few people will ever see it. 

While the Internet offers a way to 
level the playing field for our niche food 
business, getting eyeballs to view our 
Web site has been our single biggest 
challenge* Banner ads, print ads, public 
relations, and ocher devices are essen¬ 
tial—and often expensive—components 
in addition to the creation and mainte¬ 
nance of the site* 

Blue MacDougall 
Mth Main? 


Left-Out LaserWriters 

S INCE I JUST BOUGHT AN iMAC, L 
was very interested to see your recent 
article on USB products (“USB from A 
to Z" June 1999). 

I ran down the list of USB-to-serial 
adapters, hoping I could find one that 
would allow me to use my Apple Personal 
LaserWriter LS, However, I found that 
none of die products listed in the roundup 
support serial LaserWriters like mine* Do 
you know of any products on the market 
(or in development) that do? 

Eliza Gallo 
New Xar fork 

Van are not alone in wanting to save your 
LaserWriter, and at least one adapter mminfac- 
tnrtT has heard your plea. Key span (SI 0/222- 
01 i/, wwvk keyspan.com) says it plans to ship a 
new USB-to-serial adapter that supports Laser¬ 
Writers by the time you read this.—Ed. 


j . 

% j 


I 



Sanity for Service Bureaus 


T hanks for bringing much 
needed service-bureau submission 
guidelines to the forefront for all designers 
(“Don’t Sabotage Your Professional Print 
Job,” Create, June 1999). The top ten were 
dead-on but only put a dent in the dia¬ 
tribes of everyday prepress troubleshoot¬ 
ing. I was so relieved to find it isn’t just 
my department that encounters these 
problems* I can now prove they are not 
anomalies that we randomly make up as an 
excuse for not getting a job out on time. 

I passed along the information to our 
clients and our from office in hopes that 
it will ease our troubled workplace* We 
feel like an unlimited source of free soft¬ 
ware training, often allowing our clients 
to use us in fixing their files just as they 
flee to another vendor. I keep dreaming of 
a total cure, but thanks for treating some 
of the symptoms. 

Gallic Householder 
A Bantu, Georgia 


I READ STEPHEN BEALE'S ARTICLE 
“Don’t Sabotage Your Professional 
Print Job" with great enthusiasm. I 
found it to be pretty much on the money. 
However, I would like to mention a 
problem we come across too often on the 
job: stylized fonts. For example, a job 
will come in where the bold or italic box 
for a font is selected in QuarkXPress. 
These fonts may print fine on a laser 
printer, but if the actual printer fonts are 
missing, the italic or bold will print in 
roman on high-end output devices, 
instead of the way the client intended. 

Aaron Kroun 
IVaodsidc, JVra York 

GoMac. Go! 

I T WAS NICE TO SEE ACTION 
GoMac 2*0 get some worthwhile 
press (Reviews, June 1999)* I’ve been a 
GoMac devotee since version 1.0* And 
while it was hard to make the leap from 
S15 shareware, when Pmteron OAvned it, 
to a S40 application under Powct On 
Software, Pve found the improvements 
are well worth the cost. 

Christopher Breen’s review left out 
a couple of GoMac’s more endearing 
features and conveniences. To manage 
items in the Start menu, just click on 
the Start button while holding down the 
option key, and the window pops open. 
Also, you can add control-strip modules 
to the Clock Tray at the right side of the 
task bar. Simply click anywhere on the 
task bar and hold down the mouse but¬ 
ton, and you get a pop-up menu that 
includes Add Module and Remove 
Module commands. So in addition to 
launching and managing applications 
easily, you can handle features such as 
continues 


www.macworld.coni September 1999 17 







LETTERS 



On E-mail l 



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resolution or sound—even Internet con¬ 
nections—on the fly. 

Steve Grfenblatt 
Brooklyn, New York 

Palm s Poor P1M 

F ranklin tessler was way too 

kind in giving a 3‘/’-mouse rating to 
MacPac 2, the new Mac desktop soft¬ 
ware for Palm handhelds ( Reviews y June 
1999). As he points out, MacPac 2 sends 
notes attached to calendar items into 
limbo, and simply ignores some repeat¬ 
ing calendar items. 

That violates the fundamental idea 
that has made the Palm devices so suc¬ 
cessful—having one body of information 
available whenever and wherever you 
want to access it, on a variety of platforms. 
Now we’re hack to the days where we 
have to say “except on a Mac.” After hav¬ 
ing had the Mac fully connected to the 
Palm, we’re back to playing second fiddle 
to PCs, or maybe we’re playing first vio¬ 
lin with only three strings. 

Palm designers have been so smart 
until now. What happened? 

Jeff Byers 

San Francisco, California 

Mac users are divided on whether these short¬ 
comings constitute a fatal flaw. Despite its 
problcjus , I find that MacPac 2 offers much 
more functionality than its poky predecessor ; 
but it still falls short of my favorite PIM, the 
defunct Now Up-to-Date and Now Contact 
bundle. —Franklin Tessler 

I HAVE BEEN USING MACPAC 2 WITH 
a PalmPilot and found a good work¬ 
around for the main problem described 
in the review of this product (not being 
able to attach notes to tasks or events on 
the desktop that will appear on the Palm). 
All you need to do is this: first, create the 
task or event. Then create a note and 
name it Handheld Note. Drag and drop 
the note onto the task or event. The note 
will be shown as an attached item on the 
desktop and will also appear as an attached 
note on the Palm. 

Victor L f s $ e r 
Niro* York, .Vrc’ York 

3Com /Palm Computing , maker of MacPac 2, 
admits this solution might work but doesn Y rec¬ 
ommend it , as it may lead to trouble down the 
road.—Franklin Tessler 


Opening a Can of Worms? 

I COULDN’T HELP BUT EXPERl- 
ence deja vu when I read about Apple’s 
decision to open part of the OS X Server 
source code (“Apple Goes Open Source 
with Mac Server," Neivs y June 1999). I 
thought Apple would come to its senses 
and give up or at least revamp its strategy. 
But now that I see it in Macworld , I know 
this cannot be. 

Remember Mozilla, Netscape’s open- 
source spin-off* that never really amounted 
to anything? Apple is following exactly 
the same approach, and I hope for its sake 
that it doesn’t end up in the same place. 

Open source seems to be all the rage 
these days with software manufacturers. 
As Apple’s product manager for Mac OS 
X Server said in the article, “It’s as if we 
had hired a huge bunch of programmers 
for free.” Haven’t we seen the results of 
this type of corporate greediness and 
laziness before? Apple, there’s no such 
thing as a free lunch. 

Jeffrey Pall 
via the Internet 

Supporting Sherlock 

1 ENJOYED ANDREW GORE’S COL- 
umn “Where’s Sherlock?” (The Vision 
Thing , June 1999). When I first saw ads 
for Sherlock, I thought it was just more 
Web-related hype and brushed it off. 

Then I installed OS 8.5 and started to 
take a closer look. I was very impressed. It 
greatly simplifies Web searches, and index¬ 
ing my drives by content and searching for 
files based on keyword content is really 
fantastic. It has saved me so much time. 

Sherlock is one of those how-did-I- 
ever-live-without-it tools. I completely 
agree that Apple should aggressively sup¬ 
port and market Sherlock. If only the 
Web sites that maintain the search data¬ 
bases would get rid of stale URLs, the 
efficiency and effectiveness of Web 
searching would really improve! 

Apple, don’t flush a good thing! 

Sam Gasster 

Los Angeles, California 

4 NDREW GORE CORRECTLY 
asserts that Sherlock is “the most 
easy-to-use search technology on any 
platform.” Not only that, but it renders 
virtually instant, on-target results every 
continues 



Choose 170 at www.macworld.com/geHnfo 

18 September 1 999 MACWORLD 













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LETTERS 


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time. I love asking my PC-challenged 
friends to find their own name. Invari¬ 
ably the final choice is an Internet site that 
mentions them, since none of them has 
registered with any search engines. To 
their amazement, newfound respect, and 
envy, I have located multiple sites in mere 
seconds in every case. Sherlock is contin¬ 
ued proof that Macs rule! 

P r \ x A i: c; s n v r t; e it 

Hen ten Sp ring}, Michigan 


Don’t Hold Back How 

I AM SICK OF THE NAMBY-PAMBY 
whiners out there in Macdom who can¬ 
not grasp the necessity of change, focus, 
radical ideas, and direction in Apple, I’ve 
been reading letters in Maatmrid criticizing 
Apple for the new G3 and the iMac, and I 
have heard enough. Thankfully, Steve Jobs 
has the chut/pah to take the Mac in radi¬ 
cal new directions—forcing needed 
change in what was a comatose, under¬ 
achieving platform. You complained when 
Apple was in the red for years, offering no 
inspiring technologies and no real OS 
direction—and now you complain because 
that*s all history. Number one-selling com¬ 
puters, flexible and efficient new technolo¬ 
gies, radical designs, and even a bit of 
humor. Oh, yeah—this is bad! 

The Mac is back in fact and in spirit. 
Iris time to embrace the radical changes 
and get on board with the brightest future 
Apple has seen in years. 

There—I feel better now. 

Ron Tavalin 
Pj/jTme, Wirt oh 


Letters should lie sent to Letters, Macworld, 51H 
Howard St., 16th FL, Sun Francisco, CA 94105; via 
fax, 415/442-0766; ur electron! tally, to letters® 
macworld.com. Include a return address and day¬ 
time phone number. Due to the high volume of mail 
received, we can’t respond personally to each letter. 
We reserve thr right to edit all letters. All published 
letters become the property of Moroor/J 


CORRECTIONS 


The viewable err a for Eizo Xtin no Tech¬ 
nologies 1 FlexScan I 960 is 19.6 inches 
CTkink BigJJunt 1999). 

Contrary to our assertion, Macromedia's 
Fireworks 2M. 2 does have tween trig 
capabilities ("Reviews, July 1999). in 


20 September 19 99 MACWORLD 












































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The Vision Thing 

by Andrew Gore 


Music for the Masses 

WHY MP3 AND THE MAC WILL REVOLUTIONIZE THE MUSIC WORLD 


C onvergence is the 

bogeyman of media 
megacorporations. In 
die music industry, where 
so much is made by so 
many for doing so little, 
the idea that artists can 
now eliminate the 
middleman and deliver 
their content directly to their admirers is 
a frightening thing indeed. 

These music publishers should be 
afraid—very afraid. Because MP3 has 
finally arrived on the Mac. And once this 
emerging standard for encoding and dis¬ 
tributing high-quality audio combines 
with Mac users’ creative zeal, the result¬ 
ing tidal wave will be big enough to swal¬ 
low media moguls whole. 

Special Delivery 

In the last couple of months I’ve finally 
had the opportunity to tinker with MP3, 
an extension of the MPEG multimedia 
file format now famous for housing 
extremely good-sounding music in fairly 
small sound files. And while audiophiles 
are practically frothing at the mouth over 
claims that MP3 sound quality is as good 
as that of compact discs, one thing that 
can’t be challenged is that MP3 files are 
much smaller, about one-tenth the size of 
the equivalent data on an audio CD. MP3 
files can be downloaded over the Internet, 
or you can create your own from your 
personal CD collection by using MP3- 
encoding software. Best of all, you can 
download your own custom mixes to 
pager-size portable MP3 players, in addi¬ 
tion to playing them on your Mac. 

Diamond Multimedia recently an¬ 
nounced the S269 USB-based Rio PMP 
500, the latest version of the leading MP3- 
player hardware. The new Rio works with 
any Mac with a USB port, can store two 
hours of music on its built-in RAM, and has 
a slot that can use removable SmartMedia 
cards to add another hour of music to the 
mix (see News, elsewhere in this issue). 


Because MP3 players like the Rio store 
music in RAM, they’re the tops in terms of 
stability. There are no moving parts, so 
there's nothing to bounce, jog, or otherwise 
disrupt the playback of your favorite tunes. 

The only thing holding back MP3 on 
the Mac has been software. Around the 
Macworld offices, we’ve been testing the first 
two commercial Mac MP3-encoding pro¬ 
grams: Xing Technology's $30 AudioCata- 
lyst (already in version 2.0) and Casady & 
Greenes S49 Soundjam MP. which should 
be available by the dine you read this. 

With MP3 encoders like these, copy¬ 
ing an audio CD to your hard drive is 
about as easy as sticking it in your 


CD-ROM drive. In both Soundjam anil 
the shareware MacAmp, you can create 
custom song sequences (or playlists) by 
clicking on and dragging tracks from the 
CDs you’ve recorded and from MP3 
tracks you’ve downloaded from the Net. 

Then there’s the issue of sound qua¬ 
lity. I’m here to tell you that at higher sam¬ 
pling rates—say, 144kHz—I simply can’t 
tell the difference between songs recorded 
in MP3 and those on a conventional audio 
CD. I'm sure there is a difference—I just 
can’t hear it. And truth be told, I’m not 
that concerned about what I can’t hear. 


Revolution 10 

Copying your favorite CDs to your hard 
drive is great. But the real power of 
MP3 will be in the sounds you tune in 
over the Internet. 

Ever wonder why a CD can cost 
upwards of SIS when the cost of materi¬ 
als is about a buck? Distribution. Market¬ 
ing. Advertising. Corporate profits. By 
the time everyone’s done getting their 
share of that price tag, the artist is left 
with only a modest percentage of the take. 

With MP3, suddenly the infrastruc¬ 
ture disappears from the equation. Musi¬ 
cians can charge a couple of dollars for an 
entire CD’s worth of music, keep most of 
the proceeds (considerably 
more than they’d see front the 
sale of a CD), and you, the 
consumer, save a bunch and 
get your music in easily man¬ 
aged files. Ever try to mix a 
custom Mini Disc or audio- 
tape? Let’s just sav the inter¬ 
faces were designed by the 
same folks who invented 
VCRs. With MP3, you get to 
use your Mac as your audio 
dashboard. You can even use 
plug-in “skins” to completely 
customize your MP3 player’s 
interface. How cool is that? 

Now that MP3 is finally 
on the Mac, the revolution it 
embodies will only accelerate. 
The Mac is already the platform of 
choice for many musicians. And with 
MP3, those musicians will be able to 
encode their works for distribution over 
the Internet with ease. 

Just add a few digital groupies who 
will breathlessly follow a musician’s files 
around the Web, and the record compa¬ 
nies won’t have any enticements left to 
offer the aspiring rock virtuoso, m 

Editor in Chief A ndrew Gore is a co¬ 
author of My i.Mac (IDG Books Worldwide, 
I E-mud questions and comments to 
Andy at vtsionthing@macu?orld.com. 



www.macworld.com September 1999 23 










STOP BY AND WE'LL 
SHOW YOU HOW TO BUY 
A COMPUTER. 

STAY LONG ENOUGH 
AND WE'LL SHOW YOU 
HOWTO BUILD ONE. 


Desktop computer 
reviews and features — 


Now to buy your first PC 


1: Know what you need — 



Hardware 


Under the hood: 
What makes a PC fast? 


Build your own 

computer 



Hardware: Do it yourself 


Select CPU and - 

motherboard 


REVIEWS I PRODUCT COMPARISONS 


RICES I NEWS | TECH AUCTIONS I WEB BUILDING I OOWNLOA 


H 


AND MOR 






























Configure and price 


Find lowest prices 


Buy it! 


Editor’s choice 


Manufacturer info 


CHET recommends 


Desktops discussion group 

L 


Digital Photography 101 


FairoPilot message board 


CHEF Hews: PC industry 

feeling queasy 


Downloads for 
the PalmPilot 


J 


Digital photo 
tips and tricks 


Secrets of the PalmPitateers 


Heavy duty home PCs 

i 

Report; low cost PCs surging 


The ultimate spy kit 


How fast Is fast? 


High end gadgets 
that scream “success' 1 


r —— Power downloaded weekly picks 


g things your PC 

can't live without 


Service and 
support survey 

I 

What to look for -— 


- Inkjet printers: - 
What to look for? 


- The past, present, and 

future of FDRs 

- Digital DJ: Make your 
own homegrown tunes 


Photo printer roundup 


Ho such thing as 
Leading edge PCs a free computer 


Consumer alert; 


Free PCs - 

i 

Cheap PCs reviewed 


Buyer's guide 

to cheap PCs 


— 12 modems compared 

fill monitor reviews 

How cheap is too cheap? 

Cheap PC roundup 


CHET Ructions 


Big screen buying tips 


Save 70% on an inkjet printer 

— Finally, a bargain LCD 


It's a flat world, after all 

Windows installation 


4: skip the stores 


PCs under *700 


3 : Know about pricing 


2 ; Desktop or laptop? 


Power Up and 
- troubleshooting 

Fisk CHET labs 


Installing a game controller 


Longest battery life*? Storage end video 
installation 


Notebook tips and advice 


30 Graphics chip scorecard 
Overclocklrig your CPU 


Most popular notebooks 
Cheap speed: 5 ways to boost PC performance 
Motherboard preparation --— 


Motherboard installation 


Building an extreme machine 


G a me r's g u a d e t o C FU s 


CPU and memory installation — ^ 


General information about PC hardware 



Select case and peripherals 


The source for computers and technology." CNEI .COFT1 













































































































































There’s only one utility in the world that does more for your 

Macintosh than TechTool Pro 2... 



Introducing TechTool Pro 2.5 


MicroMat’s disk repair and Macintosh troubleshooting 
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Aug. 1999 


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Choose 67 ol v/ww. macworld.com/gotinfo 


































































SEPTEMBER 


19 9 9 



graphics 


Web Sites Take On Application Roles 



CREATE AND MODIFY 
GRAPHICS THROUGH 
YOUR WEB BROWSER 
by Stephen Beale 


T he next time you need 
to touch up a photo or 
convert an image tile, 
you may have an extra 
software tool at your 
disposal; your Web browser. A 
handful of developers, includ¬ 
ing Extensis (800/796-9798, 
www.extensis.com) and a new 
company called Avivo (415/ 
2 42 - 0400, www. a to m z . eo m), 
have introduced Web sites that 
let you perform graphics oper¬ 
ations that would otherwise be 
handled by stand-alone soft¬ 
ware, As Internet bandwidth 
increases and developers look 
for new sources of revenue, 
such Web-based graphics apps 
could become commonplace. 

Web sites that duplicate 
commercial software's features 
are nothing new. For example, 
Netstudio.com offers tools for 
creating simple Web graphics. 
However, these sites are largely 
geared toward casual users. 
The new Web application sites 
target graphics professionals. 

Creative Pros Extensis, 
best known as a developer of 
graphics plug-ins, has launched 
3 a Web site called Creativepro 

* .com that offers discussion 

1 forums, sendee directories, 


links to industry news sources, 
and information about soft¬ 
ware products from Extensis 
and other companies. Nothing 
unusual—but Extensis has 
ambitious plans to offer a vari¬ 
ety' of graphics services via 
the site, including PDF-to- 
HTA1L file conversions, digi¬ 
tal photo enhancement, and 
p i >n ft >1 i o hosti n g. E xte n s i s 
plans to offer its first Web- 
based application*—-a PDF pre- 
flighting tool based on its Pre¬ 


flight Pro software—shortly 
after Creativepro.com goes 
public in July; Extensis won’t 
charge for basic PDF pre¬ 
flighting but eventually will 
offer a more fully featured ver¬ 
sion of the service for a fee. 
Atomic Power Avivo, a 
new company founded by ex- 
Macromedia employees, has 
launched a Web site—www 
.atomz.com—that will offer 
free software applications for 
Web developers. The first app, 


Atomz Search, lets you quickly 
produce search engines for 
your Web site. Using tools on 
Atomz.com, you can create 
customized results pages that 
conform to your site's design. 

The free sendee is limited 
to Web sites with fewer than 
500 pages, and you must 
include a “Powered by Atomz 
.com' 1 logo on die search page. 
The company offers a premi¬ 
um sendee, beginning at S3Q 

continues 


www.ma-cworId.com Seplcmber 1999 27 



















news 


per month, for larger Web sites 
or those that don’t want to dis¬ 
play the logo. The premium 
service also provides automatic 
reindexing of your site; with 
die free service, you must peri¬ 
odically hit a reindex button 
accessed through Atornz.com. 

Avivo plans to offer other 
server applications, including 
workflow management and 
dynamic generation of data 
and graphics. 

Extra! Extra! Targeting 
the newspaper business, 
B-Linked (800/254-6533, 
www .b-linked .com) and 
iPrint (www.iprint.com) have 
teamed up to offer the Virtual 
Ad Design Studio (VADS), a 
service that allows adv ertisers 
to create and customize print 
ads using a Web browser. An 
advertiser can take an ad cre¬ 
ated for one newspaper, mod¬ 
ify the copy, fonts, graphics, 
and other elements, and then 
redistribute the ad to other 
publications. 


Other Vendors Although 
they have not announced 
plans for Web-based applica¬ 
tions, most of the leading 
graphics vendors have sub¬ 
stantially stepped up their 
Web presence. 

In May, Macromedia 
announced Shockwave.com, 
a new business venture that 
will manage an entertain¬ 
ment-oriented Web site of 
the same name (see “Macro¬ 
media Bets the Store on 
Flash 4,” NewSy August 1999). 
MetaCreations offers direct 
links to online interest 
groups through menu com¬ 
mands in its software pack¬ 
ages. For example, the Bryce- 
Talk command in Bryce 4 
accesses an online forum for 
Bryce users. And Adobe, as 
part of an ongoing restruc¬ 
turing, says it will beef up the 
electronic-commerce features 
on its Web site, making it 
easier for customers to buy 
the company’s software. 


i multimedia [ 

MP3 Audio 
Tunes Up on 
the Mac 

NEW SOFTWARE LETS 
YOU CREATE MP3 TITLES 
by Macworld Staff 

M P3, the audio for¬ 
mat that has gained 
a huge following on 
the Web, is tuning 
up to occupy center 
stage on the Macintosh. 
Apple’s QuickTime 4 soft¬ 
ware, which shipped in June, 
lets you add MP3 audio to 
QuickTime movies, and 
Macromedia’s recently an¬ 
nounced Flash 4 software 
puts MP3 in Flash anima¬ 
tions. Now Casady & Greene 
(800/359-4920, www.casadyg 
.com) has taken MP3 a step 
further by offering a $49 pro¬ 
gram that lets you encode 
MP3 audio in addition to 
playing it back. 

Sound Jam MP, sched¬ 
uled to ship by the time you 
read this, will include a cus¬ 
tomizable player with con¬ 
trols similar to those found in 
AppleCD Audio Player. An 
application programming 
interface for the player will 
allow developers to create 
different looks, including 
players with large buttons or 
irregular shapes. Casady & 
Greene also plans to offer a 
collection of MP3 songs. A 
version of the software will 
be bundled with Diamond 
Multimedia’s forthcoming 
Rio PMP 500 digital-audio 
player, the first .MP3 player 
to offer Mac support. 

MP3 has become a pop¬ 
ular music format for the 
Web, thanks to its compact 
file sizes and near-CD-qual- 
ity audio. You can store as 



Wacom Tablets Get USB Interface 


USERS OF iMACS AND BLUE POWER MAC G3 SYSTEMS 
can now enjoy the benefits of pressure-sensitive graphics 
tablets. Wacom (800/922-6613, www.wacom.com) has 
announced USB versions of its Intuos pens and tablets (see 
Reviews, January 1999). Five models are available: 4 by 5 
inches, S200; 6 by 8 inches, $384; 9 by 12 inches, $510; 12 
by 12 inches, $510; and 12 by 18 inches, $820. All tablets 
ship with one pen; the 9-by-12 and 12-by-18 models also 
include the Intuos 4D Mouse.— MACWORLD STAFF 


many as 2,300 MP3 titles on 
an 8GB hard drive. MP3 has 
raised concerns in the re¬ 
cording industry because it 
makes it easy to pirate copy¬ 
righted music. However, 
some musicians have em¬ 
braced the format because 
they can offer samples of 
their recordings directly to 
potential fans, bypassing the 
music industry’s convention¬ 
al distribution channels. 

Along with Sound Jam 
MP, Casady & Greene has 
released upgrades to Conflict 
Catcher and Spell Catcher, as 
well as two new products, 
iLiner and Speed Startup. 
iLiner is a $49 outlining tool 
that lets you take notes while 
viewing QuickTime content; 
it also provides access to the 
automatic document-summa¬ 
rization features in Apple’s 
Sherlock software. Speed 
Startup, a $19.95 utility avail¬ 
able exclusively through the 
Casady & Greene Web site, 
speeds system boot-ups, 
especially on PowerBooks or 
Macintosh systems with large 
amounts of RAM. 


| graphics j 

Photoshop 
Upgrade Gets 
Web Savvy 

IMAGEREADY ROLLED 
INTO PHOTOSHOP 5.5 
by Stephen Beale 

W hen Adobe Sys¬ 
tems (800/685- 
3612, www.adobe 
.com) released 
Photoshop 5.0 
last year, many users thought 
the company had made a big 
mistake. Rather than add s 
enhanced Web-graphics capa- 2 
bilitdes to its image-editing | 
powerhouse, Adobe chose to 2 


28 September 1999 A/IACWORLD 











place those features into a 
new program called I mage - 
Ready. The problem—aside 
from weaknesses in Image- 
Ready itself—was that you 
still had to use Photoshop to 
begin many of your Web- 
graphics projects. Meanwhile, 
Macromedia introduced 
FireWorks, a much 
more successful pro¬ 
gram that integrated 
most of the functions 
needed to create 
images for die Web. 

With Photoshop 
5.5, Adobe appears to 
have recogn \zed the 
error of its ways. Many 
of the Web-graphics 
features previously 
found in Image- 
Ready have been 
incorporated into 
Photoshop. Other functions, 
such as animation, image slic¬ 
ing, and JavaScript rollovers, 
are available in a new version 
of ImageReady that is bun¬ 
dled with—and tightly inte¬ 
grated with—the image-edit* 
ing package. Instead of using 
separate programs to create 
Web animations and other 
graphics, you can now do it all 
in Photoshop. Adobe will no 
longer offer ImageReady as a 
separate progra m. 

Web Features Photo¬ 
shop's new Web savvy is 
apparent in many areas. For 
example, in addition to dis¬ 
playing an out-of-gamut 
warning when you specify an 
unprintable color, Photoshop 
5.5 can display a warning 
when you specify a color out¬ 
side the 216-color Web-safe 
palette. If you’re working on 
a transparent GIF image, 
Photoshop can now display 
the transparency 

The color-reduction and 
optimization features previ¬ 
ously available in ImageReady 
have been rolled into the big 
program: a new Save For Web 
| dialog box lets you experi- 
> merit with different color 
I palettes and visually compare 


up to four versions of an 
image. You can lock colors, so 
they are not affected by 
palette-reduction operations, 
and son the palette based on 
how often the colors are 
used. As with 



FireWorks, you can 
also specify a targeted file 
size and have the program 
apply whatever compression 
is needed to achieve it. A 
gamma preview lets you see 
images as they appear in Win¬ 
dows or the Mac OS (images 
look darker in Windows). 

If you want to slice or ani¬ 
mate the image, you can 
launch ImageReady 2,0 from 
within Photoshop. 

Going to Print The 
upgrade includes other 
enhancements, most notably 
new masking functions that 
duplicate many features found 
in Extensis MaskPro, Chroma- 
G ra ph ies xMa gi c Mask, and 
Ultimatte Knockout. xA new 
Background Eraser makes it 
easier to remove backgrounds, 
and you can create complex 
masks by drawing inner and 
outer boundaries along an 
object's edge. 

New Actions in Photo¬ 
shop 5.5 automate the cre¬ 
ation of Web photo galleries, 
complete with thumbnails 
and HTML links to full-size 
photos. You can also produce 
photo packs that include mul¬ 
tiple sizes of a single image. 

Adobe plans to ship the 
$6 10 package by the time you 
read this. Upgrades from 
Photoshop 5.0 or Image- 
Ready 1.0 will cost S129; 


upgrades from earlier Photo¬ 
shop versions will cost S199. 
Adobe also plans to offer a 
retail version of Photoshop 
5.0 LE for midrange users. 
The software, which lacks 
CM YK, color-m ana ge- 
ment, and channels func¬ 
tions, will sell for less 
than S200, Previously, 
Adobe offered Photoshop LE 
only as bundled software for 
scanners or digital cameras. 


j~ graphics 

Canvas Update 

Introduces 

SpriteEffects 

UPGRADE APPLIES IMAGE 
FILTERS TO VECTORS 
by Stephen Beale 


D eneba Canvas 6, intro¬ 
duced in 199B, imple¬ 
mented a new tech¬ 
nology called Sprite- 
Layers tliat lets you 
ere a re soph i sti cated m a ski ng 
and transparency effects using 
bitmapped images and vector 
graphics. Now, less than a year 
later, Deneba Software (305/ 
5 96- 5644, www,deneba + com) 
is preparing to ship Canvas 7, 
an upgrade to the integrated 
graphics software that adds 
another new technology, 
called SpriteEffects. 

Vector Fitters Canvas 
combines image-editing and 
vector-graphics capabilides, 
and the new SpriteEffects 
function thus borrows from 
both Adobe Photoshop and 
Macromedia FrccHand, As 
with Photoshop's Adjustment 
layers, you can apply filters 
such as Blur ami Sharpen to a 
layer that affects any underly¬ 
ing graphic. But SpriteEffects 
also work much like Free- 
Hand lenses: you can use 


Product 

WAT C H 


More Pixels Now that digital 
cameras have broken the 
megapixel barrier, manufacturers 
are racing to offer two-megapixel 
models {see "Digital Cameras 
Develop/ elsewhere in this issue). 
The 5699 RDC-5000, from Ricoh 
(BOO/742-6410. www.ricohcpg 
com), captures images at up to 
2,3 million, or l r ?92 by 1 r 200. 
pixels. The camera includes 2.3x 
optical zoom and a USB connec¬ 
tion for easy download to [Macs 
and blue G3s. The S699 Photo PC 
8Q0 P from Epson (BOO/463-7766. 
www.epson.com), features a 
2.14-megapixel sensor, for a max¬ 
imum resolution of 1.600 by 
1200 pixels. For the consumer 
crowd, Epson's 5349 PbotoPC 
650 captures 1.09 million, or 
1,252 by 864, pixels. Both Epson 
cameras can download images 
through USB or serial pods. 

Astral Scans Expanding its 
Astra line. Umax {800/562-0311, 
www. u max .com) h as re leased 
two new flatbed scanners for 
home-office Mac users. The $129 
Astra 2000U and $169 Astra 
2100U both offer 36-bit color and 
600-by-1,200 dpi resolution, with 
USB ports for connection to iMacs 
or blue G3s. The Astra 2100U fea¬ 
tures three programmable push 
buttons to automate scanning, 
direct copying to a connected 
printer, or other operations. Umax 
also announced it will bundle SCSI 
cards with its PowerLook and 
Mirage series scanners to allow 
connection to blue G3 systems, 
which lack a built-in SCSI port. 


continues 







Product 

WATCH 


Project Your iMac Let your 
iMac's inner beauty shine on the 
wall or through another monitor 
The $99 t Pres enter, fro m Power R 
(800/729-6970, www.powerr 
.com), is a video adapter that lets 
iMacs drive a rnuitimcdra projector, 
external monitor, or television. The 
adapter connects to the monitor 
cable inside the iMac 

Illustrator 8 Update Adobe 
(800/833-6687, www.adobe 
.com) released Illustrator 8,0.1, a 
free update to the popular drawing 
software. The patch fixes several 
bugs, including one that causes 
crashes under Mac OS 8,5,X. 
Download the update at www 
.adobe com/ prod in dex/il fust rator/ 
updateSOI .html. 

PDF for 05 X Stone Design 
(505/345-4800, www.stone.com) 
has announced PStilJ, a PostScript- 
to-PDF file-conversion program 
that runs under Mac OS X Server 
software. The Si 29 package, 
scheduled to ship by the time you 
read this, converts PostScript and 
EPS files to Adobe's Portable 
Document Format. 

FileMaker Fix FileMaker (800/ 
325-2747, www.filemaker.com) 
has released a free FileMaker Pro 
update that fixes bugs and adds a 
new data-validation feature. The 
fatter aflows you to set up data 
fields that validate whether 
entries are numeric, date, or time 
values. You can download the 
FileMaker Pro 4,1 v2 updater from 
wwwJilemaker.com/support/ 
41v2 release, html.— edited by 

MICHAEL COWAN 



Bezier drawing tools to modify 
the size and shape of the 
SpriteEffect—the area affected 
by the filter—and you can 
detach a SpriteEffect from one 
object and apply it to others, 
SpriteEffects have another 
property unique to Canvas: 
they let you apply Photoshop 
fi 1 te rs—i n c l ud i n g th i rd - part) 7 
plug-ins—to vector graphics, 
as long as die filters support 
Photoshop's Actions palette. 
When you apply the filter, the 
lens displays a rendered ver¬ 
sion of the vector graphic at a 
resolution you define. How¬ 
ever, you can still edit the 
drawing in its vector form, and 
you can detach the lens and 
apply it to other vector objects. 
Other Goodies Along 
with the SpriteEffects technol¬ 
ogy, Deneba has spruced up 
the Canvas interface. The pro¬ 
gram's many palettes are con¬ 
solidated in a single menu, 
and Canvas now includes a 
Photo shop-style Navigator 

window that makes it easy to 
move around a document in 
magnified views. You can also 
modify vector objects while 
viewing their stroke and fill 
characteristics; previous ver¬ 
sions let you edit objects only 
in a wireframe mode. 

The program's Web capa¬ 
bilities have been spruced up 
as well. You can create GIF 
animations, experiment with 
color-reduced palettes, and 


preview up to four versions of 
each image to see which set¬ 
tings offer the best trade-off 
between file size and image 
quality, Deneba has junked 
Colada, the Java-based Web 
export component of Canvas 
6, and now provides direct 
export of Dynamic HTML, 
Deneba expects to ship the 
S375 package this September. 


1 multimedia 

VR Toolbox 
Prevails in 
QTVR Suit 

ROUNDABOUT LOGIC 
PULLS COMPETING TITLES 
by Macworld Staff 

V R Toolbox (877/878- 
6657, www.vrtoolbox 
.com) has won a 
legal battle with 
Roundabout Logic 
over the rights to QuickTime 
VR (QTVR) authoring pro¬ 
grams sold by the former as 
VR PanoWorx and VR 
ObjeetWorx, Under the 
terms of a recent settlement, 
Roundabout Logic, which 
offered the same software 
under the respective names 
Nodester and Widgetizer, 


will no longer offer either of 
those programs, VR Toolbox 
will assume technical-support 
responsibilities for Nodester 
and Widgetizer and also 
plans to offer upgrades to its 
own versions, 

Nodester, used to create 
QTVR panoramas, and 
Widgetizer, used to make 
QTVR object movies, were 
originally written by Econ 
Technologies, a Florida pro¬ 
gramming shop, and pub¬ 
lished by Panimntion and 
later Roundabout Logic. In 
1998, Econ sold the rights to 
both programs to a new com¬ 
pany called VR Toolbox. 
Roundabout Logic sued, 
claiming that it had exclusive 
rights to the software; VR 
Toolbox and Econ countered 
that Econ was free to sell the 
rights to another publisher. 
VR Toolbox is a subsidiary of 
Emery Manufacturing and 
Equipment, a manufacturer 
of QTVR object rigs. In 
addition to VR PanoWorx 
and VR ObjeetWorx, VR 
Toolbox offers VR Scene- 
Worx for creating multinode 
QTVR movies, and The VR 
Worx, a bundle of all three 
programs. 

Roundabout Logic has 
issued a statement acknowl¬ 
edging VR Toolbox's owner¬ 
ship of the software. The 
company failed to return calls 
seeking additional comment. 


Epson Joins MFP Fray with 
Stylus Scan 

A SCANT TWO MONTHS AFTER CANON INTRODUCED THE 

first Mac-based multifunction peripheral, Epson 
America (800/289-3776, www.epSOn.com) is getting 
into the act, Epson's new Stylus Scan series incorpo¬ 
rates a scanner and ink-jet printer—comparable to the 
Stylus Color 740—in one unit. Three models are avail¬ 
able. The $349 Stylus Scan 2000 features a sheetfed 
scanner; the S499 Stylus Scan 2500 and $699 Stylus Scan 2500 Plus include 
a flatbed scanner equivalent to the company's Perfection 636 model. The 
Plus unit also sports an automatic document feeder. Alf three have USB ports 
but no serial connections.— macworld staff 



AtIVOH JNNVZttS 








WEB GEEK 


ARTISTE 



looiooooioioiq^^j 


Adobe GoLive 



There are two sides to every Web designer,The artistic design side and the esoteric HTML side. Now youre the 
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master a whole new side of your personality.To download a free trial version, go to www.adobe.com/golrve99 


Adobe 





































































































See us at MacWorld 


Expo‘99 NY, Booth #149 








ProG3 

The Ultimate Processor 
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PowerBook G3s 


NEW SLIM POWERBOOKS 
OFFER MORE AND LESS 

m S MOST PORTABLE USERS WILL 
tell you, the three most impor- 
m n taut considerations in a notebook 
■iH computer arc size, size, and size. 
m m Luckily for Mae road warriors, 
Apple’s latest PowerBook line offers 
major improvements in all three* Apple’s 
PowerBook G3 notebooks have distin¬ 
guished themselves as performance lead- 
ers anioni' laptop computers* But users 
have paid a heavy price for that power— 
literally—as they lugged the bulky 
8-pound portables through airports and 
hotel lobbies* No more* With the latest 
Mac laptops, Apple has engineered out 
some two pounds of hulk while adding 
more features, boosting speed, and 
extending battery life. 

Passing the Weight Test 

From the moment you pick up one of the 
“bronze” Power Books (the nickname 
comes from the translucent bronze key¬ 
board), you can tell that Apple has given— 
and taken away. The design generally 
resembles that of the previous PowerBook 
models, with a sleek black chassis; smooth, 
rounded corners; and a pair of expansion 
bays for storage devices and batteries. But 
it’s just 1.7 inches thick—about a third of 
an inch thinner than its predecessor—and 
weighs in at 5.9 pounds with CD-ROM 
drive and battery* 

Thanks to its crash diet, the new 
PowerBook is light and easy to handle. 



but it still has a solid and resilient feel* 
However, with the slimmer expansion 
bay, storage devices and batteries designed 
for Apple’s previous Power Books won’t fit 
in the new one* Aside from VST Tech¬ 
nologies’ Zip and SuperDisk drives, there 
are few products available at press time 
that work with the new bay 

Macworld Lab tested standard con¬ 
figurations of both new Power Book 
models. One model features a 400MHz 
03 CPU, and the other a 333MHz chip* 
Both models include 64MB of RAM* an 
ATI Rage LT Pro graphics controller 


with 8MB of video memory, a 14*1-inch 
active-matrix display, a lO/lOOBaseT 
Ethernet connection, and a 56-Kbps 
modem. The 400Ml 1/ model also fea¬ 
tures a I MB L2 cache, a 6GB hard drive, 
and a DVD-ROM drive. The 333MHz 
model sports a 5 12K L2 cache, a 4GB 
bard drive, and a 24x CD-ROM drive* 
At press time, you couldn’t order the 
333MI Iz model with a DVD drive. Apple 
says it will offer DVD as a build-to-order 
option for the 333MHz model, but you 
won’t he able to upgrade to DVD after 
you’ve purchased the machine. 


REAL PRQOUCTS 
REAL RATINGS 


Reviews you can trust: Macworld rates only final shipping products, not prototypes* What we review is what you can actually buy. 
OUTSTANDING; ham VERY GOOD: MO GOOD: FLAWED: M UNACCEPTABLE; ♦ 


3 4 September 1999 MACWORLD 













Macworld 

LAB TEST 


Bronze PowerBooks 

Best results In red. Reference system in italics. MacBench 5.0 scores are 
relative to those of a first-generation Power Mac G3/300, which is assigned 
a score of 1,000 for each test 


Apple PowerBook G3/400 - 
Apple PowerBook G3/333 - 
Apple Power Book G3/300 


MACBENCH 5.0 


Processor 


Disk 


Graphics 


M.237 

958 

995 


978 

908 

909 


\LcnCtf tm t*On 


1 1,543 
1,435 
1.420 

| 


Behind Our Tests 


For the full review, including detailed information on our tests, sec www 
.macworkl.conV1999/09/rev»cws/ — Macworld Lab testing supervised by Cil Loyola 


As you can see in the benchmark, 
“Bronze PowerBooks,” the 400MHz 
PowerBook G3 tar outpaced the 300MHz 
reference system in processor performance 
and also earned the top scores in our Disk 
and Graphics tests. The 333MHz model 
was less impressive, lagging slightly behind 
the reference system in processor perfor¬ 
mance, slightly ahead in graphics perfor¬ 
mance, and about even in disk performance. 
The likely culprit for the low Processor 
score is die models smaller L2 cache. But 
keep these numbers in perspective: diis is 
still a wicked-fast laptop. 

A Longer Life? 

Thanks to die lower power consumption 
of the latest G3 chips, along with new 
power-management features in Mac OS 
8.6, Apple claims that you can run these 
laptops up to five hours on a single bat¬ 
ten', or ten hours when using two batter¬ 
ies. To achieve such long battery life, you 
need to step down the CPU speed, using 
the Energy Saver control panel. When 
testing at full speed, we found that the 
400MIlz model lasted for three hours 
running a standard suite of business- 
application tasks; the 333MHz version 
kept its charge about a half hour longer. 
When we ran this same suite on the pre¬ 
vious-generation 300MHz PowerBook 
G3, also at full speed, we got three hours 
of battery life under Mac OS 8.6 and 
2 hours, 50 minutes under Mac OS 8.5.1. 

Apple says that you can watch a DVD 
feature movie (namely, Austin Powers) 
twice on a single battery’s power. Again, 
this claim is based on running the CPU 
at a slower speed. At hill speed, we ran out 
of power with about 30 minutes left to the 
end of the second showing. Fortunately, 
running at the slower CPU speed has no 
effect on DVT) performance. 

Our conclusion? While the bronze 
PowerBooks offer a modest improvement 
in battery life, the 400MHz unit also 
offers considerably greater speed, mak¬ 
ing the aggregate a good step forward in 
batter)’ life versus CPU performance. 

Other Goodies 

Portable users cannot live by battery life 
alone. And here, the new PowerBooks 
offer some nice improvements. 

These are the first PowerBooks to 
include built-in USB ports (two) and 
FireWire connectivity, although the latter 
is available only through Newer Tech¬ 
nology’s FireWire2Go PC Card. And 


unlike Apple’s desktop models, which 
have done away with older hardware 
interfaces, the new PowerBooks still 
include a SCSI port as well as a 4-Mbps 
IrDA port. However, the ADB port is 
gone and you get only one PC Card slot 
instead of the traditional two. The new 
PowerBooks also return a feature missing 
from the previous generation of Apple 
laptops: the ability to drive the internal 
display and an external monitor simulta¬ 
neously. Earlier G3 models required a 
separate graphics adapter to do this. 

Along with these major additions, the 
new models offer a host of small-but- 
uscful improvements. It is now easier to 
remove the keyboard if you want to access 
internal components. Before, you had to 
remove any devices in the expansion bays; 
now you simply release two latches and 
remove a keyboard-locking screw. Apple 
also improved the design of the expan¬ 
sion-bay latches, making it more difficult 
to accidentally eject a drive or battery. 

The keyboard’s translucence, while 
adding a nice design flair, occasionally 
tricked us into thinking the caps lock key 
was engaged. And if you use PC-emula- 
tion software, you may lament the loss of 
dedicated Delete, Insert, Print Scrn, 
Scroll Lock, and Pause/Break keys, pre¬ 
viously available through the Power- 
Book’s function keys. Also missing are 
dedicated controls for ejecting PC Cards 
and controlling mute, volume, and con¬ 
trast, although the latter three controls 
are available through function keys. 

The biggest problem we encountered 
in our testing related to the PowerBooks’ 
USB implementation. The USB drivers 
that shipped with the laptops don’t seem to 


recognize the PowerBook Sleep function, 
so putting the machines to sleep with an 
attached, unpowered USB device (such as 
a keyboard or mouse) caused a variety of 
minor problems, including the occasional 
system crash. We expect that Apple and 
peripheral developers will provide updated 
drivers that address this problem. 

AAacworld's Buying Advice 

Despite the SI,000 price difference, we 
recommend the 400MHz PowerBook 
G3 over the 333MI Iz model due to the 
G3/400’s built-in DVD-ROM drive and 
impressive performance numbers. How¬ 
ever, the slower model still delivers 
plenty of laptop power for a mere 
$2,499. Either PowerBook will satisfy 
those hankering for a light load but 
unwilling to give up features—or the 
Mac OS—to achieve it.— Andrew gore 


PowerBook G3/333 

RATING: ffffVz PROS: Respectable battery 
life; good value. CONS: Must order DVD at time 
of purchase; possible stability problems related to 
USB. COMPANY: Apple Computer (800/795- 
1000, www.powerbook.apple.com). COMPANY'S 
ESTIMATED PRICE: $2,499. 

PowerBook G3/400 

RATING: ♦MM PROS: Fast; DVD built-in. 
CONS: May have some stability problems 
related to USB. COMPANY: Apple Computer 
(800/795-1000, www.powerbook.apple.com). 

COMPANY'S ESTIMATED PRICE: $3,499. 


www.macworld.com September 1 999 3 5 

























Reviews 


Color Ink-Jet Printers 

HP AND CANON CHALLENGE EPSON WITH NEW MODELS 


U NTIL URGENTLY, EPSON AMI-R- 
ica had the Mac ink-jet-printer 
market pretty much to itself as 
rivals focused their efforts on PC 
users* But now that Apple is back 
on its feet, Epson finally has some serious 
competition, in the form of new printers 
from Hewlett-Packard (HP) and Canon, 
Macworld Lab tested Canon's $320 
BJC-6000, Hewlett-Packard’s $300 
DeskJet H82C and S400 DeskJet 895C, 
and Epson’s $299 Stylus Photo 750 and 
S499 Stylus Photo 1200. The DeskJet 
895 C is a faster, network-ready version 
of the four-color DeskJet 882C; both 
target general business applications. The 
BJC-6000, which lets you choose from 
four- or six-color output, is another 
general*purpose printer. The Epson 
printers, sporting six-color printing 
capabilities, target photo output* Epson 
also offers two general-purpose Mac 
printers, the Stylus Color 740 (f$ff- 
tfnvVzttf, January 1999) and Stylus Color 
900 (ffft; Reviews June 1999). 

The results? If you have an older, 
pre-USB Macintosh, Epson is still your 
only option, because it’s the only manu¬ 
facturer that continues to offer a serial 
port. But if your Mac is USB enabled, 
all these printers offer top-notch output 
for reasonable prices. 

Output Quality 

To test image quality, Macworld Lab pro¬ 
duced a set of output samples from each 
printer and submitted them to a jury' for 
evaluation. The samples included text, 
photos, and line art. Jurors compared 
each sample with the original print. 

The HP printers feature four-color 
output, while the other models offer six- 
color output. Nevertheless, all five printers 
scored high for photo quality. The HP 
printers especially impressed us—their out¬ 
put quality on glossy paper rivaled the six- 
color photos of the other tested models. 
However, we noticed some striping when 
printing photos on plain paper. 

Although the Canon BJC-6000 uses 
an optional six-color cartridge for pho¬ 
tos, our jury thought its default photo 
output was slightly dark* In our first pass 
with the Epson primers, magenta was too 


strong and yellow too weak, but we were 
able to correct this using Apple’s Color- 
Sync 2.6.1 and Epson’s device profiles. 

When printing black text from a 
Microsoft Word document on plain bond 
paper, the HP and Canon printers pro¬ 
duced excellent results, although the HP 


models printed bold text a little heavily. 
The Epson printers generated thin spi¬ 
der lines in bold text, but when printing 
on photo ink-jet paper, they exhibited 
excellent output quality. 

One often overlooked issue with ink¬ 
jet printers is the durability of the prints, 
Epson claims that photos produced on 
its ink-jet printers will last two to three 
years in normal sunlight. HP claims that 
the carbon pigment in its black ink 
allows documents to last substantially 
longer than that in sunlight. 

Print Speed 

Print speed can be deceptive, because 
most manufacturers quote the speed you 
get at the printer’s lowest resolution, nm 
at the higher resolutions required for the 
best-looking output. In Macworld Lab’s 
print tests, we timed output from two 
programs—Microsoft Word and Adobe 
Photoshop—at each printer’s maximum 
resolution and at lower resolutions of 


300 dpi (HP) or 360 dpi (Epson and 
Canon), (The HP models print black ink 
at up tu 600 dpi, but HP doesn’t quote 
the maximum color resolution. The 
Epson and Canon models print black and 
color at 720 by 1,440 dpi.) 

As we expected, the higher-quality 
pages took dramatically longer to print- 
in some cases, ten times longer—than die 
low-resolution versions. But the perfor¬ 
mance champ was clearly die HP 895C. In 
our high-resolution Photoshop test, it 
produced an image in 7 minutes, com¬ 


pared with about 10 minutes for the other 
printers. When printing die Word docu¬ 
ment at low resolution, the HP 895C 
cranked out 6.6 pages per minute (ppm) 
versus 4.9 ppm for the Canon, 4.3 ppm for 
the HP 882C, 1.8 ppm for the Epson Sty¬ 
lus Photo 750, and 1.2 ppm for the Stylus 
Photo 1200. The latter speed translates 
into a 6-minutc wait for 10 pages. 

Paper Handling 

All five printers can handle a variety of 
paper sizes, from 4-hy-6-inch cards up to 
banner-length paper. The Epson Stylus 
Photo 1200, the large-format version of die 
Stylus Photo 750, can print full-bleed on 
tabloid stocks. All of the models can print 
on 110-pound paper stock, but the BJC- 
6000 can handle up to 143-pound stocks. 
As with all ink-jet printers, you get the best 
output quality, especially for photographs, 
when printing on glossy photo paper. 

The HP printers feature a front¬ 
loading paper path, reducing the amount 



3 6 September 19 99 MACWORLD 




of desk space they take up, HP's design 
also protects the input tray, making the 
printer more child resistant than the 
models from Canon and Epsom 

Consumables 

Among the printers reviewed here, 
Canon's BJC-600Q has the most flexible 
ink system. The box includes a black print 
head with a black-ink tank, and a color 
prim head with tanks for cyan, magenta, 
and yellow inks. Each print head lasts 
5,000 to 6,000 pages; the tanks themselves 
last 500 to 840 pages. You can replace 
individual tanks as they run out—a great 
feature, because sometimes you 1 1! run out 
of one color long before the others are 
depleted. For six-color printing, you need 
to buy a $42.95 photo print head with 
tanks for black, light cyan, and light 
magenta inks. You install this next to the 
three-color print head, replacing the 
black-ink cartridge. 

The BJC-6000 also features a useful 
low-ink warning that shows up in your 
Mack Print Progress dialog box. 

The Epson Stylus Photo printers 
feature two ink cartridges, one for black 
and one for the other five colors. A soft¬ 
ware utility informs you if ink levels are 
low, but you get less warning than the 
Canon printer provides. 

Although some HP printers offer a six- 
color printing option, the 895C and 882C 
arc limited to four colors: one cartridge 
for black and one for cyan, yellow, and 


magenta. Neither printer, nor the included 
software, features a low-ink warning. 

Connectivity 

Epson k printers are the dear winners here, 
because each provides a serial connection 
tor older Macs, in addition to a parallel 
port lor PCs and USB for LMacs and blue 
G3s. You can also prim directly from 
Epson's PhotoPC 750Z digital camera. 

The Canon and HP printers limit their 
Mac connectivity to USB. Worse, Canon's 
USB connection kit is available only as a $70 
option; the printer itself costs $250. Ml 
three companies offer Ethernet options for 
their printers, except HP’s DeskJet 882C. 

Software 

Epson's longtime commitment to the 
Mac community shows in its software. 
Of the printers reviewed here, only 
Epson’s models include bundled software 
for the Mac. The Stylus Photo 750 
includes Polaroid Phocomax Pro for 
image editing, ArcSoft Photoprinter 2,0 
for creating photo layouts, and ArcSoft 
Photobase 2.0 for keeping image data¬ 
bases, The Stylus Photo 1200 includes 
Adobe Photoshop 5,0 LE, Vivid Details’ 
Test Strip 2i), and a trial version of 
Alta mini's Genuine Fractals 2,0, 

Epson’s printer driver isn't too shabby, 
either, offering extensive color-manage¬ 
ment and image-adjustment features. 
However, it would be nice if the software 
incl tided a Return To Default button. 


Canon’s printer driver offers simple 
adjustments in its basic operating mode 
hut includes an advanced option that lets 
you tweak individual colors. And it sports 
that elusive Return To Default button we 
wish other manufacturers would offer. 
Canon's software also permits two- and 
four-up printing. 

HP’s driver is also simple: just 
choose your paper and desired output 
quality, and you're set for great output. 
HP's software also puts a printer icon 
on the desktop, permitting drag-and- 
drop printing. However, some features 
HP offers on the Windows side, such as 
its cartridge-alignment utility and Web- 
Smart printing software, are not avail¬ 
able for the Macintosh. 

Macworld's Buying Advice 

All of the printers reviewed here offer 
excellent output quality, so the decision 
hoils down to what you want to do with 
them. For home users, the low price and 
child-resistant design of HP's DeskJet 
882C make it a good choice. For small 
businesses, the versatility and large ink 
supply of Canon's BJC-6000 make for a 
winning combination, although HP's 
DeskJet 895C, along with Epson’s Stylus 
Color 740 and Stylus Color 900, are also 
worth considering. Budget-minded pho¬ 
tographers and graphics professionals 
should consider the Epson Stylus Photo 
1200 for its tabloid prints and color- 
ad justmem capabilities.— kivin mitcheu 


Battling 

Ink-Jet Printers 





Company 

Product 

Mouse Rating 

Company's 

Estimated 

Price 

Contact 

Pros 

Cons 

Canon USA 

BJC-6000 

MM 

I320‘ 

300/652-2606 

www.ccsi.canon.conn 

Excellent output quality; 
flexible ink system. 

Mo serial port; USB available 
only In separate kit; photo 
ink cartridge costs extra. 

Epson America 

Stylus Photo 750 

•Ml 

5299 

800/463-7766 

www.epson.com 

Excellent photo quality: 
serial and USB interfaces; 
good software 

Mediocre text quality 
on plain paper. 


Stylus Photo 1200 

MM 

U99 

BOO/463-7766 

www.epson.com 

Excellent photo quality 
serial and USB interfaces; 
good software; 
can print tabloid size. 

Mediocre text quality 
on plain paper. 

Hewlett-Packard 

DeskJet S82C 

MM 

1300 

300/752-0900 
www. h pawn 

Excellent output quality; 
quiet. 

No serial port; 
no low-mk indicator. 


DeskJet B9SC 

MM 

1400 

000/752-0900 

www.hp.com 

Excellent output quality; 
quiet; fast. 

No serial port 
no low-ink indicator. 


* includes the optional S 70 USB connection kit 


www.macworld.com September 1999 3? 









Reviews 


USB CD-RW Drives 


NEW OFFERINGS FROM LACIE, 

W HEN YOU THINK ABOUT IT. 

it’s amazing that CD-rewritable 
(CD-RW) drives work at all 
with USB, Although the bus 
offers a respectable throughput 
of 12 M b ps , va r i o us d e v i ces s h a re that 
bandwidth* A printer may not care if 
another device is using the bus and caus¬ 
ing a delay, but CD-RW drives must burn 
all the information at a steady rare; if they 
run out of information before complet¬ 
ing the session, the disk becomes useless. 

lb see if CD-RW drives could func¬ 
tion in the world of USB, Macworld Lab 
tested QPS s Que, Sony’s Spressa L7SB 
CRX100E/X, and LaCie’s 226 CDRW- 
USB, We found that all three drives deliv¬ 
ered consistently, differing primarily in 
price, speed, and backup ability. 

All three drives can record on CD-R 
(write-once) media and CD-RW (rewrit¬ 
able) media and can read from both 
CD-R and CD-RW* Using the standard 
notation—CD-R recording speed, fol¬ 
lowed by CD-RW recording speed, then 
reading speed—the QPS is rated at 
4x2 X8X, the Sony at 4x2x6x, and the 
LaCie at 2x2x6x t 

The Sony and QPS drives burned 
600MB onto a CD-R in 18 minutes, while 
the LaCie took 37 minutes* (By compar¬ 
ison, the fastest SCSI recorders can burn 
the same data in 9 minutes.) All three 
recorders burned the same data onto a 
CD-RW in 37 minutes. To increase the 
odds of a successful recording, the QPS 
stores information in a 2MB buffer; the 
Sony and LaCie use a 1MB buffer, stan¬ 
dard for SCSI recorders* In our tests, 


QPS, AND SONY PLAY WELL 



QPS's Que (top) and Sony's Spressa 


buffer size didn’t affect performance. 

Copying a 600MB CD to the iMac’s 
hard disk took 14 minutes (the fastest you 
can transfer data over USB) for the Sony, 
15 minutes for the LaCie, and 18 min¬ 
utes for the QPS. Read speed isn’t as crit¬ 
ical as write speed, however, since most 
people will use the iAlac’s faster (24x) 
internal CD-ROM drive. 

The Software Edge 

The QPS and LaCie drives ship with 
Adaptec’s Toast 3.8 for recording, while 
the Sony comes with the significantly less 
intuitive Discribe 2*4.1 from CharisMac, 
You can’t simply drop data on Discribe 
and record, as you can with Toast; you 
must first decide whether this is a new 
recording or one you’ve already saved, 
specify a format (HFS, ISO, or audio), 
choose your files, confirm your selection, 
and then fmfilly begin recording. 

On the other hand, Dantz Develop¬ 
ment’s Retrospect backup software sup¬ 
ports only the Sony Spressa. Dantz says 
the next version of Retrospect (due later 


WITH USB 

this year) should support the LaCie, while 
support for the QPS is pending based on 
further testing* 

Apple recommends that iMac users 
update their firmware to version 1*2 to 
ensure proper operation of USB devices. 
Conveniently, both the QPS and LaCie 
drives provide this update on CD; Sony 
| plan s to incl ude the u p d a te w i t li reco rile rs 
1 that ship in August. 

Outward Appearances 

You can tell from a distance what the QPS 
drive is up to—the large LED on the front 
is green when the drive is attached and 
ready to go, orange when the drive is read¬ 
ing, and red when it’s writing. The LaCie’s 
small LED simply turns red to signal 
recording, while die Sony Spressa is even 
less informative—whether the drive is 
reading or writing, the light is always 
amber and always blinking. All three 
drives have audio-out and headphone 
jacks with volume controls, but those fea¬ 
tures work only on PCs—not on Macs* 

Macworld's Buying Advice 

If you can live without backup for the 
moment, choose the QPS Que; it’s the 
least expensive of the three and by far 
the most colorful. If backup is a priority, 
go with the Sony Spressa CRX1Q0E/X 
(the only drive Retrospect supports at 
press rime) and get a copy ofToast 4,0 for 
more-intuitive recording. Both drives are 
a better deal than the LaCie 226 CDRYV- 
USB—it’s almost as expensive as the Sony 
drive, yet its writable speed is only half 
that of the other two.— kevin mitchell 


CD-RW Drives Compared 




Mouse 

List 


Write/Rewrite/ 




Company 

Product 

Rating 

Price 

Contact 

Read Speed 

Buffer 

Pros 

Cons 

LaCie 

226 CDRW USfl 

IM 

S3 79 

503/8*14-4500 

wwwJijetexom 

2x2x6x 

1MB 

Updatable firmware, 

Slower at recording; 
no Retrospect support, 

QPS 

Cue 

im 

S299 

000/559*4777 

wwvv.qps*inc,corFi 

4x2 *8x 

2MB 

Lowest price; largest buffer; 
color coordinated. 

No Retrospect Support, 

Sony 

Spressa USB 
CRXtQOE/X 

Wv> 

$399 

SOQ/352-7669 

www.sony.cnm 

4x2x6* 

1M8 

Retrospect support, 

NonintultMe software 


38 September 1999 MACWORLD 













W c m ove the i ti for mat ion that m o ve $ your wort d™ 


ilcidciptec 



1990 thi *^l i* t >T>tb rostnieii Acakw. t» te Hisk lo^e. the A050tec taghne. ar.il FtTAtifDooVirn trademarks ot 

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uniter HcurWO Alt o-lvr irodcmhrtrs .ire probity of tlieif resp^clivt; holder*-. 


C To ahead, upgrade to that new G3 without sacrificing the SCSI peripherals 
you depend on. And in case you didn't know, Adaptec SCSI cards support Apple's 
old SCSI Manager and newer SCSI Manager 4.3 devices so you can connect to 
whatever SCSI peripheral you might be using. But it gets even better. Adaptec 
SCSI significantly outperforms Apple's previous built-in SCSI, enabling your 
Jaz, scanner, and other peripherals to operate at peak performance. So if you want 
to upgrade to a new blue G3 without sacrificing anything, get an Adaptec SCSI 
card. For more information visit www.adaptec.com/mac. 

































Reuleuis 


Audio CD-Writing Software 

PROFESSIONAL CD-MASTERING APPLICATIONS MIND YOUR I 


C REATING CUSTOM AUDIO 
CD-ROMs is no longer ;m exotic 
pastime practiced by those blessed 
with more money than sense, CD- 
ROM writers, or burners, are now 
widely available and affordable enough 
for us common folk, and they come with 
software so simple that a reasonably 
bright chimpanzee could bum a CD. 

As easy and economical as this process 
may be T the software that ships with today's 
CD-RO M bu m e rs—u sua 11 y Ad a p tecs 
Toast—isn’t full-featured enough to pro¬ 
duce truly professional audio CDs. If you 


want to create discs without audible gaps 
between tracks, tracks that cross fade into 
each other, or an audio master CD for a 
CD-mastertng house, you need Adaptec's 
Jam 2.5, Digidesign's MasterList CD 2.1, 
or Emagie's Wave Burner 1.0. The one you 
select depends on your hardware, the 
intended purpose of your CD, and your 
tolerance for an unintuitive interface. 

Hold the Toast, Please 

Unlike Toast, which produces both data 
and audio CDs, the three applications we 
reviewed create only audio CDs that con¬ 
form to the Red Bonk standard. All three 
let you work wi th die minutiae of Red Book 
audio—the P and Q subcodes that control 
such aspects of audio CDs as copy protec¬ 
tion and index numbering. The apps also 
let you create cross fades between tracks and 
tweak the volume of individual tracks. 

Although none of the three requires 
special audio cards (you no longer need an 
add-on audio board to use MasterList 
CD), hardware is still a consideration. 
MasterList CD* for example, lets you 
monitor your tracks through Digidesign's 


audio cards, which output sound at higher 
bit rates than Apple’s 16-bit Sound Man¬ 
ager Wave Burner offers similar support 
for Emagic’s Audiowerk cards, but the 
version we tested doesn't yet support 
Digidesign cards. Likewise, MasterList 
CD won't recognize die Emagic cards, 
jam is content to route Sound through any 
card that has a Sound Manager driver. 

Another consideration is the kind of 
work you do. MasterList CD is intended 
for professional users who prepare refer¬ 
ence CDs for duplication. Unlike die other 
applications, it lets you set up to 100 refer¬ 
ence points within a CD track 
list; you can compare the vol¬ 
ume among several tracks by 
calling up different locations in 
the playlist. 

Complete though Master- 
List CD may he, its interface is 
anything but friendly, There 
are very few graphical elements 
here—mostly number fields 
and dialog boxes. Also, unlike 
Jam and Wave Burner, Master- 
List CD doesn't support drag 
and drop; you must add tracks via a dialog 
box rather than simply dragging sound 
files into a track list. And, regrettably, Mas¬ 
terList C2L> is copy protected. 

Riding the Wave 

Wave Burners interface is a different story. 
This program looks very much like an 
audio editor, complete with waveforms and 
graphic handles that you drag to adjust the 
length and shape of crossfades. You can also 
increase or decrease the gap between tracks 
by dragging; simply click on the track and 
drag it left or right. Like Jam, Wive Burner 
has a preview feature that plays all the tran¬ 
sitions from track to track sequentially— 
help fid when you want to review the pac¬ 
ing of your CD. And WaveBumer lets you 
record audio directly into the program; the 
other two applications require that you first 
record audio into a separate program. 

Sticky Jam 

Jam s interface is much like Ibasr's. Tr> cre¬ 
ate a Lrack list, you drag and drop files into 
Jam's main window. From there you can 
create cross fades using the MasterList 



Doing the Wave With its waveform interface, Emagic's Wave- 
Bumcr 1.0 makes it easy to create crossfades. 


'S AND Q'S 

method: choose a crossfade type; set the 
duration of die cross fade in a numeric box; 
and determine whether it occurs presplice, 
centered, or postsplice. As with Toast, you 
can adjust the RAM cache, preventing 
underrun errors, and test each track indi¬ 
vidually before committing to the burn. 

One annoyance l hope Adaptec will 
address in a future version is Jam's inability 
to impose track markers, something both 
MasterList CD and WaveBumer support. 
In other words, you can't take one long 
audio file—die side of an LB, for example— 
and then place a track marker at the begin¬ 
ning of each cut Instead, you must create 
regions in the file using another program 
and then bring the file into Jam. 

Macworld's Buying Advice 

Audio-mastering engineers who own Digi¬ 
design audio cards should ignore Master- 
List CD 2.1's rough interface and stick 
with the best tool for their trade. Jam 2.5 
is also perfectly capable, but WaveBumer 
1.0 costs Si00 less and is more flexible. In 
this case, I'll take my Toast with Wave¬ 
Bumer instead of jam.— Christopher ore eh 


Jam 2.5 

RATING: Mt* PROS; Drag-and-drop sup¬ 
port: individual track testing. CONS: Can't 
impose track markers. COMPANY: Adaptec 
(8QG/442-7274, http/Zcdradapteccorn). LIST 
PRICE: 5295. 

MasterList CD 2.1 

RATING: $ 1f Vi P R O S: A utobtate f u Fiction; 
support for Digidesign hardware CONS: No 
drag-and-drop support unintuitive interface: 
expensive; copy protected Company: Digi- 
design (800/333-2137, www.digidesign.com). 
LIST PRICE; 5495. 

WaveBumer 1.D 

RATING: MM PROS: Intuitive waveform 
editing; direct recording into program. CONS: No 
autotacate function. COMPANY: Emagic (530/ 
477-1051, www.emagic.de). LtST PRICE: 5199. 


40 September 1999 MACWORLD 



































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Peak 2.0 


BUGS MAR OTHERWISE POWERFUL AUDIO EDITOR 


A udio editors art the 
Photoshop of the sound world, 
leering you “retouch” sound files 
to remove flubbed words, to 
rearrange the verses of a song, to 
create special effects, and to convert one 
sound format into another. The long- 
awaited update to the popular audio edi¬ 
tor Peak, from Berkeley Integrated Audio 
Software (BIAS), has the potential to take 
Mac digital audio editing to new heights. 
But although Peak 2.03 sports a variety 
of interface enhancements and new fea¬ 
tures, bugs mar its power. 



Take a Peak Peak 2 03 lets you open a QuickTime 
movie to edit its soundtrack. 

Peak's editing features are complete 
and well designed. You can zoom in to 
make edits at the single-sample level and 
set markers to navigate a large document 
quickly. Peak 2.03 adds tape-style scrub¬ 
bing—the ability to play a sound forward 
and backward slowly. 

Like all audio editors, Peak displays a 
waveform window that graphically 
depicts the sound you're manipulating. 
On-screen volume meters dance as a 
sound plays, while a counter ticks off 
elapsed time. The program also offers 
unlimited undo's and lets you undo one 
operation without affecting others. 

Peak 2.0's audio-processing features 
are also dramatically improved. With its 
DSP (digital signal processing) menu, you 
can change the sample rate, create fades, 
remove clicks, change a sound's pitch 
while retaining its duration, and much 
more. Unfortunately, Peak lacks high- 
quality bit-depth reduction. 

Third-party plug-ins expand Peak's 
processing repertoire. The new version 


adds support for TDM-format plug-ins, 
the mainstays of professionals who use 
high-end Digidesign audio hardware. 
For the rest of us, Peak supports Adobe 
Premiere-format plug-ins (see the 
accompanying review). You can create 
envelopes that gradually apply a Pre¬ 
miere plug-in, or apply a plug-in in real 
rime—that is, get the effect without actu¬ 
ally modifying the sound file. 

Many of Peak’s other new features will 
appeal to audio and video professionals. 
For example, you can open QuickTime 
movies and modify their soundtracks, and 
a new batch processor lets you automate 
format-conversion and DSP chores with¬ 
out scripting. Peak’s playlist feature lets 
you define regions that play back sequen¬ 
tially And if you have Adaptec's Toast, you 
can burn audio CDs directly from Peak, 
using the playlist to define each track. 

Finally, musicians with sampling key¬ 
boards and modules can use Peak to edit 
samples and transfer them among instru¬ 
ments, The handy new Loop Surfer com¬ 
mand makes it easy to locate the ideal 
loop points for samples. 

Peak’s keyboard- and tool-bar- 
customizing features are terrific, but the 
tool-bar icons are too small and cryptic. It's 
also worth noting that Peak uses a copy¬ 
protection scheme: to install the program 
on an iMacora blue-and-white PowerMac 
G3 t you must contact BIAS for a text key. 

Peak’s documentation is thorough, 
but the manual's index is abysmal. Worst 
of all, Peak crashes now and then. 

Macworld's Buying Advice 

Peak 2.03 is an exceptionally powerful, 
versatile program. It could be more reli¬ 
able, hut BIAS has a solid track record of 
delivering free bug-fixes, so there's hope 
that Peak will stabilize over time. If you 
need Peak's power now, don’t hesitate to 
buy—just be sure to save often.— jim he id 

RATING: m PROS: Versatile; innovative plug¬ 
in support CON Si Copy-protected; buggy; no 
high-quality bit-depth reduction. COMPANY: 
Berkeley Integrated Audio Software {8QQ/775- 
2427. yvww.bias-inc.com). LIST PRICE: $499- 

























Peak Plug-Ins 

FILTERS ADD PIZZAZZ TO PEAK 

L ooking to expand your 
collection of audio-processing 
tools? A plug-in library might be 
just the ticket. Two recent 
entries, Waves* Native Power 
Pack II and Arboretum Systems* Hyper¬ 
prism Plug-in Pack, work in any program 
that supports Premiere-format plug- 
ins—inelu d mg BIAS *s Peak. 

Native Power Pack comprises just 
four plug-ins, but each is exquisite. 
Renaissance Compressor boosts volume 
during quiet parts and lowers it during 
loud parts* Renaissance Equalizer lets 
you boost or lower certain frequencies 
with a streamlined interface, MaxxBass 
creates harmonics that fool the ear into 
hearing more bass than is actually pre¬ 
sent, while DeEsser attenuates s sounds. 
Unfortunately for iMacusers, the plug¬ 
ins require an ADB hardware key* 

Hyperprism Plug-in Pack is a grab bag 
of more than two dozen plug-ins—every¬ 
thing from workaday tools such as reverbs, 
compressors, and equalizers to wacky won¬ 
ders guaranteed to make your dog cock its 
head. The workaday tools do a fine job— 
the HyperVerb reverb is notably impres¬ 
sive—but Native Power Pack’s compres¬ 
sors and equalizers make my ears happier* 

Macworld's Buying Advice 

Native Power Pack II is best suited to 
well-heeled audio engineers who need 
classic sweetening and top sound quality. 
Hyperprism Plug-in Pack is ideal for 
musicians who need solid basic effects— 
but who also crave the stuff that makes 
dogs howl.— JIM HEID 


Hyperprism Plug-in Pack 

RATING: MM PROS: Superb sound quality: 
easy interface. CONS: No printed documentation. 
COMPANY: Arboretum Systems (800/700'7390. 
www.arboretum.oom). LIST PRICE: $349. 

Native Power Pack II 

RATING: MM PROS: Superb sound quality; 
easy interface. CONS: Hardware copy protec¬ 
tion; expensive. COMPANY: Waves (8007264- 
0109.www.waves.com). LIST PRICE: >500. 


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Reviews 


Commotion 2.0 

BRUSHES BOOST INDISPENSABLE VIDEO 
PAINTING TOOL 

F eeling somewhat inspired bv 
the summer’s effects-laden movies? 
You be happy to know that you 
can create your own special-effects 
extravaganza on your Mac with the 
same tools the professionals use. One of 
those tools is Commotion 2,0, the latest 
upgrade to Puffin Designs' excellent 
rotoscoping and painting program. 
Building on its predecessor’s facilities for 
creating mattes* painting on moving 
images, and touching up videos, this ver¬ 
sion includes new effects brushes, sup¬ 
port for Adobe After Effects filters, and 
a new text filter. 

FX Painting 

As in earlier versions, Commotion 2.0's 
strength lies in its ability to work with 
movies in real time. The program loads 
QuickTime movies into RAM, so you 
can preview short video clips (or long 
clips, if you have enough memory) at 
their full size and frame rate. Because 
most single shots in a movie tend to be 
short—and effects sequences are even 


shorter—a few seconds of video are 
usually all you need for the kinds of 
effects you create in Commotion. 

Commotion’s powerful spline tools 
let you create mattes by outlining shapes 
using an Adobe Illustrator-like pen took 
you can then animate these rotosphnes 


over time and combine them with the 
program’s motion-tracking features to 
create animated mattes. The only new 


twists to version 2,0’s rotospline features 
are that you can now simply grab the pen 
tool and start drawing—you no longer 
have to go to the Rotosplincs palette 
first—and you’re allowed up to 100 
undo’s per document. 

Version 2 retains its predecessors 1 
assortment of brush and 
done tools for painting. 
It also adds some new 
FX Brushes—really just 
small paint-on texture 
files—for creating every¬ 
thing from subtle high¬ 
lights and halos to big, 
gaudy brushstrokes. The 
program offers a wealth 
of brush parameters, 
including spacing, opac¬ 
ity, and feather; each 
has a range of values, 
depending on the brush’s 
speed, pressure, tilt, and 
bearing {you’ll need a 
drawing tablet for the 
last three). You can cre¬ 
ate your own brushes* 
but Commotion ships 
with such a huge assort¬ 
ment of prebuilt brushes that you may 
never need to create your own. 

In addition to flexibility, the brushes 



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44 September 1999 MACWORLD 
















































offer impressive speed and performance. 
Even complicated brushes paint smooth¬ 
ly, and the program has no trouble keep¬ 
ing up with rhe speed of your brush¬ 
strokes. The addition of FX Brushes to 
Commotion 2.0 should appeal to effects 
creators who have been relying on 
Meta Creations 1 Painter for natural-media 
video painting. Although Commotion 
lacks Painter's full suite of extraordinary 
paint tools, it offers a much better inter¬ 
face for painting on moving video. 

FX Filters 

Commotion 2.0 not only supports After 
Effects plug-ins but also adds a timeline 
interface that lets you animate plug-in 
parameters just as you would in After 
Effects. The timeline lists the filter's 
properties in a column and lets you 
define multiple, separate keyframes for 
each property. To set a keyframe, you 
simply drag the current time marker to 
a new location on the timeline and 
change the value of the property you 
want to animate. Although the timeline 
lacks velocity and function curves, its 
simple linear and ease-in, ease-out inter¬ 
polations between frames offer all the 
control you'll need for most effects. 

New users should note that filters in 
Commotion are destructive. Applying 


the effects alters the movie’s frames; you 
can't go back and tweak a filter’s settings 
without reverting to the last saved ver¬ 
sion and reapplying the filter. 

If you've used an earlier version of 
Commotion, you'll notice that the cur¬ 
rent version replaces many of the basic 
filters with equivalent (but faster) filters 
from ICE. In addition to offering 
improved performance, the new filters 
support hardware acceleration using 
BluelCE hardware. 

One of the new filters, Motion Text, 
lets you create and animate type. Unfor¬ 
tunately, its controls aren’t as interactive 
as they could be. To add a title to a 
movie, for example, you select the 
Motion Text filter and enter your text in 
a somewhat clunky modal dialog box. In 
addition, you can have only one font and 
type size per title. 

From the Motion Text dialog box. 
you set parameters and see the results in 
a tiny preview window. In addition to the 
usual size, color, and position parame¬ 
ters, Commotion lets you specify hori¬ 
zontal and vertical scaling, feathering, 
drop shadows, and curve (as defined by 
two points of a spline). Instead of using 
interactive controls to specify position or 
spline points, however, you control these 
parameters numerically. A simple inter¬ 


face that lets you click within the preview 
window to define position and curve 
would be a nice addition. 

The ability to animate text within 
Commotion rather than After Effects is 
very handy and saves time you would oth¬ 
erwise spend switching between the two 
programs. Because its so much faster to 
animate text in After Effects, however, 
you'll probably want to use the Motion 
Text plug-in for only the simplest jobs. 

Macworld's Buying Advice 

Commotion 2.0 isn’t a huge upgrade 
over die last version, but its animatable 
filters, Motion Text filter, and FX Brush¬ 
es are handy and well implemented. 
They’re also a promising sign that Puf¬ 
fin is aiming to expand the program’s 
range beyond simple rotoscoping. What- 
ever the future holds, Commotion 2.0 is 
an indispensable tool for mod on-effects 
professionals .—sen long 


RATING: MM PROS: Rotosplines and RAM 
playback for creating mattes; supports After 
Effects filters. CONS: Motion Text interface could 
be more interactive. COMPANY: Puffin Designs 
(800/401-0003, www.puffindesIgnsxQm). LIST 
PRICS: S2A35 



Choose T 15 ot www.mocwoHd.com/getinfo 


www.macworld.com September 1999 45 



































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I Reviews 

Power Macintosh G3/450 


MODEST SPEED BOOST FOR APPLE S HIGH-END SYSTEM 


§ 


PPLE’S LATEST POWER MAC 
G3 configuration has the same 
Ml trendy design—and the same 
H basic hardware components—as 
m 1 its predecessors. But underneath 
chat blue-and-white exterior sits a new 
450MHz G3 CPU, offering a modest 
performance boost at the same price as 
that of previous high-end models (see 
Reviews, April 1999), 



Macworld Lab tested a configuration 
with a 1MB backside cache, 64MB of 
RAM, an ATI Rage 128 graphics accel¬ 
erator with 16MB of video memory, a 
9GB U!tra2 Wide SCSI hard drive, and 
a 32x CD-ROM drive (this is similar to 
Apple's Better configuration, except for 
the RAM allotment). As with previous 
blue G3 models, the system ships with a 
IQ/lOOBaseT Ethernet connection but 
no modem, although you can add an 


internal 56-Kbps modem for $100. You 
also get two USB ports and two Fire¬ 
Wire ports, which will come in handy 
now that more FireWire peripherals are 
available. The system includes four PCI 
slots, but with the graphics accelerator 
and Ultra2 Wide SCSI card installed, 
only two slots are available. 

New G3 systems ship with Mac OS 
8.6, but our chosen reference system, a 
Power Mac G3/400, ran Mac OS 8.5.L 
To isolate any OS-related performance 
differences, we tested the new r G3 under 
both versions. The results were generally 
predictable (see “Faster by a Nose”). 
However, the new system running Mac 
OS 8.6 scored slightly lower than its 
counterpart running OS 8.5.1 on the 
Graphics test, which appears to be a con¬ 
sequence of the new version of Quick¬ 
Draw in Mac OS 8.6. 

Macworld's Buying Advice 

Apple's PowerMacintosh G3/450 retains 
an under-$3,000 price tag while offering 
a modest performance boost. If you fre¬ 
quently perform such hardware-intensive 
tasks as digital-video creation, 3-D ren¬ 
dering, or high-resolution photo retouch¬ 
ing, give it a close look,—S tephen seals 

RATING: MM PROS: Fast; good price; easy to 
add expansion hardware. CONS: Uneconomic 
mouse; no serial port; limited PCf slots COM¬ 
PANY: Apple Computer (800/795-1000, www 
apple.com). LIST PRICE; $2,859, 


Faster by a Nose 


LAB TEST 


Best results in red. Reference products in italics, Mac Bench 5.0 scores are 
relative to those of a first-generation Power Mac G3/3C0, which is assigned 
a score of 1,000 in each test 


Apple Power Macintosh G3/450* - 
Apple Power Macintosh G3/45Q" 
Apple Power Macintosh G3/4QO*' 


Processor 


I 1 r 484 
I 1.472 
1.323 


MACBENCH 5.0 


Disk Graphics 





* Running Mac OS 8. iS. " * rtun/ring Mac OS B. 5.7 . 


Behind Our Tests detailed information on our tests, see the full review online, at www 

.macworld.com/1999/OS^reviews/.—Macworld Lab testing supervised by 
Kristina De Nike 


GUTS 



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With the MACh Carrier G3’ H and CarrierZlFT upgrading your pre-G3 Macs and most clones is a 
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Reviews 




www*atitech,com/ad/mac 


• ATI XCLAIM VR 128 adds 
multimedia muscle to your 
Mac with a full range of 
capabilities including 2D, 3D, 
and video acceleration 


• Watch TV on your Mac with 
really cool features you won’t 
find on any TV 


Powered by 

ATI RAGE 128, (5||i£^ 
the revolutionary new 
graphics chip that gives your 
Mac the guts for all the glory 
it can handle 


'The application has a wizard-style inter' 
face that steps you through the process 
of creating profiles. The on-screen 
instructions are clear, concise, and com¬ 
plete, including warnings about unseen 
gotchas, such as automatic exposure cor¬ 
rection on scanners and hidden printer 
color-management features. Unlike most 
profiling tools, MonacoEZcolor doesn't 
requi re any spe c i a I ized knowledge. 

The hig question, of course, is “Does 
it work?" The answer is a qualified yes. 
EZcolor has two main limitations. First, it 
can generate only RGB profiles for print¬ 
ers, This makes it well suited to most ink¬ 
jet printers hut not to printers that expect 
CMYK data. You could feed RGB to a 
CMYK PostScript printer and have the 
PostScript RIP perform the conversion, 
but this doesn't a I ways work. 1 f you J re 
dealing with a CMYK workflow, EZcolor 
isn't for you. 

Second, the quality of EZcolor profiles 
depends on your scanner. If your scanner 
doesn’t allow you to turn off automatic 
corrections, you’re stuck, because profiling 
requires that the scanner use consistent 
settings every rime. If your scanner doesn't 
have enough dynamic range to capture 
your printer’s black comfortably, the 
resulting profile will probably block up 
your shadows. Finally, scanners are 
designed to scan photos, anti the software 
assumes you're using some kind of photo 
paper If you’re scanning from something 
else, the results will he less reliable. 

We obtained good results for ink-jet 
printers using relatively inexpensive 
flatbeds, but don't even think about pro¬ 
filing a dye-sublimation printer using 
this technology. 

Macworld's Buying Advice 

MonacoEZcoIor is ideally suited to pro- 
filing ink-jet printers, including the cur¬ 
rent generation of six-color photo print¬ 
ers. If the lack of good profiles has 
prevented you from trying some of the 
new third-party inks and papers, EZcolor 
offers a great solution at a reasonable 
price, and you don't have to he a rocket 
scientist to make it work.— 9ruce fraser 

RATING MM PROS: Easy to use; relatively inex¬ 
pensive. CONS: Creates only RGB profiles; re&ylts 
depend on scanner quality. COMPANY: Monaco 
Systems (978/749*9944, wtArw.monacosys.com). 

COMPANY'S ESTIMATED PRICE: 5299. 


Ill MonacoEZcoIor ^ ; 


MonacoEZcoIor 


EASY COLOR-MANAGEMENT SOFTWARE 

O NE OF THE BIGGEST HBSTA- 
clcs to the widespread use of 
Apple's ColorSync color-manage¬ 
ment software has been the 
expense and difficulty of building 
output profiles. Typically, you need costly 
profiling software, as well as a measure¬ 
ment device, such as a colorimeter or spec¬ 
trophotometer, that can set you back thou¬ 
sands of dollars. Monaco Systems' $299 


GUTS 


Choose 256 at www.mocworld.com/ 9 tittnlo 
ww.macworld.com September 19 99 49 


• Capture video or still images 
and add them to emails or 


web pages 


EZ Interface MonacoEZcoIor guides you through 
the process of creating device profiles. 

MonacoEZcoIor offers an innovative and 
inexpensive approach to color manage¬ 
ment by using a profiled scanner to mea¬ 
sure printer output. Monaco Systems isn't 
the first company to ay this technique, 
but it’s the first to make it work. 

Triple Threat 

MonacoEZcoIor creates profiles for mon¬ 
itors, scanners, and printers. To create a 
monitor profile, you follow a series of 
visual cues, similar to those in Apple's 
Default Calibrator utility. For more- 
demanding users, the company offers a 
SI 99 hardware device that provides much 
more reliable monitor calibration. To cre¬ 
ate a scanner profile, you scan a standard 
reflective ITS target, included in the 
package. If you want to profile a scanner 
used for transparencies, you can buy a 
35mm transparency target for $80 or a 
4-by-5-inch target for $160. 

These functions are useful, but it's the 
printer-profiling capability that sets the 
program apart. To create a printer profile, 
you simply print a target and then scan it 
on a profiled scanner. EZcolor does the 
rest of the work for you, building a Color- 
Sync-compatible printer profile. 

EZcolor actually lives up to its name. 


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Reviews 


AppleTalk to IP Migration Suite 

PRODUCT BUNDLE SMOOTHS THE PATH TO TCP/IP 


A ppletalk has been the 
mainstay of Macintosh network¬ 
ing for a decade, but it’s rime to 
stick a fork in it: it's done. Any¬ 
one building a Macintosh office 
network today bases it entirely on 
TCP/IP for Inter net-wide accessibility, 
improved performance, anti compatibility 
with third-party networking products, 
Alas, migrating an existing AppleTalk net- 



location. Location, Location AppleTalk to IP 
Migration Suite's SharcWay IP Pro component makes 
nonTCP/JP AFP servers visible across the Internet 


work to TCP/IP can be a painful process. 
Open Door Networks* AppleTalk to IP 
Migration Suite eases your pain by giving 
you tools to make the AppleTalk-to- 
TCP/IP transition gradually. 

The Migration Suite bundles four 
Open Door products—ShareWay IP Pro¬ 
fessional Edition 2.0, DoorStop 1.0.1, 
LogDoor 2.2, and AFP Engage 2.0.1— 
with a Web-based tutorial that explains 
migration strategics. The package also 
gives you templates that help you orga¬ 
nize and plan your move, along with help¬ 
ful tutorials on IP printing and TCP/IP 
security. Following the three-step plan 
outlined in the migration tutorial, you 
first establish concurrent AppleTalk and 
TCP/IP routing throughout your net¬ 
work. You then use SharcWay IP Pro to 
make existing AppleTalk Filing Protocol 
(AFP) servers visible on the TCP/IP net¬ 
work, and finally minimize or eliminate 
AFP altogether by replacing existing AFP 
server software with IP-capable software. 

ShareWay IP Pro is the central com¬ 
ponent of the suite, giving AFP servers 
TCP/IP access by mapping individual 
servers to a single IP address. The pro¬ 
gram supports the Service Location Pro¬ 


tocol (SLP), a TCP/IP standard for pro¬ 
viding Chooser-like access to servers 
across a wide-area network. Remote users 
can get to any AFP server made acces¬ 
sible hy ShareWay IP Pro using a Web 
browser or the supplied AFP Engage 
client rather than the Chooser. 

Security is a concern any time you 
connect a network to the Internet. The 
Migration Suite’s securin' component is 
DoorStop, a TCP/IP filtering package 
that controls access to servers from the 
Internet by IP address and protocol. 
Unlike traditional firewalls, DoorStop 
doesn’t offer centralized protection—you 
need to run a copy on each server. And 
you must configure each DoorStop instal¬ 
lation separately, multiplying security- 
administration chores and increasing the 
possibility of leaving security holes. 

LogDoor, the final component of the 
AI ignition Suite, provides log analysis and 
reporting for events recorded by Share- 
Way IP Pro, DoorStop, and Open Door’s 
AFT Logger (not included in the suite), as 
well as for other Web servers' Jogs. Log- 
Door can display real-time traffic graphs 
or output batch reports periodically to 
HTML or text files. 

Individually, each tool in the suite 
handles its assigned task well, and the 
excellent Web-based tutorials clearly 
explain how to pull off a successful migra¬ 
tion. However, the tools themselves are 
not integrated—you have to do a lot of 
reading before putting the suite to work. 

Macworld's Buying Advice 

If you’re still running a multizone Apple- 
Talk network, you need to make the move 
to TCP/IP, AppleTalk to IP Migration 
Suite simplifies the process by letting you 
gradually shift services from AppleTalk 
to IP and gives you a great education in 
the process. Migrating an AppleTalk net¬ 
work to IP will never be fun, but with this 
suite it can be painless.— mil beckman 

RATING: Iff 7a PROS: TCR/tP gateway for 
multiple AppleTalk AFP servers. SLP proxy; real¬ 
time traffic graphing. CONS: Weak component 
integration; no centralized security. COMPANY; 
Open Door Network* (800/480-3667, www 
opendoor.com), LIST PRICt: S599. 


GUTS 



• ATI NEXUS 128 delivers fast, 
true color, ultra high res 
graphics when using 
Photoshop or other 2D and 
3D design applications 


. Ml 


* 32MB of memory lets you 
manipulate 3D objects with 
realistic textures and lighting in 
resolutions up to 1900 x T2G0 

• Powered by ATI 
RAGE 128* the 
revolutionary 

new graphics chip that gives 
your Mac the guts for ail the 
glory it can handle 



www.atitech.com/ad/mac 


Choose 256 at www.macworld.com/getinFo 



www.imachvoftd.com September 1999 SI 































Reuleuts 


Palm VII 

WIRELESS, ONE-PIECE INTERNET ACCESS 

A dd a wireless modem to 

the wildly popular Palm Ills (see 
Reviews, June 1999), and you’ve got 
the Palm VII. When you lift this 
2MB, 6-ounce gadget’s flexible 
antenna, the device instantly turns on; 
you’re ready to go online wirelessly from 
wherever you happen to he. This kind of 
convenience can he heaven-sent when 
you’re mobile—but it comes at a price. 
Sending and receiving standard Inter¬ 
net e-mail {minus attachments) is easy and 
convenient, even when youVc trapped in a 
taxi. Unfortunately, although you can rr out¬ 
going messages to your Mac’s e-mail 
account, incoming messages are forever 
confined to the Pahn VTI, which has its own 
©palm.net address. 

Because of bandwidth and HTML 
issues, you can’t freely surf the Web with 
the Palin VII; instead, you load miniature 
search engines onto the device from your 
Mac. Each of these Palm query applications, 
or PQAs, can grab data from a particular 
Web site in about 10 seconds. The 22 
starter PQAs include those for Etrade (for 
stock prices), USA Today, the Wall Street 



Journal, Movietone, and Weather.com; 
you’ll find dozens more at www.palm.net. 
Such instantaneous Web data can be a life- 
saver on the road: the People Search PQA 
is a national phone hook, MapQuest gives 
you cum -by-rum driring directions, and the 
Go PQA translates five languages. And with 
Palm Computings free PQA Builder pro¬ 
gram for the Mac, you can even write your 
own PQAs using standard HTML. 

Overshadowing all the good news, 
however, is the service price: S10 per month 
tor 50K of data sent and received (about one 
e-mail and two Web searches a day), or $25 
for three times as much. (Above your limit, 
you pay about 10 cents per screen to I.) Wor¬ 
rying about your K count greatly curbs the 
exhilarating sense of freedom you’d other¬ 


wise get. Spending safeguards are every¬ 
where—for example, the e-mail program 
retrieves only the first 500 characters of 
each message, and you download the 
remainder at your option—but they also 
serve as reminders that Big Byte Brother is 
always watching. 

Macworld's Buying Advice On one 

hand, the Palm VII is a version 1.0 device. 
The e-mail program needs more features, 
each pair of AAA batteries lasts only about 
three weeks, the BellSouth coverage could 
stand widening (it now covers the 260 most 
populous U.S. cities), and the whole affair 
cries out for an unlimited pricing plan. On 
the other hand, anyone who travels will find 
the device a life-changer. (When a recent 
flight was canceled, 1 used the Traveledty 
PQA to find a replacement flight on a rival 
airline—one that the desk agent had over¬ 
looked.) The bottom line: the Palm VII is 
the first one-piece, wireless palmtop, and it 

Works.-DAVID POGUE 


RATING: Mt’'* PRO Si Valuable to mobile 
types; elegant software. CONS: Can't transfer e- 
mail off the device; no coverage in rural areas; pay* 
per-K system is a downer. COM PAN V: 3Com/Pafm 
Computing (8007881 '7256. www.pafm.com). 
LIST PRICE: 5599 plus monthly fee. 


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52 September 1999 MACWORLD 







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even with a temporary power outage, 

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According to research by IBM, a typical 
computer is subject to more than 120 
power problems a month. Surge protec¬ 
tors prevent only a fraction of the power 
problems that cause keyboard lock-ups, 
system crashes, corrupted data, and 
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Reviews 


Adobe Type Manager 4.5 

SMALL ENHANCEMENTS ADD UP IN UPDATED FONT MANAGER 


S ometimes a product is so 

seamless that you take it for granted 
and don’t bother with updates. In the 
case of Adobe Type Manager (ATM), 
that would be a mistake. While not 
exactly a quantum leap over version 4.0, 
ATM 4.5 adds a host of small and medium- 
size features that make it even more indis¬ 
pensable for the typographically inclined. 

For many, the biggest selling point will 
be ATM’s new compatibility' with Mac OS 
8.5 and 8.6. The previous version usually 
worked with Mac OS 8.5, but not always; 
users reported a variety of incompatibilities, 
including many that led to system freezes 
with some programs. In our testing, the new 
version didn’t cause such system hang-ups, 
although some problems may remain for 
specific programs. 

But what we like most about ATM 4.5 
are the improved font-management func¬ 
tions. For example, when ATM finds a 
damaged font, it highlights that suitcase 
icon to make it easier to find. And you can 
now copy all the fonts in a set to a new 
location—perfect for desktop publishers 
who need to give their service bureaus 



Zap Font Duplicates Adobe Type Manager 4.5 
finds duplicate fonts and. if you like, removes them 
from ATM’s font list or your hard drive. 


copies of fonts for output. 

Other handy features include the abil¬ 
ity' to search for fonts by name and have 
ATM find and delete duplicate fonts. The 
new version also offers better compatibil¬ 
ity with Adobe Acrobat 4.0, which can now 
use ATM’s font list when printing. In addi¬ 
tion, ATM now includes the updated Adobe 
Type Reunion 2.5. Less useful is ATM 4.5’s 


ability to create temporary font sets; it 
seems just as easy to create a set and then 
deactivate or delete it if you don’t need it 
any longer. 

There’s still room for improvement; 
for example, ATM 4.5’s font cache uses 
three times as much RAM as version 4.0’s 
did for the same set of fonts on our test 
system (lMB versus 384K), and the 15 
included fonts are ho-hum designs you’re 
not likely to use. In addition, Adobe Type 
Reunion won’t work with QuarkXPress 
4.0X’s palettes, although it works fine with 
the Font menu; the company says a fix is 
in the works. 

Macworld's Buying Advice Adobe 
Type Manager 4.5 is a must-have upgrade 
for current ATM users; publishing-oriented 
users simply depend on fonts too much not 
to take advantage of die program’s improved 
stability' and management abilities. With the 
new version, you’ll once again be able to 
take ATM for granted.— gaien gruman 

RATING: MM PROS: Better font manage¬ 
ment; improved interface; compatible with Mac 
OS 8.5 and 8.6. CONS: Uses more memory; 
Adobe Type Reunion has some incompatibility 
problems. COMPANY: Adobe Systems (800/833* 
6687. www.adobc.com). LIST PRICE: $99.95. 



Choose 58 at vsrww.macworld.com/gettnfo 


54 September 1 999 MACWORLD 






















































F O W A V E 

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q p. 


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To pick up PowcrPrint, visit major retailers in the U.S. and Canada, or call 800.330.6833. 

SERIAL AW USB SINGLE4JSE VERSIONS ALSO AVAILABLE. 

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You’ve got Macs. You’ve got PCs. 
You share a network. Now, your 
printer's not fitting in. 


GET POWERPRINf FOR NETWORKS. 


It lets both Macs and PCs print 
to virtually any PC-printer across 
an ethernet network. Whether 
you're adding a Mac into an existing 
network or a PC printer to a Mac 
network, PowerPrint's unique 
software and print server solution 
allows you to use any printer, 
anywhere. 

PowerPrint for Networks. 

Group therapy that works. 




bml 'M 











Reviews 


On Guard 3.2 


ALL-PURPOSE SECURITY APPLICATION 

T hose who oversee macs in 

a shared-user environment, such as a 
classroom or office, often need to 
control individuals' access to the data 
on those computers. One way to do 
that is by using Power On Software's On 
Guard 3.2, a comprehensive—though not 
completely foolproof—utility for control¬ 
ling access to information. 

With On Guard installed on a Mac or 
across a network of Macs, the administra¬ 
tor determines who may view, move, open, 
and modify files and folders on hard disks, 
floppies, CD-ROMs, and removable media. 
In addition, you can force users to save files 
only to specific folders; limit the number of 
copies a user can print; prevent access to the 
Chooser, System Folder, and control pan¬ 
els; and disable the Force Quit command 
and Interrupt switch. You can also config¬ 
ure the program to lock volumes so they’re 
inaccessible when someone boots the Mac 
from another disk. 

Because On Guard has so many secu¬ 
rity options, administrators who can't resist 
tweaking every setting to the ;/th degree 
could spend a fair amount of time config¬ 


uring the program for each user—after all, 
it lets you tinker with access configurations 
for every' file on a Macs hard drive. Thank¬ 
fully, On Guard offers some help in this 
regard. For example, the program is pre- 
configured with the kind of options that 
are likely to be used in a typical classroom 


_ iner Option* for -Muty _B 

f Vitr* f Account \ | f vv'.m j 

| New Group | 

1 New User 1 

| Duplicate 1 

( Delete | 

[ Move ) 

[ Copy Setting* ) 

[ P<ntc Setting* ] 


Hr. 


Stay on Your Guard With On Guard 3.2, you can 
gang new users into groups. 


0 Administrator 
> ^ Earth Science 
0 Guest 

^ Stuoenl Admin 


□ Birr 

Q Pi do 








□ 

Uter Options 

Station Options 


setting—users are allowed to save docu¬ 
ments only to their own folder or a floppy 
disk, but they can’t move, duplicate, or 
make aliases of files or open any control 
panels. On Guard also lets you create 
groups of users: just configure the program 


once for a group and then add individual 
users to that group. For example, students 
who supervise a computer lab’s network 
could be granted greater access than the 
first-grade reading group. As welcome as 
this flexibility is, it would be nice if On 
Guard included templates for other typi¬ 
cal setups and a wizard for creating more- 
complex configurations. 

On Guard is intended for use in super¬ 
vised situations and, as such, its not com¬ 
pletely bulletproof—1 was able to skirt the 
program’s protections without a great deal 
of difficulty. You may need to chaperon stu¬ 
dents and workers bent on defeating On 
Guard’s guardianship. 

Macworld's Buying Advice .Although 
not secure enough for government work, 
On Guard is capable of handling the secu¬ 
rity' needs of a supervised school computer 
lab or hackerless office. If the computers you 
control are unprotected, it may be time to 
put them on guard.— Christopher breen 


RATING: MM PROS: Comprehensive protec¬ 
tion options; preconfigured for classroom use. 
CONS: Configuration can be involved; not com¬ 
pletely secjre. COMPANY: Power On Software 
(800/344-9160, www.poweronsw.com). LIST 
PRICE: Single-user pack, S50; ten-user pack, S250. 



Tor Hovind 
Assistant Professor 
Cal State University 


"COMPING 
WITH FOIL... 
THAT'S THE KEY!" 

"We're teaching trendsetling design to great yaung talent. The 
equipment they use should be as technically advanced as they are 
savvy. Alps stepped up with the MD-5000, 2400 DPI printer. 

It's able to output in Dye Sub* mode and, even better, 
prints in (oil. Think of the possibilities (or packaging 
comps using color and (oil. They are sharp! The best part 
is the price. It will cost you around S500 for the MD-5000 
with (oil printing. What studio can afford to be without one?" 





"Tin's is one of the 

t 

more progressive 
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MD-5000 printer 

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* Optional ; Dye Sublimation Kit, USB Interface Module 


56 September 1999 MACWORLD 
















































PerfectFlat'" technology looks better with... 

Apple Power and 


ViewSonic 
on top! 



Selecting your Mac® is only half the 
battle. Today, how you top it off is just 
as important. Innovations like multimedia 
monitors, flat pane! displays and large screen 
CRTs are changing the old phrase "Monitor 
Sold Separately" to "Mac Sold Separately". 

Take the new ViewSonic GF775 17" (16.0* 
viewable) monitor for example. This is the first 
17" (various viewable) flat-screen CRT utilizing 
PerfectFlat technology to provide your Visual 
Computing Experience'” with precise, clear 
images. The GF775 provides an ultra-fine 
,24mm stripe pitch and 1600 x 1200 
maximum resolution. 

At ViewSonic, we offer the #1 best selling 
monitors and flat panel displays in the 
USA*. Buy with confidence from the 
company that's won over 550 industry awards. 
The GF775's warranty covers 3 years parts 
and labor. Plus 24 hour customer service, 

7 days a week. 

For more information on the company 
that's won over 550 industry awards, visit 
our website at: www.ViewSonic.com/mac 



(Mac Sold Separately) 


(800) 886-8583 ‘Stanford Resources, he Qiarteriy Moritz Report Q1 '99 and Display Search Quarterty Supply vs. Demand Study 
CRT’s Qt '99. LCD Monitors. Q1 '99. Speculations subject to change without notice Copyright© 1999, ViewSonic Corporation. 

All rights reserved Corporate names and trademarks stated herem are tne property ot the* respective companies. Apple and Vac 
are the registered tracemarks of Apple 



www.ViewSonic.com 

















Reins 


MacTuner 2.0 

GATEWAY TO STREAMING BROADCASTS 

D id you know that your mac 
is the ultimate world radio and TV 
receiver? Simply install one csf Real¬ 
Networks* RealPlayer programs, and 
you can tune in to any of the more 
than 1,500 radio and TV stations that 
stream live broadcasts into cyberspace. You 
can also listen to air-traffic control towers, 
police scanners, and weather forecasts. But 
how do you find these riches? You could use 
a Web search engine or RealNetworks’ 
RealGuide site (www. real guide. real, com), 
hut there's a much easier way Trexar Tech¬ 
nologies’ MacTuner 2.0.5 is a searchable 
database of live streaming stations; you find 
a station using MacTuner*s search features, 
and RealPlayer handles the playback. It has 
some rough edges, but MacTuner is a won¬ 
derful way to tune in the world. 

MacTuner gives you two wavs to locate 
stations. The Map Browser, which displays 
clickable maps of the continents, is a fun way 
to browse. Its maps are far trxi small, how¬ 
ever; you need a surgeon's touch to home in 
on Rhode Island and Delaware, not to men¬ 
tion most European countries. And Cana¬ 
da’s nearly 100 stations arc lumped into one 


group rather than organized by province. 

When you want to search for a station 
with more precision, use MacTuner's 
Search Engine window to search by state 
or country, format (jazz, blues, talk, and so 
on), media type (audio or video), or station 
call letters. But MacTuner won’t find call 



Cool Tunes from Iceland MacTuner 2.0.5's Map 
Browser lets you locate streaming stations by click¬ 
ing on a map display 

letters typed in lowercase characters, and it 
ignores the return key, making you grope 
for the mouse to click the Search button. 
And it would he nice to he able to search 
by city name—something that a competing 


Windows product. Nothing Else Matters* 
Vruner (www.vtuner.com), permits. 

With stations frequently upgrading or 
changing their servers, you may find that 
MacTuner’s station links don*t always work. 
Trexar updates MacTuner’s station database 
every few weeks or so, anti the program can 
automatically download the latest updates, 
MacTuner also has a Favorites screen where 
you can store up to 15 of your favorite 
streams for quick recall, 

Aflac world's B u y i ng Ad vi ce A sess ion 
with MacTuner 2,0.5 is further evidence of 
just how small the Internet has made the 
globe. I’ve watched news from Iranian tele¬ 
vision, beheld steamy Brazilian soap operas, 
heard weather forecasts from New Zealand, 
and marveled at the United States 1 cultural 
influence while listening to Elvis from South 
Africa and Charlie Parker from Kazakhstan. 
MacTuner needs a bit of polish here and 
there, but it’s still a great gateway to that 
glorious global cacophony' known as broad¬ 
casting.— JIM HEID 

RATING: W PROS: Fun; inexpensive; targe 
station database. CONS: Maps are too small; lim¬ 
ited search engine. COMPANY: Trexar Technolo¬ 
gies (770/442-BQ45, vmw.mactuner.com). LIST 
PRICE: S22.95. 



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Reviews 


LANsurveyor 5.0 

NETWORK MONITOR STILL LIGHTWEIGHT 

W ITH ALL THINGS NET- 
worked migrating to TCP/IP, 
LAN administrators want IP- 
capable tools. Neon Software’s 
LANsurveyor 5.0 obliges with 
new IP discovery capabilities and beefed-up 
Mac-ccntric features, but it lacks IP-man- 
agement capabilities that many administra¬ 
tors consider essential; expect to buy adjunct 
tools, such as Neon’s CyberGauge and Dart¬ 
mouth College’s IntcrMapper, to flesh out 
your networking tool kit. 

LANsurveyor 5.0 consists of a main 
network-management application that you 
run on a centrally located Mac and a remote 
Responder application that runs on each 
Mac in your network (20 Responders are 
included). The management application 
scans the network, locating computers, 
printers, routers, and other network devices 
and plotting them on a map. You can then 
customize i'he knap, assigning icons and 
arranging obiecCs to stfjt your needs. 

In jts DisooveW mode, LANsurveyor 
can now find IPMmly devices as well as 
AppleTalk, devices. Macs running the 
Responder application report system infor- 



Go with the Flow LANsurveyor 5.0 monitors traf¬ 
fic flow and alerts you to congested areas. 

mation; once your network is mapped, 
LANsurveyor monitors it for problems and 
notifies you by alert, alarm, e-mail, or page. 

Managers will welcome the program’s 
new ability to send folders and messages to 
remote Macs and to configure the Respon¬ 
der application remotely. The new version 
also adds convenience features, such as the 
ability to launch CyberGauge and Netopia’s 
Timbuktu to further manage selected map 
objects, and monitoring improvements, 
including the ability to alert on a device’s 
traffic volume rather than error rate. 

Despite these enhancements, LANsur¬ 
veyor still falls short as an IP-management 
tool. Its traffic monitor, for example, still 
checks only for packets moved in a moni- 



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toring interval rather than percent utiliza¬ 
tion or data rate in bits per second. The pro¬ 
gram still supports only one SNMP com¬ 
munity name, and it still won’t lei you build 
subsidiary maps to manage large LANs. By 
taking the liberty of completely reorganiz¬ 
ing its map whenever a new discover) 4 
process is run, LANsurveyor will frustrate 
users trying to maintain a custom map lay¬ 
out. And for all its newfound IP discovery 
abilities, it doesn’t detect or monitor the IP 
services served by discovered devices. 

Macworld's Buying Advice LANsur- 
vcyor’s new features arc welcome improve¬ 
ments, but the program fails to provide all the 
tools you need to manage a network. Worse, 
many of its shortcomings—such as quirky 
data-rate measurements—get in the way of 
good network-administration practice. If you 
need LANsurvcyor’s Mac-oriented manage¬ 
ment features, you may find a place for it in 
your tool kit, hut plan to use something else 
for TCP/IP administration.— mel beckman 


RATING: Mv, PROS: IP discovery; can control 
Macs remotely. CONS: No subsidiary maps; can’t 
detect or monitor IP services; arbitrary map reor¬ 
ganization. COMPANY: Neon Software (925/ 
283-9771.www.neon.com). LIST PRICE: Five 
zones. $259; unlimited zones, $495. 


NEW ONLINE 



www.macworld.com/gelinfo 


60 September 1999 MACWORLD 













































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Reviews 


SoftRouter Plus 6.0 

ROUTING SOFTWARE ADDS WEB CACHING 

W HEN HORDES OF USERS ON 
a network are surfing the Inter¬ 
net, the result is redundant traf¬ 
fic and wasted bandwidth—par¬ 
ticularly when users are accessing 
the same group of Web sites, Vieomsofts 
SoftRouter Plus 6*0.1 solves this problem by 
storing a copy of repeatedly accessed sites on 
a local server’s hard disk for faster perfor¬ 
mance. At the same time, SoftRouter Plus 
features world-class TCP/IP routing and 
network-administration sen ices equivalent 
to those in expensive hardware routers. 

Besides offering all the functions of a typ¬ 
ical hardware-based router—including the 
a hi lit)' to internetwork Ethernet, Token Ring, 
dial-up, and wide-area networks—SoftRouter 
Plus has a graphical interface and a setup wiz¬ 
ard that will have even nontechnical users 
up and running quickly. And the package 
includes a slew of Helpful network-adminis¬ 
tration aids: Routing Information Protocol 
support for automatically configuring route 
tables, RADIUS (Remote Authentication 
Dial-In User Service), network address trans¬ 
lation, Dynamic Host Configuration Proto¬ 
col (DI ICP), a dynamic DNS server that 



Show Me the Cache SoftRouter Plus 6.0.1 dis¬ 
plays both current traffic statistics and Web cache 
performance, letting you keep an eye on your 
Internet bandwidth. 

synchronizes names with DHCP-assigned 
addresses, host access rights, and TCP/IP 
multihoming* And with the appropriate Mac 
hardware, you can even sec up multiple serial 
PPP dial-in ports for remote users. 

But the big improvement in version 
6,0.1 is a bundled caching Web server, 
which makes copies of Web pages that users 
access most frequently and then retrieves 
them from the cache to satisfy repeat 
requests. Caching is transparent—you don’t 
need to reconfigure users 1 browsers to 


access a proxy server—and you can archive 
selected Web sites for access even when 
your Internet connection is down. 

In tests over an ISDN Internet con¬ 
nection with five remote users, SoftRouter 
Plus demonstrated TI-like performance 
when accessing cached sires. For even bet¬ 
ter performance, you can run the caching 
server software on a separate machine, or 
even redirect HTTP requests to another 
vendor’s caching server. 

Macworld's Buying Advice Soft¬ 
Router Plus 6.0.1 s Web cache does wonders 
tor Internet performance when multiple 
users chase the same online content, and 
the programs many other administration 
aids make it perfect for cross-platform net¬ 
works* If you ca n’t afford a $2,000 hardware 
router but have a spare Mac, SoftRouter 
Plus can be a budget saver, too; its low per¬ 
user pricing makes it affordable for virtually 
any workgroup.— mel beckman 

RATING: ♦MM PROS: Web caching: net¬ 
work address translation and DHCP; DNS/DHCP 
integration: multiple PPP dial-in ports; RADIUS 
support; virtual Web serving- CONS: None. 
COMPANY: Vleomsoft (000/818-4266, www 
.vicomsoft.com). LIST PRICE: Five users, $190; 
ten users. S380; unlimited users, $430. 


News travels fast; MacWEEK.com moves faster. 


NlatiNEEK.com 

Mac news, commentary, up-to-the-minute stock quotes and Mac the Knife! 
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MacWEEK: Telling the Mac story since 1987 


62 Sep lember 1999 MACWORLD 













































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The New Landscape of War! 


Launch an invasion 
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3 D tanks-tfiove smoothly over the 
*h!ti?as they move into position. 


The word is spreading across the map. 
Total Annihilation is poised to redefine 
real-time strategy games on the Mac. 

Total Annhilation is a real-time war game 
featuring true 3 D terrain and run-time 
generated 3 D units. Tanks drive up and 
overhills, tilting and rocking with each bump 
in the landscape and impact with enemy 
weapons. Battle on diverse landscapes from 
lava worlds to vast island-dotted oceans. 


Build defenses high in the hills for a 
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and dive in intense air-to-air combat 
Amphibious tanks drive into and dive 
underwater for surprise attacks. 

Total Annihilation’s 3 D landscape is a 
revolution that demands deeper strategy 
and generates more realistic game play. 
Mobilize your forces and experience the 
new landscape of war! 


The winner of more than 50 awards worldwide is coming to the Macintosh. 




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Chasing Cheap Thrills 

A BARGAIN HUNTER'S GUIDE TO MAC SHAREWARE GAMES 
by Christopher Breen 


m y life is nearly perfect* ITeck—- 
what could be better than get- 
ting paid to play computer 
games? PH admit there is one 
wee insect in the unguent, how¬ 
ever; Because I do spend an inordinate 
amount of rime dinking around with 
computer games, 1 suffer from a common 
gamers malady—I don’t get out much* 
And when I say ! don’t get out much I 
specifically mean that 1 go to the movies 
about as often as Steve Jobs and his vegan 
buddies trip down to Billy Bob's 
Barbecue Bungalow for a slab o’ 
ribs and a side of scrapple. 

Which might explain why, 
when I finally succumbed to 
The Force and stood in a seem¬ 
ingly endless movie line, I bur¬ 
bled “How much!?” when die ticket 
seller requested that 1 fork over eight- 
poi nt-seven - five si tn ol eons. 

“Eight seventy-five, 1 ’ she patiently 
repeated while giving me a look T 
recognized as the same one I issue 
when friends of mine gripe about the 
cost of computer games* Roughly 
translated, diat look means: “This 
is high-quality entertainment, 
buster, and if you want to partake 
you'll pony up and shut your yap*” 

And so I did, but not without revisit¬ 
ing my friends’ complaints. It dawned on 
me that forty to fifty bucks is a lot of 
money, and although I maintain that 
there are several games worth the price, 
there me less expensive ways to gain a fair 
dollop of Macintosh gaming goodness. If 
S you’re interested in learning how, read on, 
I 

c 

% Working with a Net 

I The best place to look for games that 
s? won’t drain your bank account is the 


Internet. A remarkable variety of high- 
quality games is available for the price of 
a download and, perhaps, a shareware 
fee of $20 or less* Don’t let the fact that 
these games arc shareware dissuade you 
from investigating further. Although 
you’re unlikely to find a shareware 
shoot-’em-up to rival Unreal or a pay- 
to-play flight sim as rich and complex as 
Falcon 4*0, die shareware world does 
offer commercial-quality arcade, board. 


and adventure games for the price of a 
few movie rickets. Here’s a rundown of 
some of the best. 

I'll start my list of great shareware 
game publishers with the cream of 
the crop, Ambrosia Software (www 
.amhrosiasw.com). Shareware or no, 
Ambrosia games arc outstanding— 
Andrew Welch and the rest of the crew 
are seemingly incapable of turning out 


schlock* Welch’s Maelstrom, an update 
to the arcade game Asteroids, is a classic, 
as are the Centipede-like Apeiron, and 
Swoop, a game that harkens back to 
Space Invaders and Galaxian. Ambrosia’s 
recent games are just as delightful. Mars 
Rising is a wonderful scrolling shoot- 
’em-up, Barrack is a noble update to the 
old arcade game Qix, and Slithereens is 
the best Pac-Man variation I’ve seen* Oh, 
and then there’s Harry the Handsome 
Executive, a game I’m absolutely goofy 
about. Harry is mostly a puzzle game that 
requires a degree of hand-eye coordina¬ 
tion. Your job is to destroy the alien 
invaders who have overrun Harry’s 
office. The hitch is that you’re con¬ 
fined to scooting around the 
game m a six-wheeled office 
chair and office supplies are 
your only weapons. (Prices for 
all of Ambrosia’s games are 
about $15 to $25*) 

F ree verse (www * free verse 
.com) is another fine shareware 
game publisher, especially if you’re into 
card games. This company produces 
such noteworthy games as Hearts 
Deluxe, Spades Deluxe, Classic Gin 
Rummy; and Burning Monkey Solitaire— 
a version of die solitaire game Klondike 
that linexpUcably takes place in a theater 
full of simians. You’ll definitely want to 
pay die shareware fees for Hearts Deluxe 
and Spades Deluxe, Unless you pay, your 
opponents are about as bright as a trough- 
fiil of swamp water, which hardly leads to 
challenging game play. However, by die 
rime you read this you should be able to 
eschew computer opponents altogether 
by playing Crtbbage and Spades over die 
Web via Freeversc’s server. Also worth a 

entj fin fits 



www.macworId.com S e p ! o m b e 1 1999 65 







THE GAME ROOM 



WHat's Puzzling You? Those who fondly remember MasterMind, 
the 4J match the colors and patterns"' puzzle game from the 1970s, will 
love Freverse's Enigma. 


down 1 oa d are F re evers c 's 
board games: Enigma, a 
code-breaking game; Cross- 
Cards, a poker-Scrabble 
combination; Reversi; The 
Eclipse, an Othello clone; 
and X-Words Deluxe, a 
Scrabble twin. Prices for all 
of Freeverse's games range 
between $15 and $20. By the 
way, if yon*re one of the few 
souls left among us who lacks 
an Internet connection, dry 
your tears. Both Ambrosia and Free verse 
offer unregistered versions of their games 
on CD-ROM for $10, 

While you're cruising the Net, don't 
miss Faruasoft's Web site (www.fantasoft 
.com). This is the realm of Realms, a 
popular Dungeons and Dragons-style 
role-playing game. You know the type: 
you gather a group of oh-so-romantic 
beings—sorcerers, elves, and so forth— 
and traipse around the countryside per¬ 
forming deeds of derring-do while giving 
the boot to ill-tempered, often ortho- 
dontically impaired bad guys. Frankly 
this style of gaming is as appealing to me 
as removing plaque from my cat's teeth, 
but those who like this sort of thing 
swear that Realmz is The Goods, If 
you're as willing to believe them as I, you 
can get your copy of Realmz and the City 
of Bywater scenario for $20 (additional 
scenarios are $13 each). I much prefer 

Your Hearts Desire Thanks to Free verse's Hearts 


FantasofYs arcade and puzzle games. 
Fans of die old Donkey Kong arcade 
standard will enjoy the $20 Monkey 
Shines, and those who fondly remember 
Glenn Andreas's Blobbo—a 
puzzle game that requires you 
to gather die goods and avoid 
falling objects—will feel right 
at home with Fantasofr's $20 
Bugs Bannis. 

And finally, no roundup of 
Net-based, inexpensive gam¬ 
ing goodies can fail to mention 
MacMame (www.macmame 
.org), a free emulation pro¬ 
gram that allows your Mac 
to perform convincing imita¬ 
tions of early 1980s arcade 
machines. With MacMame 
you can play such classic 
games as Asteroids, Defender, 

Frogger, Battlezone, DigDug, 
and dozens more. 

Note, however, that die 
developers of this emulation system ask 
that before you download any games 
(games come separately, you 
see), you ensure that you 
own copies of the origi¬ 
nal cartridge versions 
of the games. Appar¬ 
ently there's a hazy 
legal issue about 
running these old 
warhorses without 
haring paid for the 
license. If you own 


the old games, you've paid for the license 
and therefore everything should be 
hunky-dory. If you don't own the games, 
then technically you're stealing some¬ 
one's work, even though that work has 
been out of print since The Dukes ofHaz- 
zard played in prime time. 

The Bottom Line about the 
Bottom Line 

In good conscience, I should issue this 
warning: now that you know there are 
games this good at prices this reason¬ 
able, it won't be long before your Mac¬ 
intosh's hard drive is crowded with 
games and your ability to chip in with 
the ersatz Eberts around the office 


watercooler will be vastly diminished. 
But in the end you'll thank me. Sure, 
like me, you won't get out to the movies 
until the next installment of Star Wars 
comes out, but when it does, you'll 
have saved enough dough for the 
$12.75 admission and the small $25 tub 
of popcorn, m 

Contributing Editor CHRISTOPHER BREEN 
wouldn’t hold it against you if you left the House 
long enough to purchase his new. coauthored book, 
My iMaciXDG Books Worldw ide, 1999). 




Food of the Gods Ambrosia's Mars Rising is a terrific—and not terribly 
exponsive—serolling shoot-'envup. 


66 September 1999 MACWORLD 












































Get six of the greatest Mac action games ever for 
only S19.95 with Bungie Software's MAC ACTION 
SACK. A must have for every Mac gamer's 
collection, the MAC ACTION SACK features 
the ground-breaking games Minotaur, 

Pathways Into Darkness, Abuse, 
and the legendary Marathon trilogy. 


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lUl^TRATIONS ft* CtMJtO DWOft 


H 
1 1 


urry! Hurry! Hurry! Come right 
this way! Welcome to our Car¬ 
nival of Computing! Folks, for 
less than a sawhuck, you can behold these 
Macintosh marvels! 

Why, haven't you heard?! The Mac is back, 
and fun is where it's at! We've traveled the 
world over from Cupertino to Kathmandu, 
gathering together the most captivating Mac 
gewgaws and doodads you're likely to find in 
one place. That’s right, folks. This is the place 
where you’ll find the coolest gadgets and add¬ 
ons for your Macintosh computer. And weVe 
got it all—right here, I say, right here—front 
die mind-bending translucent backup drives to 
the mysterious talking mouse pad to our very 
own World Wide Web of wonder. 

Come along with me on our tour. Straight 
ahead is the Mac Merry-Go-Round, just one 
of the great rides at this summer’s carnival. 
But this ain’t no ordinary merry-go-round. 
No sir, this special attraction is pure family 
fun, guaranteed to please any self-respecting 
Macintosh user. Over this way you’ll see the 
Macworld Fun House, home to fun and games 
and frolic—after all, my friends, what else is 


The 
Fun is 
Back! 


STEP RIGHT UP TO SEE OUR COLLECTION OF THE 
COOLEST AND QUIRKIEST MAC STUFF AROUND 


summer for? And just beyond, the most fear¬ 
some and entertaining portion of our pro¬ 
gram—die Freak Show. 

Fear not, my friends! For tills Freak Show lias 

no bearded lady or human pincushion. But you’re by Christopher Breen 

sure to he amazed by the quirky computer para¬ 
phernalia within the Freak Show’s walls. 

Now that you’ve got an idea where every¬ 
thing is, lets take a closer look. I guarantee it’ll 
be fun! Would 1 lie to you, my friends? 


w w w.mac world + com Stfp tern ber 1999 69 



°fcj 


P AND DOWN ON THE 

MAC MERRY-GO-ROUND 


L ook what we have here—our main attraction: the Mac 
Merry-Go-Round, Ah, it looks like we’re just in time, 
the ride's about to start. Presented for your amusement 
is a cornucopia of useful and fun Macintosh miscellany, sure to 
please even the most cynical Macintosh maven. Don't push! 
There’s a scat for everyone. 

Skinny Speakers That Sing 

The world of multimedia speakers has suddenly gone flat, as 
evidenced by the latest release from Sonigistix, the Monsoon 
MM-700 multimedia speaker system- Like its more expensive 
sibling, the $229 Monsoon MM- 1000 system (see Reviews^ April 
1999), the MM -700 system includes two skinny satellite speak¬ 
ers and a 5.25-inch subwoofer shaped like an ice cream cone. 
You control the volume of the speakers—even quickly muting 
them—with a small hockey puck-shaped control box. 

Although the MM-700 system is slightly less powerful than 
the ALYL1000, the MM-700 speakers deliver the same trans¬ 
parent, balanced sound as the more expensive Mon¬ 
soon speakers. Gamers shouldn't expect brain- 1 

crushing volume from these speakers. At - f t \lL 

a moderate level they sound glori¬ 
ous, but when cranked they start 
to sound distorted before even 
rattling your windows or loosen¬ 
ing your plaster. 

SONtGISTlX; 501/372-0366, WWW 
■SONtGlSTIX.COM. UST PRICE: S179. 






Where's the Hub, Bub? 

Computers are now so common that many people have a 
few scattered throughout the house. So link all these 
machines together and play network games—oh T and maybe 
share files while you're at it. 

Presenting Fatal Ion's I lomeLine Starter Kit, which lets 
you network two or more Macs, two PCs, ora Mac and a PC 
by simply adding a HomeLine PCI card to each computer, 
installing the proper drivers and software, and plugging each 
HomeLine card into the nearest phone jack. Yes, it's hard to 
believe, but HomeLine actually sends data through your 
home phone's internal wiring, with no need for Ethernet 
cables and hubs, and yes, you can continue to use that line 
for phone, data, and fax calls, 

FARAUON; 51G/346-8001. WWW.FARALLON.COM. COMPANY'S 
ESTIMATED PRICE: $139. 

Roll Your Own 

Any child who wants to take control of his or her Mac and 
create games, interactive stories, and simulations should take 
a gander at Sugccast Creator. Intended largely for use in 
schools, Stagecast Creator is a simple programming environ¬ 


ment that allows 
kids to create their i* 
own characters 
and assign actions 
to them. For example, 
your child could 
design a simple 
hoard game, a 
pachinko simula¬ 
tion, an electronic hook with illustrations—even a game of 
three-card monte. 

Parents need not worry that Stage cast is a complete time 
waster As the program's Teacher's Guide plainly reveals, hidden 
beneath the fun are some of the basic principles of program¬ 
ming. That's right, your child is hound to learn a thing or two 
along the way. The on-screen tutorial gives a nice overview of 
Stagecasts programming environment and is anything hut dry. 
The CD-ROM includes several games and simulations—some 
captivating enough for grown-ups! 

STAGECAST SOFTWARE; 650/354-07 35 p WWW.STAGECAST.COM. 

^ UST PRICE: S6G. 

'jj. 

Get the Picture? 

If you have an iMac or new Power Macintosh C3 and 
are interested in putting video on your computer, you 1 re 
in luck. Thanks to XLK8 and your computer’s US 13 port, you 
can now capture and edit video lor just under $100. The 
means to this miracle is the Interview, a small doohickey that 
sports a USB connector on one 
end and an S-Video and com¬ 
posite-video connector on the 
other. The small, black box in 
between does most of the work. 

To capture audio, you’ll need to 
connect the audio output of 
your source to the audio-input 
port on your Mac. 

Using the Interview you can 
capture hill-frame video at 320 
by 240 pixels and still frames at 
640 by 480 pixels and save the 
results as a QuickTime movie. 

Unlike other inexpensive video-capture devices, the Interview 
comes with a decent software bundle—Strata YldcuShop 4.5“ 
and produces smooth results. 

XLR8 BY INTEREX; 316/636-5544. WWW.XLR8.COM. LIST PRICE: $99, 

The Incredible Roaming iMac 

PowerBook owner no longer need be the only mobile Mac 
users. W ith the GrabPac-—and a muscular physique—you can 
now take your iMac and its accompanying peripherals on the 



70 September 1999 MACWORLD 














road. This black, green, or gray item is sure to remind you of 
the backpacks parents use to lug their small children around. 
Slip the GrabPac cover over the 
top of the iMac; slide the key¬ 
board into its harness; tuck the 
mouse, cables, and any extra 
items you care to take with you 
into one of the two side pockets; 
wrap the GrabPac’s padded han¬ 
dle around the iMac’s handle; 
and you’re ready to travel. 

Although you may work up 
a sweat fitting your iMac into the 
carrying case, you won’t need to 
completely unpack it once you 
reach your destination. Just un¬ 
clip the front screen cover, fold out the two mouse pads that 
cover the keyboard, unleash the keyboard from its harness, plug 
in your cables, and fire up the iMac. 

GRABPAC; 602/968-4752, WWW.GRABPAC.COM. UST PRICE: S60. 

Blissed Out 

If you attended any rock concerts in the sixties and early sev¬ 
enties that featured swirling light shows, you probably don’t 
remember doing so. Bliss Paint 2.0, from Imaja, may help jog 
what’s left of your memory. Billed as an interactive color syn¬ 
thesizer, Bliss Paint allows you to create whirling, colorful 
animations that can evolve and morph over time. In addition 
to providing a bit of sixties nostalgia, these animations can 
resemble kaleidoscopes, animated Escher compositions, and 
even the strobing M \Vhoa, dude!” scene from 2001: A Space 
Odyssey —you know the one. 

You create these animations with Scribblers—shape gener¬ 
ators and processing effects—and use Distributors to determine 
where the Scribblers paint. As with a musical synthesizer, you 
can “play” your animations and arrange them in sequences. 
These animations can be fired from your Mac keyboard, via 
MIDI, or through sound input. 

IMAJA; 800/294-6252, WWW.IMAJA.COM. LIST PRICE: S150. 


How Do You Do That? 

Can you whistle? Do you know how to tune a guitar? Having 
trouble shucking an oyster? If these or other common skills 
escape you, you have a friendly know-it-all on the Internet at 
Leam2.com. This fairly comprehensive site provides instruc¬ 
tions in tasks both vital and inconsequential. In addition to 
providing step-by-step instruction for whistling—both the 
puckered-lip and two-finger methods—guitar tuning, and oys¬ 
ter shucking, Leam2 tells you how to use chopsticks, blow 
bubble-gum bubbles, juggle, fix a running toilet, perform a 
breast self-exam, and flush a car’s radiator. 

The site is nicely designed and features a fast and thorough 
search engine—you can also browse by categories such as Arts 
& Crafts, Food & Drink, and Technology'. Steps are clearly 
delineated, and illustrations are often provided. Leam2 includes 
a list of top ten “2torials” as well as a link that allows you to 
mail the lessons to friends. 

LEARN2.COM; WWW.LEARN2.COM. 

Share Files Cheap 

When Apple yanked the SCSI port from the iMac and the blue- 
and-white G3s, it also removed one of the best ways to back up 
your Macintosh files. But have no fear—Aiwa has delivered a 
USB tape drive to safely salt vour files 
away. The TD-UM8000 is* a USB- 
based Travan tape drive capable of stor¬ 
ing up to 8GB of compressed data 
(4GB uncompressed) on a single 8GB 
Travan cartridge. The preproduction 
unit we looked at backed up a 266MHz 
iMac at around 33.5MB per minute— 
not terribly speedy but perfectly ser¬ 
viceable for an overnight backup. 

The drive comes with Dantz’s 
Retrospect and a USB cable. Cartridges 
cost just over $30 each. The TD- 
UM8000 sports an attractive Bondi- 
blue bezel and a very attractive price—just $250. Such a deal! 
AIWA; 800/920-2673, WWW.AIWA.COM/CSD/. LIST PRICE: S250. 




Picture This 

Picture Playground, a commercial Web site put together by 
Eastman Kodak, is a bit like an online version of Adobe’s 
PhotoDeluxe—a place where you can add common filters to 
digital photographs that you’ve uploaded or found on the 
Web. For example, you can turn pictures into cartoons; 
create sepia-tone, “antiqued” versions of your photos; satu¬ 
rate colors; reduce color pictures to black and white; or add 
an oil-paint filter to your image. 

Another area of the site allows you to create postcards that 
you can then e-mail to friends. As with many greeting-card 
sites, these postcards speak to common themes and Hallmark 
holidays such as birthdays and Mother’s Day. Unlike with other 
greeting-card sites, however, you can use images that you’ve 
uploaded, in addition to stock photography. In order to take 
advantage of many of Picture Playground’s services, you must 
become a member. Membership, however, is free. 

PICTURE PLAYGROUND; http://ALTS1.KODAK.COM/US/EN/ 
CORP/FURTHER/. 


Rules of the Game 

Of course your Mac should be your primary source of enter¬ 
tainment, but just suppose that one stormy evening the power 
goes out and all you’re left with is a candle, two matches, 
three friends, and a deck of cards. What will you play with 
now? Well, if you’d taken the time to visit John McLeod’s 
Card Games site and memorized each page there, you’d know 
the rules to just about every card game on earth. The list of 
games is exhaustive—why, the number of poker variations 
alone is remarkable. 

Although solitaire games are well represented at Card 
Games, they aren’t the only games fully explained. The site 
also carries sections for multiplayer games, commercial games 
(such as Mille Bornes) that require a special deck of cards, and 
invented games (such as card games site visitors have invent¬ 
ed). John also provides links to places where you can play 
cards against opponents on the Internet. 

CARD GAMES; 

.PAGAT.COM. 
























Oh/b 

1 JlORE FUN THAN A BARREL OF MONKEYS 


T 


hat's it! The Merry-Go-Round ride is 
over. But fret not—it's time to move to 
the Fun House, home to wild and 
crazy Mac items. Interested in musical 
tools? Looking for something to spruce 
up that iMac? Step inside while I rustle 
us up a couple of corn dogs. 

Overstaffed iMac 

Gone are die days of Raggedy Ann 
dolls—the cyberplaymates of the 
future are one-of-a-kind custom-made 
iAlac pillows. And unlike their translucent 
plastic counterparts, these 6-hy-9-hy-7- 
inch cotton clones cost only SI 2 and arc 
made to order. 

These fuzzy computer pals arc available in 
all five flavors—plus Bondi blue—and can be 
personalized with your name for an additional 
S3. Sorry, mouse and keyboard not included. 

BUNSTER CREATIONS; WWW.BUNSTERCREATIONS 
.COM. DIRECT PRICE; $12 PLUS SHIPPING AND HANDLING. 

iMac Appetizers 

If you were to go by commercials alone, you might chink that 
once you own an iMac you have everything you need. Non¬ 
sense. The fun really begins with the accessories. 

Enter Belkin Components' iMac Starter Kit. This kit con¬ 
tains a quartet of useful iMac-hued accessories: the black and 
■"ice,” ultraconi ly Ergo Bail mouse pad: a likewise gel-filled, 
black and ice ErgoFad keyboard rest; a 10-CD-capacity, 
Bondi-blue jewel case; and a blue and ice SurgeMaster surge 
protector complete with protection for telephone lines. 
Granted, the surge protector and CD rack, while attractive, 
are something you could get elsewhere. 

BELKIN COMPONENTS, fiGO/223-5546, WWW.BELKIN.COM. LIST 
PRICE: $60. 

Oh, the Joy 

Mac gamers, take note: Kernel Productions* JoyPort, a 
diminutive black box not much larger than an audiocassette, is 
packed with potential. This gizmo allows your ADJTequipped 
Macintosh to use many .Sega Genesis, Nintendo 64, Sony 
PlayStation, and PC game controllers. You just turn off the 
Mac; connect the Joy Port to a free ADB port (sorry, iMac 
owners); restart the Mac; install the JoyPort software; restart 
again; slip a compatible joystick, game pad, or other controller 
into one of the Joy Port’s ports; configure the controller for the 
game in the Joy Port control panel; and have big fun! 

Although the Joy Port is nearly infinitely configurable, cer¬ 
tain steering-wheel controllers don't function properly with 
old Mac car-racing games. The device works admirably with 
most arcade games and game pads, however, and is a natural 



for those with Gonnectix’s Virtual Game Station 
and a PlayStation controller. Kernel has prom- 
\ bed a USB version soon. 

KERNEL PRODUCTIONS; 302/456-3026, WWW 
.KERNELCOM. LIST PRICE: $50. 

Let’s Get Tanked 

There’s definitely something fishy about 
Aqua zone Deluxe, the virtual aquarium 

fri mi M i ndseape Entertainment. Un 1 ike 

the scaly screen savers of old that 
boasted indestructible schools of fish, 
A qua zone's denizens arc quite mortal. 
As with a real aquarium, if you don’t 
feed your fish, keep the tank clean and 
warm, maintain a proper chemical 
balance, and deal with your little 
gilled buddies 1 ichthyological 
illnesses, the residents of your 
tank die. Keeping the fish 
healthy is vital, because four of 
the six species come in limited numbers. If you fail to breed 
more of these fish and the original five of each species die 
out, you must buy more. 

In addition to the fish, Aqua zone Deluxe ships with five 
aquatic plant varieties, many decorative accessories, and 12 pre¬ 
conditioned tanks. You can also create your own tanks. 
MINDSCAPE;415/395-2000 r WWW AOUAZONE.COM. LIST PRICE: $30. 

Play That Funky Music 

Being a mobile DJ is tougher than you think. Sure, just about 
anyone can develop snappy stage patter or find an appropriately 
loud, seqtuned jacket, but the real difficulty is lugging around 
all the equipment and CDs necessary to get the job done. 
Fidelity Media just made that job a little easier with its 
MegaSeg. This music system allows you to download hundreds 
of CD tracks to your Mac, create and save playlists, edit custom 
segue and intro times for each track, and seamlessly crossfade 
between tracks. And just imagine the musical setup you’ll 
create with your MegaSeg software 
and your handy iMac GrabPac. 

Fidelity Media claims that you 
can store more than 500 songs on 
a 6GB hard drive. This miracle is 
possible thanks to MegaSegV use 
of IMA 4:1 compression—a stan¬ 
dard chat, while reducing the size 
of each file, strips the tracks of 
some dynamics and adds noise. 

Audio purists, take note. 

FIDELITY MEDIA; 877/634-2734. 

WWW.AAEGASEC.COM, LIST 
PRICE: $249. 


# 




\ 


7 2 September 1999 MACWORLD 











Getting a Little Sketchy 

There's a darned good reason why art historians have never 
run across a mouse among the tools in Winslow Homer’s 
paint box: it’s a lousy substitute for a brush or a pencil. If 
you’d like your children to have a more accurate and 
ergonomic artistic input device, consider the Pablo, from 
KBGear Interactive. This 8-by-6-inch graphics tablet ships 
with a wired pen large enough to be gripped by small hands, 

2 clear plastic overlay that 
enhances tracing, and a CD- 
ROiYI complete with MetaCre- 
ations’ Art Dabbler and Power 
Goo SE. The pen sports a sin¬ 
gle yellow button that you can 
set to perform a single-click, 
double-click, click-lock, con¬ 
trol-click, or any keystroke. 

Currently the Pablo ships 
only in an ADB version, but a 
USB version is due in August. In 
the meantime, the maker of the 
Pablo suggests using Griffin 
Technology’s (615/255-0990, www.giffintechnology.com) S49 
iATate USB-to-ADB adapter for ADB-less iMacs. 

KBGEAR INTERACTIVE: 800/926-3066, WWW.KIDBOARD.COM. LIST 
PRICE: $99. 

The Magic Kingdom 

Let’s face it, kids love just about anything that bears the Dis¬ 
ney logo—movies, theme parks, decorative lunch boxes. If you 
want to make your little ones happy, point your browser to the 
Disney Channel, the online, interactive arm of the Land That 
Walt Built. This site is packed with Shockwave games that fea¬ 
ture the traditional Disney crew as well as some of the more 
recent additions, including Aladdin's Genic. 

Please note that although this site is full of fun, it’s also 
crassly commercial—it’s as jam-packed with Disney advertising 
as it is with entertainment. 

DISNEY CHANNEL; http://DISNEY.GO.COM/DISNEYCHANNEL 

A Better Mouse Trap 

While Apple’s current designs are certainly bold, some may 
wonder if our friends in Cupertino have sacrificed function 
for the sake of form. Take the 
Apple mouse, for example. 

Cute as a button it may be, but 
its shape is problematic for 
some users—if you don’t have 
the hands of a child, the mouse 
doesn’t leave a lot of room to 
rest your hand, and its round¬ 
ness makes it difficult to deter¬ 
mine which way is up. 

You could buy a new mouse, 
of course, or you could simply 
add a new cover to the old 
one—the UniTrap from Con¬ 
tour Design, for example. This device fits over the round mouse 
and includes buttons in all five iMac flavors. To install, just 


remove vour mouse’s colored side pieces, slip the mouse into 
the bottom shell of the UniTrap. and clip on the cover. The 
resulting mouse is a hit bulky but quite comfortable. 

CONTOUR DESIGN; 800/462-6678, WWW.CONTOURDESIGN.COM. 
COMPANY’S ESTIMATED PRICE: $15. 

Sassy Synth 

Ask any Mac musician about the quality of QuickTime Musi¬ 
cal Instruments (QMI) and you’ll receive a response so color¬ 
ful in its negativity that we couldn’t possibly print it. We can 
suggest an alternative—Alesis’s QS6.1 
synthesizer. This 64-voice, 61-key key¬ 
board includes 16MB of memory 
(expandable to 32AIB via PC Cards), 
four control sliders, a responsive key¬ 
board, a serial port in the back for 
direct connections to serial port-bear¬ 
ing Macs, and a CD-ROM that con¬ 
tains Emagic’s MicroLogic AV 
sequencer and a few other useful digi¬ 
tal-audio and MIDI applications. The 
QS6.1 also contains a General MIDI 
bank of sounds that’s far superior to 
anything found in QuickTime. 

If you’re interested in such a dedicated synthesizer hut 
have a newer Mac that lacks serial ports, investigate those USB- 
to-serial converters that support MIDI —not all do. Check with 
Macintosh MIDI newsgroups to learn about MIDI configura¬ 
tions that work best for these modern Macs. 

ALESIS; 800/525-3747, WWW.ALESIS.COM. LIST PRICE: $1,099. 

Your Personal Top Ten 

If you’d rather not wait for your coworker, Bob the Joke Guy, 
to lob another poorly transcribed Letterman Top Ten list into 
your e-mail in-box, go to the source—CBS’s Late Show Top 
Ten site. Here you’ll find Dave’s latest Top Ten and more. 

Perhaps you think you’re good enough to compete with Dave’s 
well-paid but harried writing staff. Maybe so. You can test your 
comedy mettle by entering the Top Ten Contest. Just offer your 
suggestion on topics such as Bob Barker’s lop Ten Pet Peeves or 
Top Ten Least Popular Stores at the Mall; fill in your name, home- 
town, and e-mail address; and you could win a Late Night T-shirt. 
CBS LATE SHOW TOP TEN; http://MARKETING.CBS.COM/LATESHOW 
/TOPTEN. 

Your Ticket to the Stars 

You’ve slogged home after a long day at work, and following a 
quick, microwaved homage to mac and cheese, you’re ready 
for a little video-based mind numbing. You flip to the news¬ 
paper’s television listings and are confronted with numerous 
filmic possibilities on TCM, AMC, TNT, and I BS. Which to 
watch? Sure, you could simply channel surf, but why bother 
when you can Web surf to the Internet Movie Database? This 
site, hosted by Amazon.com, provides information on more 
than 180,000 movie titles. You can search by movie title as well 
as by actor—a great resource for those times w hen you can’t 
quite recall all 238 films of Eugene Pallette’s career. 
























Breaks and geeks 



M y friends, finish your corn dogs and prepare to he 
amazed by the products that reside inside our taber¬ 
nacle of terror, the Freak Show. You may find the 
denizens of the Freak Show a little strange* but I guarantee 
they’ll add a little spunk to your 
Mac if you just give ’em a chance. 
Ready for the quirky stuff, 
the weird outer-space, 
glow-in-the-dark, 
fortune-telling, 
freaky Mac stuff? 
Step inside! 

We Are Not Alone 

What’s the likelihood that 
somewhere, among the bil¬ 
lions and billions of scars in 
our universe, there exists 
another sentient civiliza¬ 
tion eager to converse 
with us Earth bound 
sehmoes? That’s 
a question some 
folks at SETl (The 
Search for Extraterrestri¬ 
al Intelligence) would like to 
find an answer to. And yon can 
help them obtain that answer. Here’s how. 

Download a copy of SETl ©home. This application/screen 
saver downloads a chunk of data picked up by an audio obser¬ 
vatory, analyzes that data to determine if otherworiders are 
attempting to send a response to the radio signals we broadcast 
into space, and sends the results of that analysis back to the 
SETI@homc people. What better way to employ your Mac 
during its otherwise unoccupied moments? 


SETI@HOME PROJECT; HTTP://SETfATHOME.SSL.BERKELEY.EDU, 


Palm Dessert 

3Coins ubiquitous Palm is a handy enough device that users 
have been willing to put up with Graffiti, the Palm’s write-it- 
our-way-or-else handwriting interface. But let’s face it, using 
Graffiti is hardly the most convenient way to enter information 
into your pocket pal. If only the Palm—like the Newton 
Message Pad 2000 before it—came with a keyboard. 

Now it does, thanks to Land Ware’s GoType, a diminutive 
plug-and-play QWERTY keyboard designed for all the Palms 
except the Palm V and Palm VII (LandWare will release a 
Palm V-compa tilde keyboard shonly). Just drop your Palm into 
the GoTypc’s integrated cradle and start typing. While not tiny 
enough to fit in vour back pocket, the GoType measures only 
10 by 4 inches anti is just *A inch deep. Without an attached 
Palm, the GoType weighs just 11 ounces. 

LANDWARE; 201/2G1-7944, WWW.LANDWARE.COM- LIST PRICE: $8G. 


Unwired for Sound 

You’re deeply entrenched in an online Quake III fragfest, it’s 
3:10 A,AL S and you—a considerate individual—are wearing 
headphones. In a dash to the bathroom between bouts, you 
forget to remove the headphones, and when your forward 
progress exceeds the length of the headphones’ cable, you dis¬ 
locate your neck and nearly rip off your ears. Do yourself and 
your ears a favor and give a listen to Land Group’s Un-Wired 
Model fiOQOIR wireless headphones. 

As the name implies, these ultracomfortable headphones 
carry no attached cable. Instead, they receive audio signals 
from an infrared transmitter that you place in a convenient 
location within 25 feet of your intended area of use. Connect 
the included audio cable from your Mac’s audio-output port 
to the transmitter’s input ports, pop a couple of AAA batteries 
into the headphones, switch on the transmitter and head¬ 
phones, and you’re ready to rock remotely at a frequency 
response of 35Hz to 18,000Hz. 

LARAL GROUP; 516/293-6900. WWW.UN-WIRED.COM. LIST PRICE: $50. 
Doctor Wheelgood 

Presenting the humble compact disc—useful for holding 
catchy tunes, the standard when it comes to installing software, 
and nearly indestructible. But occasionally one of these shiny, 
silver wonders becomes so scratched or abraded that areas of 
the disc cannot he read. Digital Innovations comes to the res¬ 
cue with its Game Doctor, a device that looks like a cross 
between a can opener and a 
grocery-store label gun and that 
removes shallow scratches and 
abrasions from CDs. 

To use the Game Doctor, 
simply fold down the device’s 
lower jaw, strap a CD onto die 
wheel, spray the disc with the 
included Resurfacing Solution 
(filtered water), Hip the jaw into 
place, and start cranking the 
Doctor’s handle. As you crank, 
the wheel slowly rotates, polish¬ 
ing the disc. After polishing you 
simply dry and buff the disc with the included towel and felt 
square; with any luck, the disc will then function perfectly. 
DIGITAL INNOVATIONS: 888/762-7858, WWW.DIGITALIN NOVATIONS 
.COM. LIST PRICE: S35, 

Are You an Ogre? 

Described as a perfect place for some serious entertainment, 
Queendom.com offers the kind of tests and surveys often found 
in magazines that cater primarily to women. Care to test your 
IQ, check your personality determine whether you suffer from 
depression, discover your degree of assertiveness, or compare 
your sex life to those of your fellow' beings? Queendom.com 



74 September 19 59 MACWORLD 


















offers tests that cover all these areas, as well as advice columns 
and articles pertaining to women’s health issues. 

In general, the results of the tests are clear and non judg¬ 
mental; regardless of how you answer, you won’t have to read 
that you’re an overbearing ogre w ho would be doing the world 
an enormous favor by taking up permanent residence in a 
remote mountain cave. 

QUEENDGMXOM; WWW.QUEENDOMXOM/TE5TS.HTML. 

Squeaky Mouse Pad 

If you’re tired of pushing your mouse around on the back 
cover of a vintage, 1984 issue of bidder, ComputerGear 
has more than plenty of decorative mouse pads for you. Pre¬ 
senting the Winning Shot and Wolf audio mouse pads— 
that’s right, not only do these rubber-and-nylon pads sport 
the pictures of a putting green and a wolf haying at the 
moon* respectively, hut when you press a particular spot on 
the pads, they erupt with sound (a cheering crowd 
for the Winning Shot pad and, as you might 
expect, a howling wolf for the other). 

The novelty of these pads wears off after the 
first playing or two, so if you’d like something 
kicky but quieter, consider ComputerGear’s 
South Park mouse pads, which feature a big¬ 
boned Eric Theodore Cartman and the ever 
enthusiastic Kyle BrosIofskL 
COMPUTERGEAR; 800/3 7 3 * 63 5 3 , WWW 
XOMPUTERGEARXQM. LIST PRICE: AUDIO MOUSE 
PADS, $17; SOUTH PARK MOUSE PADS, $15. 




Freaky News 

There’s a lot of news in die world—far more than 
your local radio station, television channel, or 
newspaper could ever hope to cover. Oh sure, 
you'll learn about the latest hurricane or scandal, 
but where are you going to read such gripping 
items as “Cops Seek Thief Who Digs Elders’ 

Undies” or “Prep Student Attacked for Listening 
to Queen”? Log on to Jim Romcncsko’s Obscure 
Store and Reading Room. 

Mr. Romenesko handpicks the more offbeat stories of our 
world and provides links to dieir source on this Web site. That 
source may be as lightweight as the National Enquirer or Holly¬ 
wood Reporter or as earnest as the AP News wire or CNN, You’ll 
also find links to transcripts of newsmaker broadcasts such as 
Larry King Live and Meet the Press. 

OBSCURE STORE AMD READING ROOM; WWW.O0SCURESTORE.COM. 
Shocking Movies 

Are you a frustrated filmmaker whose cinematic ideas can be 
realized in a single exchange of dialogue between two char¬ 
acters? Then the Digital Film Festival is for you. At 
dfilm.com you can create, view, and distribute your very own 
ShockWave movies. Here’s how. 

Simply click on the MovieMaker Game link, determine 
if you want your film to star one or two characters, select 
the characters you wish to use, choose a sky and background 
pattern, write the first {and last, as it happens) line of dia¬ 
logue for each character, select a soundtrack, enter the title 




of your movie and your name, and click on the Preview 
Movie link to see your film in the flesh. From the Preview 
screen, you can e-mail a link to your creation to anyone. 
And while you’re at the site, you can watch clips of more- 
extensive films created specifically for the Internet. 

DIGITAL FILM FESTIVAL; WWW.DFILM.COM. 

You Light Up My Life 

When the iMac was first put on display, 

Apple used a cunning optical illusion to 
enhance the LYIac’s already cool appear¬ 
ance—the LYlac mouse was placed on a 
lighted table, thus helping illuminate 
the mouse’s innards. This illusion was 
so convincing that many people be- 
lieved the round mouse actually con¬ 
tained a light source. It doesn’t, but w r ith 
a little help from iGlow, it can. 

The concept is very 
simple. Send iGlow* your 
round mouse, and for SI7.95 

plus S3,00 shipping, the company will implant a blue 
or red LED (light-emitting diode) into your translu¬ 
cent pointing device. If you have $24.95 (and $4.00 
shipping) to spare, you can also have the company 
place up to diree blue or red LEDs in a translucent 
trackball of vour choosing. In addition, iGloxv will 
sell you an already modified mouse—a MacAIfy 
iMouse or Kensington USB Mouse in a Box—for 
S49.95 plus $3.00 shipping. 

iGLOW; 408/262-8135, WWWIGLOW.ORG, UST PRICE: $21, 

Alarming Development 

PowerBooks arc mighty convenient, but die very fea¬ 
tures chut make them so convenient—their small size 
and easy portability-—-also leave them susceptible to 
theft. Other than chaining your PowerBook bag to 
your body, there is a measure you can take to make 
your PowerBook more secure: the Targus Defcon 1, a 

small alarm that attaches to_ 

your PowerBook or PowerBook bag. 

The Defcon l, an alarm about the 
size of a cellular telephone, offers two 
types of protection. You can attach it 
to the security slot on your Power- 
Book, run Defcon l’s cable through 
the hole in the adapter, 3 nd lock the 
cable. If someone attempts to cut the 
cable, a screeching alarm sounds. The 
device also carries a motion alarm. If 
the Defcon 1 detects more than a few 
seconds of motion, it yells its head 
off. Note: The device is not sturdy 
enough to protect against prying thieves with sledgehammers. 
TARGUS; 714/523-5429. WWW.TARGUS.COM. COMPANY'S ESTI* 
MATED PRICE: $50. m 

Before you leave the Freak Show, be sure to wave to Macworld's contributing 
game and iMac freak, CHRISTOPHER BREEN 



www.macworld.com September 1999 75 


























Macworld Lab 

", ^ 4 ' ! * 

, ■ V " #i 

Looks at 
Digital Cameras 
and Scanners 
That Will • 
Make Your. 
Photos Click 


Pkptw?rkj?ky by CanAUmi 

0 y ita l o my ri b tony by £ ^yy 


7 6 September 1999 MACWORLD 





' emetimes a picture is worth a.thousand words—all of dje four-Iet- 
ter variety. After all, snapping the perfect shot is only the first step. 
If you want to post-it omthe Web or print it on a birthday card or 
in a magazine, you ye got to get it into your Mac, You could shoot your 




and every one. Or you could try a less stress-fiUed route: scanning your 
film or skipping film altogether by using a digital camera. Here's to 
reclaiming the simple joys of pictures—no matter 
how you choose to take them. 



w w w. r mac wo rid .cq m September T 999 77 




V 







1/200 pixels, they did so with 
the help of digital inter-* 


Digital Cameras Develop 


These 14 Megapixel 
Cameras Will 


Help You 


Get the Picture 


E verywhere you look, ads for-software and computers 
celebrate the benefits of doubling: “Double the pro¬ 
cessing power!” “Twice the capacity!” “100 percent 
faster download times!” Yet somehow, once you Ye sitting at 
your desk, these leaps don't translate into equivalent increases 
in perspnal efficiency: you don't work twice as fa£t, nor is your 
work twi ce as good as it was be fore. 

This isn't the case with digital cameras. When a digital 
camera captures twice as many pixels, you see the results. You 
really do get mice as much information, nvd time's as.much 
detail, and double the clarity. Tbrere-s nothing theoretical 
about it — the results are right there in die photograph. 

When we looked at digital cameras bst year (see “Focus 
On,” October 1998), the first of the $i,OG(Kand-under cam- 
. eras had just broken the so-called megapixel barrier, captur¬ 
ing 1 million pixels or more per shot. This year, the number 
of pixels keeps climbing. One camera in our roundup, Nikon's 
$999 Coolpix 9J0, packs more than 2 million 
pixefs into each picture; Although earlier cameras 

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t X r * * Jt > * 


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polation (adding pixels they hadn't really captured). The 
Coqlpfoe 950 is the real thing, the first two-megapixel camera 
that costs less tha'ira new iMae. 

/ This is a bigger deal than you* might think. Nikon's 2.11 
‘ million-pixel CCD (charge-coupled device) contains as many 
light-sensitive electrodes as do the image sensors in some pro¬ 
fessional-level cameras. For example, Kodak's popular DCS 520 
captures several thousand pixels fewer than the $999 Nikon, 
yet it costs $14,995. Admittedly, die DCS 520 and its ilk offer 
features die simple Coolpix 950 lacks, but it's safe to say the* 
Coolpix 950 breaks new ground. It's as. if, despite their differ¬ 
ences, die Coolpix 950 and professional-levelpCS 520 used the 
same kiiukof film. Instead cf supporting wildly divergent tech¬ 
nologies, diese cameras boast similar basic components pack¬ 
aged tiifferendy. This is good news for buyers on a budget., 


Weighing and Measuring * 

The Coolpix 950 ish't the only new'camera on the^ market. In 
all, \ye looked at 14 megapixel cameras from 11 companies and 
priced between $400 and $1,200 (see the table, “14 Mega¬ 
pixel Cameras Compared,” ftir details),The cameras ranged 
'in weight from the stripped-down, 12-ounce Olympus 
D-340R ($399)' to the relatively gargantuan, 29-ounce Canon 
PowerShot Pro70 ($1,199). Alas, none of these babies are 
small enough to fit in a shirt pocket; however, you can dick all 
except the PowerShot Pro70 and the slightly smaller $999 
Olympus D-620L-into a fanny pack or purse. 

In addition to evaluating size and expense, we graded the 
cameras based on image quality resolution, innovation, and 
ease of use. After all, if.you’re'‘buying a camera for professional , 
work, ids important that it capture crisply focused details and 
accurate color transitions. You also need a responsive camera 
that powers up and shoots pictures with few delays (see the 
benchmark, “Snap to IP').’At home, the last thing you w ant to. 
*ib is wage war with yet another machinfe, so convenience is 
king. Straightforward controls, flexible image transfer, and 
spifly image quality even.in low-light conditions are paramount. 

This bushel is not without its bad apples, buj: although you 
may want to avoid a few, the group as a whole appears to he 
heading in the'right direction. T&o cameras in particular stood 
out from the crowd. The $699 D-400 Zoom, from Olympus, 
is a first-rate camera for home use. Meanwhile, Nikon's 
Coolpix 950 is perfect for professionals. 


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MACWORLD 









Resolution and Interpolation 

Five years have passed since Apple released the $749 Quick' 
Take 100, the first camera under $1,000 to capture*640 by. 480 
pixels in 24-bit colon Thankfully, the state of the art has 
improved dramatically since then* The least-equipped cairn 
era in our roundup, the Olympus D-34GR, costs about half 
as much and captures four times as many pixels as die old 
QukkTakc. The higher concentration of pixels means you 
can'print an image at-larger Sizes without revealing noise, 
compression artifacts, and other digital defects. 

But today's megapixelcameras don't just capture more 
pixels—they capture better' ones. Even the $699 Kodak. 
DC240—which produced the worst pictures of any camera 
we looked at—manages to capture sharply defined edges, * 
though/die colors of those edges are often inaccurate (see 
the sidebar; “The Proof Tsjn the Pictures”), ^ •. 

Sizing Your Snapshots ’ Qf the 14 cameras we looked 
at, 7 are solid'megapixel devices* Their photosensitive 
CCDs; die digital equivalent of film, capture 1,280 by 
960 pixels for a, rough total of 1.2 million pixels per 
image. (The CCD actually capoi^esTworepixels than tins, 
but some are masked but and don't make it to die pic¬ 
ture.) ityiiat does this mean in practical terms? At 256 
pixels per inch, roughly equivalent to the commercial * 
standard for offset printing, you'll be able to print the ■* 
pictures you take with .these cameras as big as 5*0 by 
3.75 inches* Go, any larger than that and blocky 
pixels become visible. 

Three cameras—the $599 Fuji MX-600 
Zoom, the Olympus D-62UL, and the $599 
Toshiba PDR-M3-—add a H few pixels vertically, 
nudging the print size to 5*0 by'4.0 inches. 

Minolta's $899 Dimage EX Zoom 1500 snaps 
5*25 -by- 3.9 -inch pho tos * 

H The three remaining*cameras provide 
more-substantive enlargements. .Canon's 
FowerShot Pro7Q and Kodak’s $999 DC265 
capture 1.536 by 1,024 pixels; equivalent to 
a 6“by-4-inch print. The Nikon Cooipix 
950's 1,600 by 1,200 pixels translate to a 
6*25-by'-4*7-inch -photograph—that’s 50 
percent more picture than you can get from 
the 1,2 80-by-96Q-pixel crowd. , 

Inventing Pixels Sometimes it’s not so 
easy to figure out bow many pixels a cam¬ 
era can capture. Agfa's $799 ePhoto CL 50, 

Epson’s $799 Pho to PC 750Z, and Sanyo’s 
$899 VPC-Z400 all ejaim to support res¬ 
olutions as high as 1,600 by 1,200 pixels,' . 
but these cameras are in fact limited to 
1,280 by 960 pixels* They all use inter¬ 
polation to achieve their inflated reso¬ 
lutions. None of' die interpolated 
images held up to the authentic pixels 
the Nikon Cooipix 950's higher-reso¬ 
lution CCD captured. 

Innovations and Blunders 

Three years ago, Casio proved its dig¬ 
ital camera could go where no film 


ca mera had gone before "by 
including a color LCD 
screen. The LCD showed you 
the exact image projected onto , 
the CCD inside, giving you a 
more accurate preview than an 
optical viewfinder would. 

This,trend continues'with 
advances in.LCD, flash, and 
foctis. For example, in addition 
to providing ultrasmooth LCD 
image previews, die Agfa* Epson, 
and Sanyo models allow you to 
pop the top of the LCD so that 
sunlight can shine-in and back¬ 
light the screen. Not only does 
this conserve power—the LCD is 
the camera’s biggest power draw-^ 
bur it also .brightens the LCD 
screen when you’re shooting out¬ 
doors m direct light, conditions 
✓ under which a synthetically lit LCD 
is too dim to be visible. 

Sordid LCD Tales Given the impor¬ 
tance of a good LCD preview, you’ll 
want to think twice before buying the 
Casio, Kodak, or Minolta models. The 
screens on these cameras are both grainy 
, and unusually sensitive to movement. 
Each time -you shift the camera to a new 
position, the subject blurs or separates into 
' its RGB components, making it difficult to 
frame moving and still targets alike. ' 

The $699 Casio QV-70QGSX exhibited 
another problem—the framing shown before 
and after snapping a picture didn’t match, so 
the perimeter of the shot appeared to .get 
cropped away. Given.the fact tiiat die.Casio is 
the only model that lacks an optical viewfinder, 
such a ratty LCD is unforgivable ;• t 
Finally, note that the Olympus D-620L 
lacks, an LCD preview altogether. Because the 
camera’s SLR (single*lens reflex) design lets 
you frame the shot through the'same lens the 
camera uses to shoot, Olympus deemed an 
LCD preview unnecessary, If your eye becomes 
quickly fatigued squinting through a tiny view- 
firideq you'may not agree. 

New Ways to Flash Strobe flashes have hardly 
been a high point for digital point-and-shoot cameras 
in the past, but the new mod els are making important 
headway* Every camera but the Canon PowerShot 
Pro70 includes a built-in flash. Canon forgoes the flash 
in favor of an accessory shoe that allows you to slip on 
a standard detachable flash unit. This means less-severe 
‘ light, A reduced risk of red-eye and other snapshot 

Hot Shots From top to bottom, with Editors' Choice picks circled: 
Canon PowerShot Pro70 (first complete photo), Olympus D-400 
■Zoom, Casio QV-7000SX, Nikon CooipiX‘950. Canon PowerShot PnoZO, 
Olympus D-400 Zoom, Olympus D-620L. . 

www.mRcwoHd.com September 1999, J 9 






Picture 
. Perfect: 

Cameras spoilers. You can even 

select from predefined 
aperture settings to 
accomtnodate dafferent 
brands otflashes. - 
Three other cameras—tlte 
’ Kodak DC265, Nikon Coolpix 
950, and Olympus D-62QL — 
; offer a hat-sync port;to trigger an 
external strobe, which means you can 
■ shoot under more-balanced lighrin a 
v studio setring; Tn each case, you must 
’ purchase the hot-sync cable separately 
■ M / from die manufacturer. 

Sometimes you may not want to use a flash 
at all. For example, low-light shots often look 
better with nq flash than with the harsh lighting 
of a consumer strobe. In this situation, one camera 
outperformed the others. When shooting neon at 
night-in Las Vegas, the Olympus 0-400 Zoom did the 
best job of capturing.colorful, sharply focused images 
without the help of a flash or tripod. 

Forays In Focus 'LCD artd flash aren’t the only areas 
. of innovation in digital photography. If you’re looking 
for a camera that can take extreme close-ups, the Olym¬ 
pus D-400 Zoom is.good and the Casio QV-7000SX and 
Olympus D-340 R are even better. To cus mg as close as a 
finger’s length from an object. The best of the bunch is 
. ■ the Nikon'Coolpix 950, which 'can focus from just 0.8 
inch away—close, enough to capture the individual defy 
on a computer screen. . „ 

The Nikon also boasts the most-sensitive autofocus- 
mg, with more than 4,000 steps of fools, suffi- 
* pent to distinguish each ijiilltmeter of 
depth from the next. We spent a 
lot of time fighting with 
the autqfbcus of the 
Canon Power- 

Shot Pro70 
and the Olym¬ 
pus D-620L The 
Canon camera permits 
you to take close and long 
shots' alike in its “macro 
mode, 1 ’ but it frequently gave 
warnings and failed in Jow- 
light environments. The 
01 y m pus a Jb s o lu t e l y 
refuses to shoot a pic¬ 
ture if the autofocus 
can’t lock on the sub¬ 
ject, which happens 
/ as often as not. 

Design and 
Usability 

Whether you are 
s h o.oti n g a p ro d u ct 
out in thb field oncap- 
turing your kitPs birth- 





y'W- 




day party, you need a camera that’s ready to take pictures- 
whenever you are. This means a reliable power supply, quick 
anti.easy zoom controls; and lots of expandable storage. Tike 
away any one of these, and you risk having the perfect shot. - 
slip offrintb fleeting memory, 

Never-Ending Need for Rower. Unlike film cameras, dig¬ 
ital cameras can’t work without eletfricity.JVIercifuOy, eight 
of the cameras ship, with rechargeable batteries, which means 
you’ll ho t'otily -spend less on disposable cells but you’ll also 
be able to shoot longer on a single charge. ' - 

The Epson PhotoPC 750Z, Kodak DC24Q and DC26S, 
^SJinolta Dimage'RX Zoom 1500, and Olympus D-620L ship 
with four A A NiMH cells and a charger. The Canon, Fuji, 
and Toshiba models rely on custom batteries. The Fuji and 
Toshiha camera^ let ybu charge the battery by simply plug¬ 
ging tile camera into a wall socket. But the AA cells represent 
the more flexible solution — if die rechargeable batteries run 
but of juice, you-can toss in a set of disposable opes. 

- Telephoto-Troubles Ail bur the' OlympusJiL340R offer 
a telep h o to 1 e n s. The C a si o zooms by 200 pe rcent, the jCa n on 
by 250 percent, and the others by 300 percent. All zooms are 
h motor-driven, but some are more responsive than others. The - 
Casio and Kodak cameras suffer from “leaping” zooms; the 
slightest touch of the zbomrcontrol has a d mm a tic effect on 
■the focal length, making line framing adjustment difficult 
Storing Your Shots AH 14 cameras provide expandable 
memory in the form of a SmartMedia card or the more 
durable' CompactFlash.card. More memory means you can, 

, take more pictures at high-quality settings before you have 
'r to return to your computer and transfer the images to disk, 
Kodak’s DC265 bests the others by shipping with a 16MB 
CompactFlash card. Epson’s PhotoPC 750Z;comes in sec- . 
ontj with-an SMB CompactFlash card and 4MB of flash RAM 
on board. Canon’s PowerShot Pro70.indudcsan 8MB Com- " 
pactFlash card and permits you to plugin an optional second 
4 v card" at the same time—helpful if you want to-shoot lots of 
. pictures withoutswapping media, ' 

M os to f, the,;o tfrer ca merasinclude 8M B o f r e m ova b l e 
memory. The exceptions are die Fuji MX-600 Zoom, Olym¬ 
pus D-340R, Sanvd VPC-Z400, and Toshiba PDR-M3, each of 
which bandies a 4MB SmartMedia card. The $399 Olympus 
D-340R is inexpensive enough to justify the reduced memory, 
but the others are just plain skimpy. The Sanya VPC-Z49Q'is 
1 particularly rriisefly; despite costing $K)Q more than its twin 
from Agfa or Epson, it lets you shoot fewer pictures at a . time. 

Giving Serial the 51 ip These memory cards are also 
i jh po rta n t fo r a d i fferent ,rea soil’ — the new M a cs T ack of a se r- 
lal port. However, the cards — and the adapters that let you 
,' use them with your Mac—are not hassle-tree. 

The FI ash Pa th a dapte r 1 e ts you . fra ns fer pi c tu re s from a 
SmartMedia card using a standard floppy-disk drive. Unfortu¬ 
nately, it’s incompatible with Imation’s SuperDisk drive, which 
rales it out for many iMaeand new-Power Mac G3 owners. 
Ifyour Mac has USB port£, you can purchase a $99 mcm- 
■ pry drive. We tested San Disk’s ImageMate (888/216-2489, 

\ www.sandisk.com), which reads and writes CompactFlash 
cards, and Haghyara Sys-Com’s FjashGate (800/358-7267, 
wwiv.hscus.com}, which does the same for SmartMedia. Both 1 
worked fine with every machine on which we tested then!. 

For PowcrBooTt owners, the best and least-expensive solu- 


a^'St^Jttifnber 1999 ArtACV/ORiP 




tion is a PC Card adapter You can purchase a CompactFlash 
adapter from SanOisk and several other vendors for $19, Canon 
includes a free PC Card adapter with its PowerShot Pro7Q.’A 
SmartMedia adapter from Olympus, Fuji, orTosKiba costs 
- S79..None of these require any special drivers or other software. 
One last device, Iomega’s $249 Clik drive (8Q0/697-§833, 
wmvJomega.com), lets you copy images froin a Compact- 
Flash or SmartMedia card to a 40MB Clik-disk. The 6-inch- 
long drive is smaller than many cameras, making it-caiier to 
haul around than a Power.Boak v ACiik disk costs about S10 — 
compared with about SI 50 for a 40MB CompactFlash card — 
so you can store more pictures at a fraction of the price* The 


problem is that in order to get the images from the . Clik to 
your hard need a PC/IOniiega plans to release a Mzc- 

compatible USB docking station later this year; 

• \ ' . - ' 

Macworld's Buying Advice 

It'really makes our job easier when one camera thoroughly- 
-troii rices its competition: It’s nor that the other cameras arc 
bad—the Kodak DC265 and Olympus D-620L in particular 
take great pictures—it’s just that the^Nikon Coolpix 9504s 
truly exceptional It captures as many pixels as cameras costing 
15 times as much; it can focus on absolutely anything, and it’s 
. a whiz at metering light, even in high-contrast settings. The K 




1 


I 



14 Megapixel Cameras Compared 


MACINTOSH 

CONNECTIVITY 


REMOVABLE- 

MEDIA 

FORMAT 


-> 

Company 

Product 

Mouse 

Rating 

Company's 

Estimated 

Price 

Contact 

c 

o 

"3 

o 

M 

V 

ec 

Cl 

u 

u 

e’s 

la 
* « 
g-i 

Default Memory 

jC 

3 

Ll_ 

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CO 

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(S S 

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ei 

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Si 

Serial 

£ 

I 

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> 

m 

m 

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V 

£ 

JC 

a 

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I 

a. 

E 

u 

/ Agfa 

ePfccto CL50 

II Vh 

$799 c 

898/281 -2302 
www.agfahomecom 

131 

1,280 X 
960 

SMB 

• 

O 

• 

O 

o 

• 

O 

Canon 

PowerShot Pro70 

M'A 

11,199 

800/652'2666 
www.po wershot .com 

1.68 

1,536 X 
1,024 

SMB 

O 

** 

• 

• « 

o 

O 

• 

Casio 

QV-70Q05X 

1# 

$699 c 

800/836-8580 

www.casio.com 

1.32 

1,280 x 
960 

8MB 

* 

O 

• 

o 

o 

o 

• 

Epson 

PhotoPC 7S0Z 

ini 

$799 

800/463-7766 

www.epson.com 

1.30 

1,280 x 
960 

12M8 ' 



• 

o 

o 

o 

• 

Fuji 

MX-600 Zoom 

w 

$599 

800/800-3854 

wwwiujihlm.com 

1.50 

1,280 x 
1.024 

4MB 

• 

• n 

• 

o 

0 

«H 

O 

Kodak 

DC24Q 

••% 

$699 

800/235-6325 

www.kodak.com 

131 

1,280 x 
960 

SMB 

• 

• 6 

• 

o 

• 

o 

# 

t 

DC 265 

mi 

$999 

800/235-6325 

www.kcdak.com 

1,60 

1,536 X 
1,024 

16MB 

• 

• 6 

• 

0 

• 

o 

• 

Minolta 

Dimigo EX 

Zoom 1500 

ii 

$899 

201/825-4000 

www.minoltauw, com 

1,50 

1,344 X 
1008 

SMB 

* 

• c 

• 

0 

o 

o 

* 


I e0lTDR5 CHOICE 1 














Nikon 

CoolpiK 950 

Mir* 

$999 £ 

800/526-4566 

www.nikonusa.com 

2,11 

1,600 X 
1,200 

SMB 

• 

o 

• 

o 

o 

0 

# 

Olympus 

D-340R 

in 

$399 

800/347-4027 

www.olympus.com 

1,31 

1,280 X 

960 

4MB 

* 

o 

• 

0 ■ 

o 

« 

o 


■ EDITOBS" CHOICE ■ 















D -400 Zoo m 

MM 

$699 

800/347 “4027 
w ww.oly mp us. com 

131 

1,280 X 
960 

8MB 

• 

o 

• 


a 

• 

o 


D-62GL 

Mr* 

$999 

800/347-4027 

www.olympus.com 

141 

1280 x 
1.024 

SMB 

• 


• 

o 

o 

• 

o 

--— 

Sanyo 

VPCZ400 

♦n 

$099 c 

818/998-7322 

www.sanyodigital.com 

1.31 

1,280 X 
960 

4MB 

• 

o 

• 

o 

0 

• 

o 

^ Toshiba 

PDR-M3 

hi 

$599 

949/461 4970 
www.toshiba.com 

150 

1,280 X 
1,024 

4MB 

• 

m a 

• 

0 

0 


o 


• = yes; O = no. A In millions of pixels. • in pixels. excluding interpolation c Ust price, 0 Custom cell charges inside camera- 1 PC Card. 
** Includes both expandable and on board memory. 4 Standard NiMH AA cells. " Also supports SmartMedia $V J FlashPath. 

' ^ '' 

For an expanded version of ibis table, see Macworld Online, at ivmv macwtxld. com/1999/09/lealufes/. 


\" 

/ 




1 / 


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PICTURE 

Perfect: 

Cameras 


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82 September T999 MACWORLD 



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The Proof Is in the Pictures 


T he most important 

measure of any digi¬ 
tal camera is the quality of its 
photographs. Unfortunately, 
this also happens to be the 
hardest criterion to judge. 

If you shoot a scene 
with a group of cameras 
and compare the images 
uncorrected, all you'll dis¬ 
cover is the camera that 
works best with one partic- 
ular computer setup. 
Whether that camera will 
work equally well with your 
system is anyone's guess. 

Because none of these 
cameras automatically em¬ 
beds color profiles, there's no 
way for a piece of software to 
"develop" the photograph 
automatically so it looks its 
best from one system to the 
next, I did the next-best 


thing: After shooting five 
photographs of a still fife with 
each camera at its highest- 
quality setting, I selected the 
best image from each and 
developed it manually inside 
Photoshop. I limited myself 
to gamma adjustments— 
applied equally to all chan¬ 
nels—and uniform applica¬ 
tions of Unsharp Mask. The 
results, shown here, better 
represent what a reasonably 
informed Mac user can 
expect to achieve. 

Even under controlled 
conditions, the images devel¬ 
oped quite differently. Sev¬ 
eral cameras read the grape 
iMac mouse as blue instead 
of violet Also worth noting, 
the mouse pad should be 
emerald green, not teal. The 
background contains the 


grays and browns shown in 
the Kodak DC265 photo¬ 
graph, not the yellow of the 
DC240 photo or the reds the 
Fuji MX-600 Zoom and 
Toshiba PDR-M3 invented. 
More worrisome than 
these color shifts—which 
are to varying extents 
correctable—are occasional 
omissions of detail. The 
Kodak DC240 was the worst 
offender, erasing the border 
between the cup and the 
neighboring daffodil petals. 
The image from the Canon 
PowerShot Pro70 is rife with 
flat hot spots. The Casio and 
Minolta images suffer from 
too much contrast; each sac¬ 
rifices definition in the shad¬ 
ows behind the cup and the 
light areas inside the flowers. 
The Agfa, Epson, and 


Sanyo models all performed 
very well, with the Olympus 
D-340R just a bit soft. The 
Olympus D-400 Zoom 
deserves special commenda¬ 
tion for outstanding atten¬ 
tion to crisp detail and tactile 
modeling, as does the Olym¬ 
pus D620L. although its col¬ 
ors are slightly jaundiced. 

The Kodak DC265 is the 
champion of color accuracy, 
nailing the distinction 
between the warm white of 
the daffodils and the cool 
white of the cup. But the 
clear overall winner is the 
Nikon Coolpix 950, If you 
enlarged each of these 
images to poster size, you'd 
see an attention to authentic 
form and detail in the Nikon 
photograph that the others 
can't match. 



olympiAS D-GloL V/PCT^jj-oo Tvslufa 




Picture 

Perfect: 

Cameras 


After alt, the days, of tethering digital cameras to a Mac 
are over. Now "you am shoot your picture* remove the film 
card, and stick the card in your computer* At last, the camera 
works just like any another removable? media drive-one 
that sees and records the world' g?' ' 


Coolpix 
950 is so 
koo 3, in 
;J a c t , 
&hat it 
| vill eas- 
* ilv stand 
® u ! > ;1 ^ rLlinst 
(P many of*'the 
! r*^ competing two- 

megapixel cameras 
/ scheduled far release 

later this yean 

^ If convenience and ease of 

,1156 are paramount, several cam¬ 
eras fit the bill. We really appreciated the solar-afded LCD, 
wealth of memory, and rechargeable batteries the Epson 
PhotoPC 75QZ provided. It’s also tlie only device to include 
a power lock, so you can’t accidentally turn it an. The simi¬ 
lar Agfa cPhoto CL50 lacks rechargeable batteries, bur its 
menu and zoom controls were easier to Work with* 

* But if you had to pick one camera to take on a social occa¬ 
sion/! t Avon Id be the one that would get die right shot without 
any fuss: the Olympus D-400 Zoom. Its compact design, 
smooth* LCD display, low fight requirements, and first-rate 
image quality give it an edge. Plus it ships .with a FlashPath 
■ adapter, making it the only camera other than the Canon at\d 
Kodak models to provide a way to download pictures to your 
computer without resorting to the serial connection. 


Contributing Editor DEXE MCCLELLAND is the author of Heat World 
Digital Photography {Peach pit Press % 1999). - t 


Best Professional Camera 

MM Vj Nikon Coolpix 950 ProfessionaMevel resolution, light 
metering, and focus options put this camera head and shoulders above 
the rest. Company: Nikon (800/526-4566. wvm.nikonusa com) 
Ust price: S999. 


Best Personal Camera 

MM Olympus D-400 Zoom Of all the cameras tested, this 
one was the most likely to get a good shot with the least amount 
of fuss. Company: Olympus (800/347-4027, www.olympus.com). 
Company's estimated price: 5699. 


Reviews you can trust Macworld rates only final shipping prod 
ucts, not prototypes. What we review is what you can actually buy. 


Digital cameras may be filmless, but they're not all fast in the field. For instance, Toshiba's 
PDR-M3 makes you wait more than twice as long between taking pictures as Canon's 
PowerShot Pro70. Both our Editors' Choice picks offer less frustration per frame. 


Best results in red. All times in seconds. 



Agfa cPhoto CL50--——- 

Canon PowerShot Pro70 -- 

Casio QV-7000SX - 

Epson PltokiPC 750Z —-—-- 

Fuji MX-600 Zoom--- 

Kodak DC240 - -^—— 

Kodak DC265------ 

Minolta Dim Age EX Zoom 1500- 

★ Nikon Coolpix 950 —--- 

Olympus D-34Qft-——- 

★ Olympus D-400 Zoom- 

Olympus D-G20L-- 

Sanyo VPC-Z400-- 

Toshba POR-M3 --- 



Behind Our Tests Times were recorded at each camera's highest resolution wilh the flash on Power-up time indicates the period 

between turning the camera on and when ifs ready to take a picture. Time between pictures indicates the 
period between pressing a camera’s shutter button and when the camera is ready to take another 
shot .“Macworld Lab testing supervised by Cil Loyola 




































































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Is An Island. 


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Copyright © 1999 Asante Technologies. Inc. Ail brand names and products are trademarks or registered trademarks of their respective haiders, Alt features end spacifrcatians subject to change withnin notiEe. 













Slide Scanners 


/ 


Show Off 



Take Your Film 
Digital in a Flash with 
These 7 Scanners 


he process of capturing images is, in large pare, a 
matter of throwing visual information away. You 
start with the scene you see with your eyes, which 
contains all the light, shade, and color of the real world. Next 
you reduce it to what film can sec—details fall from the 
highlights, and shadows thicken. If you then make prints, 
you throw a way-still more because a negative contains 
much more subtlety of tone and color than you can' repro¬ 
duce in any single print. 

What happens 
when you make digi¬ 
tal edits on a 24-bit 

r * Jkr - 

■ * * image? You throw 

o away m or e 

i nfor ma cion. 
This may 
sound scary, 
but it’s a nor- 
in a l a n d 
- necessary' 
part of 
i m age 



'reproduction. The trick is to thrpw away only what you don’t 
need and to not throw anything away until you'must. Conse¬ 
quently, when they need the best, most graphics and prepress 
pros scan film rather than prints because film contains much 
more visual information. - 

Although flatbed scanners have become much more 
capable at scanning slides and color negative film (see “Scan 
In," October 1998), you'd generally get better results from 
a dedicated film scanner. Why? Film scanners capture a 
wider range of light and shadow, or dynamic range, than 
flatbed scanners do. If you’re scanning 35 mm film, you also 
benefit from the much higher resolutions available with film 
scanners, since your original piece of film is so’small 
, We looked at seven film scanners, ranging m price from 
Ifcss than SI,000 to artiund SI7,000. (See the table, “7 Slide 
Scanners Compared,” for details on each model) Four are 
strictly 35mm scanners, three handle medium-format film as 
well as 35mm, and two of the latter handle formats as large as 
4 by 5 inches. Each of diese scanners hooks-up to a Mac with 
a SCSI connector, so if you have a new blue Power Mac G3 
you’ll need to get a SCSI card (see “Generation Gap,” August 
1999). To test the scanners, we scanned the same difficult 
image with each and asked a panel of experts to evaluate the 
results;We also gave each scanner’s software a workout to see 
which package is truly worth your time. 

Checking Specs 

. A scanner’s most basic abilities are determined by its hardware. 
The two most important numbers to check out on a spec sheet 
are dynamic range {often represented by a Dmax v alue) and . 
resolution, in that.order. 

Dynamic Range The scanners in our roundup claim 
dynamic ranges from 3;0 to 4.1. This means that each unit 
can capture a wide enough range of light and shadow to do 
color negatives justice. 

The scanners we looked at from Iniacon, the Si 1,995 
FlexTight Photo- and the $16,995 FlexTiglu Precision II, 
boast a massive dynamic range of 4.1, the highest we've seen 
in a desktop scanner. This means they’re capable of han¬ 
dling virtually any quality of film you can throw at them. 









Most of the others—Minolta’s 
$J,P95 Dimage Scan Speed, * 

Nikon’s $1,899 Super Coolscan 
2000,. and Polaroid’s $9,995 
SprintScan 45 Pro and $2,495 . 

SprintScan 4000—cluster in the 
3.4-to-3.6 range. The exceptiqn is 
Nikon’s $999 Coolscan HI. Its 
dynamic range of 3.0, although sat¬ 
isfactory’ formany purposes, is inad¬ 
equate for scanning higher-contrast 
slides. In theory, there should be a 
significant difference between a 
dynamic range of 3.4 and 3.6,'but 
practice we found that the scanners in 
the 3.4-to-3.4 range offered similar 
performance. ?*Y 

Resolution When scanning 35mm 
film, these scanners offer resolutions 
from 2,700 to 5,760 dpi. flo put thk 
perspective, most midrange flatbed scan¬ 
ners scan at* around 1;00() or 2,000 dpi.) 

Even the lowest resolution in this group is 
enough to reproduce a 3*5mm original at 
tabloid size with magazine quality. 

At the high end of the-scale, the Ima- 
con ElexTight Precision It offers an 
impressive optical resolution of 5,760 dpi 
for 35mm film'. It drops to. 1,800 dp.i for 
4-by-5 film, but this is still cjuite high qual¬ 
ity. Polaroid’s new SprintScan 4000 scans at 
4,000 dpi. The Imacon FlexTight Photo 
scans both 35mm and medium-format film 
at 3,2QO dpi. 

The Polaroid SprintScan 45 Pro has ah 
optical resolution of 2,000 by 4,000 dpi/The 
other scanners’ resolutions are represented.by 
only one* number because as the scanning 
head in those units.moves along die image, it 
captures the same number of pixels in a'row as : 
it does rows of pixels. The SprintScan 45 Pro 
is different. Its resolution is represented by two 
numbers because it interpolates (adds some pix- . 
els digitally instead of capturing them). We 
found that it produced rather soft scans from 
35mm as a result. The Minolta Dimage Scan 
Speed.has a ratjier strange resolution of 2,829 
dpi. In practice, we found that this resolution 
offered little or no advantage over the-2,700 dpi 
of the Nik6n Coolscan III and Super Coolscan 
2000 scanners. 

Extra Innovations Three of the scanners . 
offer a few extra hardware innovations. Both die ’ 
Imacon units feature very clever magnetic film 
holders that bend around a drum in the scanner so - 
that the film plane is always .exactly at the point of 


focus. The holders won’t "damage yqur film and are "very 
easy’ to load and unload. In addition, the Imacon scanners 
have a feature called Adaptive Light, which slows the 
scan so that more light gets pumped through the. film for - 
very dense originals! Each also has a built-in light box. 

. Nikon’s Coolscan III and Super Coolscan 2000 fea¬ 
ture a surface-defect-removal technology called Digital 
ICE, which effectively removes dust and all but the 
deepest scratches from scans. This isn’t just a clever 
software routine—Digital ICE scans the film with 
invisible wayelengths that actually' allow it to see 
through surface defects to the underlying image, using 
special hardware in the scanner to do so. 

Seeing Is Believing 

The best way to judge a scanner is by the image,it 
produces, so.we tested this grQup with animage* 
designed to be a scanner operator’s worst nightmare. 
Our image contained strong saturated colors and 
pastels. There were also flesh tones, food,, 
metal, and complex near neutrals. 

We produced scans with each scanner’s intellr- 
gent-agent software. In. addition, we created scans 
by hand to approximate the experience a fairly 
seasoned user might have. We then gave the scans 
to a jury of color experts who evaluated color . 
fidelity', shadow detail, neutral reproduction, and 
sharpness. For details about the quality of these 
scans, check out the sidebar, “See for Yourself.’.’ 

Hassle-Free Quality In particular, we 
obtained good—if.hot outstanding—results.with 
Nikon’s Super Coolscan 2000 and with Imacon’s 
FlexTight Photo and FlexTight Precision H. We 
also achieved these results without niuch hassle. 
These thr6e scanners all had robust, support for 
Apple’s color-management software, Color- 
Sync, and this added up to significant time sav¬ 
ings. By using the color profiles that came with 
the scanners, we v f ere able to get consistent 
color. We configured each of these scanners 
to scan into Adobe RGB (Photoshop 5.0’s pre¬ 
ferred color space) and then converted the 
scan to our proofer profile in Photoshop, 
with no manual color adjustments. 

Color Confusion This was not the 
case with the other scanners in our group. 
Like most Mac users who w f ould be in the 
market for a scanner such as the ones we 
tested, we used Photoshop 5.0.2 (800/ 
833-6687, www.adobe.com) as'our main 
imaging application, and we quickly 
found that the majority * of scanner 
drivers aren’t yet up to speed on Photo¬ 
shop’s new color'architecture. (For a 

Film Stars From top to bottom, with Editors' 
Choice pick circled: the- Minolta Dimage Scan 
Speed, Imacon FlexTight Photo,' Nikon Super 
Coolscan 2000,.Minolta, Dimage Scan Speed, 
Polaroid SprintScan 4000, Imacon FlexTight 
Photo, and Nikon Super Coolscan 2000. 


www.macworld.com September 19^9 87 








Picture Perfect: Scanners 


Omna 'SMH (reftr-enoe) tHwcyi ^kxTijktr p/mfir 


i/n *\cm FkxTiykf Pwwwn if Dur^yt icftK <^ud. 


N ibryi CmisPHtv iff 


^ihrft, Super Cwlsctux 


ZO DO 


9S September 1999 MACWORLD 


See for Yourself 


T 

j he ultimate test of any scanner 

1 is the image it produces. 

Unfortunately, this is a difficult thing to 
judge, because everyone sees images a 
little differently, particularly when that 
image is as complex as the one we used 
for our testing. 

Simply scanning with default set¬ 
tings rarely produces satisfactory results. 
You have to make compromises (and 
manual adjustments), so the biases and 
skills of the scanner operator always 
become part of the equation. This is 
typical of how things work in the real 
world—images often go through at 
least two rounds of scanning and proof¬ 
ing before sign-off. Some scanners do a 
lot better job with less work, however, 
and in our roundup they were the scan¬ 
ners that fully support ColorSync. 

To get an idea of the scanners' 
capabilities, we asked a panel of experts 
to evaluate several scans from each one, 
including the images you see here. No 


scanner could reasonably be expected to 
reproduce this photo perfectly, but the 
Minolta Dim3ge Scan Speed missed on 
several counts, with oversaturated col¬ 
ors; blocked-up shadows; and a strong 
red color cast that is visible in the 
woman's face, the orange, the yellow 
peppers, and the shadows on the table. 

Polaroid's SprintScan 4000 had a 
greenish cast, as you can see in the flesh 
tones. The SprintScan 45 Pro had a 
magenta cast that was particularly evi¬ 
dent in the blue tablecloth, which it 
turned purplish. The SprintScan 45 Pro 
also lacked sharpness. Both of the 
Polaroid scanners rendered the red of 
the table as more of an orange-red. 
Nikon's Coofscan III oversaturated the 
image somewhat, as you can see in the 
tablecloth, the orange, and the peppers, 
but its main limitation was that It simply 
lacked the dynamic range to get all the 
detail in the shadows. 

Our most expensive scanners, the 


Imaeon FlexTight Photo and FtexTlght 
Precision II, both did very well, with 
very good skin tones and no trace of 
oversaturafion. The vendor-supplied 
profile tended to block up the shadows 
slightly, however, as you can see from 
the dark shadows beneath the peppers. 
Both scanners have the dynamic range 
and software features that would allow 
you to correct this easily. 

The Nikon Super Coo (scan 2000 
displayed some oversaturation but ren¬ 
dered all the hues in the image accu¬ 
rately, with good shadow detail. After 
another round of scanning and proof¬ 
ing. either of the two Imaeon scanners 
—with their greater dynamic range and 
full-featured software—would likely 
produce significantly better results than 
the Nikon could ever achieve. But given 
the difference in price, we pick the 
Nikon as the best all-around value for 
the money and the best buy for all but 
the dedicated pro. 



4,000 


www.macwofld.com September 1999 89 







. 




3.% 




■~r ■ : 

■ 


Picture Perfect.: Scanners •• 

.- full discussion of this problem, see ‘‘Avoid Photoshop's 
- Color Calamities,” Creme ,.elsewhere in this issue.) As a 
* result, we were forced to use a tedious, but fairly effective, 

method to get accurate color' For details, look at “WOrk- 
aroynd 2” in the aforementioned article. . 

; .Using this strategy, we were able to obtain good results^ 


Pro and borderline results from Polaroid’s new SprimScan 
4000. Only one^scatuier, the Minolta Dimage Scan Speed, 
failed to produce a scan tliat the jury rated acceptable for 
. color fidelity and reproduction of neutrals* / 

First Impressions In the end, none of our scanners 
. received a perfect score from the jury, but it's important to 
bear in mind that these were all -'first scans. Clients bring dif¬ 
ferent biases to the table and*rarely sign ot'f on th'e first scan 
they see. We’re confident that a second round of scanning 
that took die jurors* preferences into account could have 
produced excellent results froth any of our top three scanners. 


Using the Darn Things 

Although hardware determines a scanner’s basic capabilities*- 
the scanner itself is only-as useful as the software that drives 
it. If die scanner software doesn’t allow; you to preview the 
image, accurately and correct using the 10-, 12-, or 14-bit- 
per-channel damlt captures internally, you're wasting the 
benefit of the extra bins. - , - * 

All You Could Want The only truly full-featured scan- 
hiding software in the bunch is Imaeon’s ColorFlex 1.8, which 
drives botli the BlexTight Photo and, the FkxTight Precision 
TL ColorFlex functions as a stand-alone ^application but 
offers the option of automatically opening the scanned 
ijnages in any image editor you choose, so it combines the 
flexibility of scanning directly to disk with the convenience 
of a Photoshop plug-in; ' 

The software, also allows you to specify Col or Sync pro¬ 
files for input, output, and display* And it’s the only scanning 
package of the bunch to let you embed die output profile in 


/- 




7 Slide Scanners Compared 




Company Product 


Mouse List 
Rating Price 


Contact 


Film 

Formats 


o £ -§ £ 

o o f3 -es 

u u-- 


~ S ^ x 
— m 

E 
□ 


is -a “ < l » 
co < On: 


3 Comments 


Imacon FlexTlght Photo 


Minolta 


Nikon 


Polaroid 


MM S11,995 833/462-2668 35mm. 

www. imacon- medium 

■ u&a.com format 


3,200 4.1 14 A no-compromise scanner 

especially for the serious 
(and bank-rolled) medium- 
formal shooter. 


FlexTight Precision II MM 


$16,935 SS8/462-2668 35mm. 

www.imacon- medium 

usa.com formal, 4x 5, 

reflective up 
to siie A4 


Dim3ge Scan Speed M 


$1,095 20V825 4000 35mm, 

www.mmoltausa Advanced 
.com Photo System 


5,760 


2,829 


4.1 14 Awesome resolution and 

dynamic range with a price 
tag to match. A state-of- 
the-art scanner 


3 6 12 


Cool scan III 


Ml $999 BOO/526 4566 35mm, 

www.nikonusa Advanced 

.com Photo System 


2.700 3.0 10 


Decent hardware crippled 
by primitive software. 


Low dynamic range makes 
scanning slides problematic. 
Digital ICE technology is a 
big bonus. 


EDITORS' CHOICE 


Super Coolscan 7000 MM 


$1,899 


800/526-45 66 

wwvj.n iko uu«a 

.com 


35 mm, 
Advanced 
Photo System 


2,700 3.6 12 Despite software shortcom¬ 

ings, a very capable scanner. 
Digital ICE is a big bonus. 


SprintScan 45 Pro 
Multi-Format Firm 
Scanner 


Mvi 


$9,995 


SOO/432-5355 

www.polaroid 

.com 


35mm, 
medium 
format, 
4 X 5 


2,000 X 3.4 12 Decent hardware marred by 

4.000 1 subpar software that fe un¬ 

acceptable at this price range, 
Scans appeared rather soft. 


SprintScan 4000 
Film Scanner 


♦IV* 


$2,495 


800/412-5355 

www.polaroid 

com 


35mm, 
Advanced 
Photo System 


4,000 3.4 12 Hardware shows potential, 

bu : , the software needs a 
massive overhaul. 


Nu 



• = yes; O- no. * In dots per inch, 5 Optical density 0 / the densest piece of him the scanner can read, according to the scanner s manufacturer. 
c Unmounted film only. Number of scans limited by sue of holder. 0 For negative Strips; multi pie slides require optional batch adapter. 
f Scanner captures image information asymmetrically. It compensates hr this with digital interpofahon. 


90 September 1999 MACWORLD 































the image, which makes the scanner.much easier 10 use in a 
workflow that includes color management. It offers decent- - 
size monitor previews and a hill complement of tools to get 1 
the best scan possi ble* It also, lets yon scan in raw 4B-bit RGB 
'If yon prefer to make all your corrections in Photoshop.' 

Adequate Offerings The Nikon Scan 2fi software is 
more of a mixed bag. It doesn’t embed ColorSync profiles, 

' but it does at least allow you to specify output and. display 
. profiles—Photoshop will report that the’image has'ho pro- 
fi le, but voir ca n sim piy ope it .th e i m age wi ch no conversion, 
thereby saving time; Unfortunately, the mechanism for 
doi ng this is quite confusing and seems to work only with the ■ 
Super Cool scan 2000, not with die Coo bean IH. 

Nikon Scan also doesn’t provide any way,to use a cus¬ 
tom profile for the scanner, which is liriuting both because \ 
individual scanners vary and because a single profile won’t 
necessarily handle all film stocks equally You have to use, 
dm profile supplied by Nikqn, but it works Fairly well. 

On the odierfiand, the Super Cool scan 2000 lets you j 
scan raw. high-bit data (die Codlscan IIPs hardware is limited 
to only 10-bit data) ancl also letsyou average multiple-scans - - 
to cut down shadow noise* This latter feature greatly * 
improves the effective dynamic range fiut results Far very slow 4 
scans, particularly since the software averages not only the 
findl scan hut also the prescan. , . 

Poorer Options The other software packages fare much 
worse* Minolta> scanning software, Dimage Scan Speed 
1*0, is very basic indeed and even lacks some Mac’key- 
' board shortcuts. We can really recommend the Dimage Scan 
Speed-only for Web work, where color fidelityjs generally a 
happy accident if it happens at all 

Polaroid’s new PolaColor Insight feejs li ke a-work in 
progress* It is-'certainly-simpler and tidier than Polaroid’s * 
previous scanner software, but it also lacks some of the ear- - 
-diet software’s features. 

PolaColor Insight ships with several generic display pro¬ 
files. as well as input profiles for different film stocks. These 
are, in fact, ColorSync profiles, hut irfstead of actually using 
ColorSync in die standard way the software installs these 
profiles in its own special folder where they’re visible only 
to die scanner software. This means, for example, that if 
- you have a Custom profile for your monitor, you can use it 
only by copying,!c'to.'this special folder. Moreover, PolaCpR 
, or Insight has no facility for scanning to a Photoshop work¬ 
ing space or for scanning to CMYK.Vs annoying to find that 
* the so ftwn re us es Col or Sy n c p ro fil es w hi J e *siin ul tan eous fy : 
sabotaging any attempt to employ a Col brSync wprkfi'ow. 

More troubling is the fact that we gat Very different 
■ res lifts using the automatic settings on the two Polaroid 
scanners* Using*" Pol a Co] or Insight’s autopilot-settings 
worked pretty well on die SprintScan 45 Pro (which also 
comes with the more consumer-focused PhotoPerfoct Mas- 
J ter software,'from Binuscan) and quite poorly on the new 
SprintSeah 4000—so poorly, in fact, that although the 
SprintSeah 4000’s hardware is quite impressive, we cannot 
recommend the mode) until Polaroid improves its.soft- s 
ware* Reportedly, Polaroid plans to address"these short¬ 
comings, hut at press time no release date for the next ver¬ 
sion of the software was available* ' 


fU 





Macworld's Buying Advice 

All things considered, die Nikon 
Super Cool scan 2000 will give you 
the best scans for your money Its " 
implementation of ColorSync is rather \ 

sftange but works well once you’ve-figured it out In addition, 
die Digital ICE technology will save you hours of work get¬ 
ting rid of dust spots and scratches. 

Depending on your needs and the size of your waller, 
however, two other scanners are well worth considering. If 
you want to make a serious investment in a scan ner that will 
likely represent the state of the art for several years to come-, 
the Intacon FlexTight Precision II is a beautiful — albeit 
^expensive—piece of work. It offers the highest resolution 
and dynamic range we’ve seen in desktop scajiner, and it 
has full-featured software. If you don’t need the larger film 
capability or more than 3,200-tipi resolution on 35mm film, 
the FlexTight Photo delivers 90 percent of the performance 
, at about two-thirds die price,' - v ' 

The current generation of fil in-sca nning hardware is 
the best yet, with relatively inexpensive devices produc¬ 
ing results that are more than adequate for most image- 
reproduction processes and certainly good enough for all 
but the finest-quality offset printing. It’s somewhat dis¬ 
appointing to see that the scanner software is lagging 
behind the hardware, but we ? re confidentthat.it will catch 
.up eventually, m 

Coritributing Editor &RAJCE FRASER is a coauthor of Real World 
Photoshop !> (Peachpit Press. 1998). 


EDITORS' CHOICE 


MM Nikon Super CooFscan 2000 Although we have some reser¬ 
vations about Nikon's software, this is a fine scanner for the price. Com¬ 
pany: Nikon (£00/526-4566. www.nikonusa.com). List price: S1.B99. 


REAL PSOOUCTS REAL RATINGS 


Reviews you can trust Maor/orfd rates only final shipping prod¬ 
ucts. not prototypes What we review is what you can actually buy. 


*ww.macworld.com September 1999 91 










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Files without Borders 

SECRETS OF THE MAC'S B U I LT- f N F I L E - C O N V E R SI O N TOOLS 


by Joseph Schorr 


here are two computers on my 
desk—one Macintosh and one 
PC—and lately they’ve been get¬ 
ting along quite well. Part of the 
reason is that exchanging files 
has gotten easier with Mac OS 
8,5% File Exchange 3.0 control 
panel. Kile Exchange has two 
basic functions—opening a PC 
file based on the extension used in the 
file’s name (such as xxt or .doc) and 
determining which program can open a 
document when the application that cre¬ 
ated it can’t he found. 

However, both parts of File Exchange 
can be used to do much more than open 
and convert files. Here’s how to tap into 
other aspects of File Exchange’s file¬ 
handling smarts. 

Streamline the Creation of PDFs 

You may think of File Exchange as a tool 
strictly for crossing from PC to Mac or 
vice versa, hut its ability to link specific 
document types to specific applications 
can pay off in other ways—even if you 
never touch a single PC disk. 

One useful trick, for example, is to 
turn PostScript files into PDFs simply by 
double-clicking on them. To configure 
File Exchange for this trick, follow these 
steps: In the File Translation panel of 
File Exchange, click on the Add button 
to open the Add Translation Preference 
dialog box. Select a PostScript file in the 
dialog box, and then click on Continue. 
From the list of applications available to 
open the file, choose Acrobat Distiller, 




and click on OK. (You may have to turn 
off the Show Recommended Choices 
Only check box to make Distiller appear 
as a choice in the window*) You’ll end up 
with a translation-preference listing like 
the one shown in “Click to Distill.” Now 
when you double-click on a PostScript 
file, your Mac will launch Distiller and 
process the file, no questions asked. 

You Choose the Application 

With the help of the PC Exchange win¬ 
dow in File Exchange, you can even con¬ 
trol which program will open a given 
file—simply by changing the file’s name. 


That's because PC Exchange chooses the 
program it will use to open up a PC file 
based on the DOS-style extension tacked 
on the end of the file’s name: double¬ 
dick on a .doc file, and Microsoft Word 
is launched; double-click on a .xls file, 
and you get Excel; and so on* Change a 
file’s name to include a different exten¬ 
sion, and PC Exchange will fire up a difi¬ 
fe re n t a p p 1 i ea ti on to I a u 11 eh i r. 

Imagine you have three text files 
imported from □ PC. All three files bear 
the ,txt extension, but one of them is a 
document created in a word processor, 
mnmnts 


www.macwarld.cam September 1990 9 5 












SECRETS 


Free Inside Every Mac: 



J ust about everyone knows that a doc file is a 
Microsoft Word document. But what exactly is 
a .pot file or a ram document? If you mix with 
the Windows world with some frequency, you* 11 
probably encounter such fifes and want to know 
what they are. 

in such cases, you can use Fife Exchange as a 
miniglossary that serves as a guide to the world of 
PC extension names. By default the control panel 
lists more than 200 different extensions (along with 
the names of the applications needed to read them). 
To find out which application belongs to a particular 
extension, just dick on File Exchange's PC Exchange 
tab and type the first letter or two of the extension 
to jump straight down to the appropriate entry in 
the list. Moments later you'll find out that a pot file 
is a PowerPoint template and that those .ram files 
your friends sent you are Real Player documents. 
You can do reverse lookups, too. Need to know 
what the three-letter PC extension is for a Microsoft 
Excel template? Click on the Application header in 
the PC Exchange list, and type the first few letters of 
the word Microsoft to see all the extension entries 
for Excel—-including ,xlt for Excel templates. 


one is a tab-delimited text Hie exported 
from a database, and the third is financial 
data exported from a spreadsheet 

By default, double-clicking will open 
all three as SimpleText files—readable 
hut not terribly useful. With a few key¬ 
strokes, though, you can have each file 
open in a more appropriate application. 



Click to Distill This translation preference in File 
Exchange causes PostScript files to automatically 
open in Acrobat Distil fee allowing you to turn them 
into PDF files simply by double-clicking on them. 

Add a .find to the name of the second file, 
for example, and double-clicking on it 
will launch FileMaker Pro, putting the 
data into a new database* Change the end 
of the third file’s name to ,xls, and die 
spreadsheet data will open in Excel. 

Alternatively, you can choose which 
program you want to use to open a specific 
file by turning oft the second check box in 
die PC Exchange window—the one that 
says Open Unmapped Files On Any Disk 
Using Mappings Below, With that option 
turned off, when you doublc-click on a 
Windows file, youll see all the available 
applications that can open the file Just pick 
die one you want to use from die list. 


Control Numerous Files 

The previous secret is useful 
if you have a handful of indi¬ 
vidual files that need convert¬ 
ing, but what if you have 
dozens—or even hundreds— 
of files you need to open with 
a specific program? Instead of 
adding die correct extension 
to each file’s name, you can 
create a global translation 
preference in File Exchange 
that teaches your Mac to open 
the files in whatever applica¬ 
tion you want, regardless of 
how the files are named. 

For example, you could 
configure File Exchange so 
that multiple HTML files 
created on a PC would open 
directly in a Web authoring 
program, such as Adobe Go- 
Live. To do this, go to File 
Exchange's File Translation 
panel and click on Adel. Select 
one of the PC HTML files 
(you can just drag one from 
die Finder straight into the 
Add Translation Preference 
window to select it), and click on Con¬ 
tinue, From the list of applications avail¬ 
able to open the file, choose GoLive, and 
click on OK. The translation preference 
will now cause die PC files to open in 
GoLive (see “Program of Preference”). 

After you’re done editing all those 
pages, you can change the translation pref¬ 
erence again, deleting the GoLive prefer¬ 
ence and replacing it with a mapping that 
links die HTML files to, say, Internet 
Explorer. Now, clicking on the same 


HTML files will make them open not 
in GoLive but in Internet Explorer. 

Even with these tips, you’re still 
likely to encounter the odd file that takes 
a little more effort to open, but with File 
Exchange properly configured, most of 
the journeys your files take from Win¬ 
dows to the Mac OS should involve little 
more than a simple double-click, m 


JOSEPH SCHORR is a coauthor of MtmrtdMac 
Sencts, fifth edition (IDG Books Worldwide, 


Program of Preference 


Teach File Exchange which program should open which document, by creating new 
translation preferences. 


£ .t'jSg 


Arid Trcnilallop Pref«r»CB : ; 


IttDMKloii t| (£>,] ?aj 0, 

Kit* | Entl rfedrSV+3 

* 

► C| PC HTML T«hV 

► CjPfQftUNI Twdrd*? 

S MBB Ttjtii'-lsy 

t Cj ttlfcS NHir Vr3-r, r-jfy 

k Wrillif 5/-U»9 

b 




PlMta Hl«l ** fill- 

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A 


TfflnilQltan. preference* ore used la a firm 

d<5 c limp nit when M* nppJkotlDn pro gram* uihleh 

cr* 4 |?d I hem ere no I tUdllobl*. 


Select on ollernote appNt Mlon. mMh or wllftaul 
front la Man, io he pied i & open oerumentt of me 
tome kind «i -prpducii himr: 


^Rcmbal - " OiiNlier- 5 H 

- 

fttmbal‘ H Exchange 3.BI 

A 

jgfcda&iGdLlU# 


jjjHduba mama■ or* t.b.i 


h d □ n i? Pfi(ni#r" 


[xJftfBbEiS PigtMflkftfe 6.S 

i 


: Sheu< unla r et eaunenneil ■ hofrei 



! f PC tilfhinjiey ru* Trdhilalidn \_ _ 

giranijclf d ocdmenlt ouTomatFcallu 

e cr 1 | muntft mcm m&lctt fraotmin^ file* ■** 

' . .Buit l triem [TioE[>iir Shrrr'i only nne 

Q Include eppHtallont an terven In frentlsltan Efiakei 


Tr,tili!liL rnfruKfl 



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RUd.,. j J Hefligerj 


To set up a new preference, open File Exchange and 
dick on Ihe Add button (not shown). Then, target the 
file lype you want to open—-in this case, PC HTML files, 


Next, click on Continue and pick the program you 
want to use to open the file. 


The new preference will automatically open the files 
in the program you chose, without prompting, as 
Jong as the second check box (Always Show Choices 
When Translating Files) is left unchecked. 


9 6 September f 199 9 MACWORLD 
























































































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Conference: January 4-8, 2000 
Exhibits: January 5-8, 2000 


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Tips, Tricks, and Shortcuts 


by Lon Poole 


L ove your iMac or blue-and-white 
G3, liut hate its %$#©! round 
mouse? Frank Sauer of Res ton, 
Virginia, found a simple way to 
i m p ro v e i ts e rgo n o m i cs* Bu y a tu be 
of Tester’s cement for plastic models 
(number 3501)* Put four or five tiny 
beads of glue on the mouse's equator at 
the colored-plastic parts, using a tooth¬ 
pick or a straightened paper clip to con¬ 
trol bead size. Wait about two hours for 
the glue to dry Presto—you now have 
tactile reassurance that you've grasped 
the mouse properly and it's pointing in 
the right direction* The principle is the 
same as the small guide beads on the 
surface of the F and J (or D and K) keys 
on your keyboard; to let you orient your 
fingers without looking. 

If you don't have one of die newer 
round mice with the dimpled button, 
try what Troy Daniel sen of Wellsville, 
Utah, recommends: place a single touch- 
reference dot of ordinary white glue on 
the mouse button. When dry, the glue 
becomes translucent, letting the color of 
the mouse plastic show through* 

Transfer Files to Your iMac 

Q Pm considering buying an iMac, 
- but how will I transfer all the info 
from my Per forma 6290 (which has only 
serial* ADB, and SCSI ports) to an iMac 
(which has only USB)? 

Sean Harris 
Columbus, Obio 

A The simplest solution is to buy 
. a Zip drive for each computer, 
download your hies to a Zip disk, and 
then transfer them. The cheapest solution 
is to transfer files via the Internet. For 
example, you can get 25MB of space for 
just this purpose at www.freemacspace 
.com. Caveat: If you have a modem con¬ 


nection to the Internet, consider the 
hours you'll spend uploading each 25MB 
from vour old Mac and then download¬ 
ing that 25MB to the Mac. 

The most expeditions solution is to 
connect the two computers via Ethernet 
(as described in December 1998's Quick 
Tips) and use die Mac OS file-sharing 
feature to transfer files. Since your old 
Mac apparently does not have the 
optional Ethernet port, you must cither 
add one, or attach a LocalTalk connector 
to the 6290's serial port and bridge 


Online, the latest Global Village software, 
and so on, and put the old modem script 
named Platinum V Modem Definition in 
die Modem Scripts folder in the Extensions 
folder, where it belongs. Now I can connect 
to AOL, use a little app called Set Clock, 
and send and receive faxes, but I can't con¬ 
nect via an Apple Works communications 
document The modem dials correctly but 
can’t make a final connection; after the 
usual squawking sound, it emits a continu¬ 
ous high-pitched rone. Pm stumped. 

Jiaj Sen w a L M 
Roc it ford t Illinois 



A. 


LocalTalk ro Ethernet with a device such 
as A saute's AsanteTalk or Fatal l on's 
EtherMac [Print Adapter LT (as illus¬ 
trated in January 1999's Quick Tips). 


Connect Through AppleY/orks 

Q My Performa 6300CD's internal 
. Global M l 1 age Tele Port P latinum V 
modem worked fine until I cleaned up my 
hard drive* I did a dean installation of Mac 
OS 8*5.1 T Apple Works 5.03, America 


Apple Works (a.k.a. 

Claris Works) does not 
use items in the Modem 
Scripts folder It uses another 
item in the Extensions folder 
called the Apple Modem Tool, 
which is initially configured 
for a generic Hayes-compati¬ 
ble modem. You can change 
the configuration using Apple* 
Works and your old Platinum 
V Modem Definition file or a 
newer modem-definition file 
(look in Global Village Soft¬ 
ware: Scripts: GV Modem 
Defs. for AMT 1.5). 

Open your Apple Works 
com m u nicati o ns d ocument 
and choose Connection from 
the Settings menu. In the Connection 
Setting dialog box that appears, make 
sure that you have the Method pop-up 
menu set to Apple Modem Tool, and 
then choose Modify This Menu from 
the Modem pop-up menu. In the next 
dialog box, click the Import button, and 
then in the following dialog box, select 
your modem-definition file. Click Open 
and then Done to get back to the main 
Connection Setting dialog box, where 
the Modem pop-up menu now lists the 

ton tin net 


www.macworld.com September 1999 99 












SECRETS QUICK TIPS 



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Choose 45 ol www.mocwoHd.com/getinfo 


addition til modem definitions. Choose 
the one that’s right for your modem 
(Global Milage tech support should be 
able to help you determine which one), 
select the port to which you have your 
modem connected, and click OK, 


Simulate Missing Keys 


Do you find yourself missing 
the end and forward-delete 
keys on your iMac, blue G3, or older 
PowerBook keyboard? Here’s how to 
simulate them, using Chris Cummer’s 
S5 shareware ASCII Shall Receive in 
conjunction with any commercial or 
shareware program that lets you assign 
typed text to a keystroke or function key, 
such as Connectix’s $60 Speed Doubler 8 
(www, connectix.com). 

Open ASCII Shall Receive, and 
choose ASCII from the pop-up menu 
and then List All from the File menu. 
Scroll to ASCII! character 4; this is the 
character for the end key. Select this 
line and control-drag it to the desktop 
to create a clipping file containing just 
the character. Open the dipping file 
and choose Copy from the Edit menu. 
Open SpeedDouhler 8, select the box 
that receives the typed text, and choose 
Paste from the Edit menu. Then speci¬ 
fy the keystroke you want to simulate 
the end key (I used control-page down) 
and click OK. 

Repeat this process for forward- 
delete by copying ASCII character 127, 
pasting it into SpeedDouhler 8, and 
assigning a di fferen t kcysnoke. I assigned 
FI2 in trigger forward-delete, since it’s 
right above the delete key, but control- 
delete would be another good choice. 

Mike McKay 
Vvtit!gf(o7?f}> Ohio 

Other keys van may Mint to simulate mi an older 
Rawer Rmk keyboard: home is ASCII /, page up 
is ASCII 1 L ami page dams is ASCU 12,—LR 


TIP 


with the <nobr> (no break) HTML tag, 
which older browsers support as well. 
The <nobr> opening tag has a matching 
</nobr> closing tag, Here’s an example: 

<nobr> 

cimg src-"image-r><img src=’ , /mdge-2"> 
</nobr> 

You can put text and tables as well as 
images between <nobi> and </nobr>, 
and you can designate discretionary 
breaks with <wbr> tags. But take care 
not to leave any stray spaces between 
images or other elements that <nobr> 
and </nobr> enclose. 

Adolfo Quevedo 
Miami, Florida 


Fix Word's Format Update 


Microsoft Word 98 has an 
annoying bug that crops up in 
documents using an attached template 
other than Normal. If you selected the 
Automatically Update Document Styles 
option when you attached the template 
via the Templaces And Add-ins dialog 
box, you may find that after you use die 


TIP 



Repair Word's Format Bug If you're using the for¬ 
mat painter in an attached template other than 
Normal in Microsoft Word 98 p you can restore for¬ 
matting lost in ’ unpainted" paragraphs by fiddling 
with the Automatically Update Document Styles 
option, shown here. 


Eliminate Web Image Gaps 

T[D | When creating a Web page, you 
1 Ir can use HTML styles to posi¬ 
tion two images without a separation. 
However, HTML styles are complicated 
and work only in Netscape Navigator and 
.Microsoft Internet Explorer versions 4.X 
and later. Instead, keep images together 


format painter, some “unpainted" para¬ 
graphs lose the attributes of their 
assigned styles. If this happens, don’t 
panic—you can restore the style format¬ 
ting to all affected paragraphs by reset¬ 
ting the option. To do this, choose Tem¬ 
plates And Add-ins from the Tools menu. 
In the dialog box that appears, turn off 
the Automatically Update Document 
continues 


100 September 1999 MACWORLD 








































Publish 

CONFERENCES 


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• Choosing an Asset-Management System 

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• Cross-Media Asset Management 

• Mixed-Platform Management 

• Achieving Predictable Color 

• PDF Workflows 

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199S conference attendee 

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SECRETS QUICK TIPS 




Macworld 


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Styles option and click OK (see “Repair 
Word’s Format Bug”). Immediately 
repeat the same steps, this time turning 
the option hack on, and click OK, This 
should restore your paragraph's original 
style formatting. 

W ILL P K A R C E 
Ruh'igb, North Carolina 

Yon might also fry the Reset Character For¬ 
matting command (%%-shift-Z) and Reset Para 
(a^-option-Q). Von don't normally see these 
commands on any menu, although you can add 
the?// to a menu or a tool bar rising the Cus¬ 
tomize command in Word's Tools menu, — L.R 


Adjust Sound-Effects Volume 


-i-i p If you have sound effects turned 
, " on in the Appearance control 

panel of Mac OS 8.5 or later and want to 
change their volume independent of 
other sounds on your Mac, adjust System 
Alert Volume in the Alerts section of the 
Monitors & Sound control panel rather 
than Computer System Volume in the 
Sound section, 

Daniel Vanwie 
IVbittitr, California 


Count Words in Excel 


Here is a simple approach to 
counting the number of words 
in a cell {here, cell F9) of a Microsoft 
Excel worksheet: 

=LEN(TRIM(F9))- 

LENCSUBSTITUTEfTRIMfFB),'* 

An interesting extension of this for¬ 
mula counts the number of words in a 
range (here, F9:FI6): 
{=SUM(LEN{TRtM(F9:F16))-LEN(SUBSTJ- 
TUTE(TRIM(F9:F16)/ rt r “*))+1)) 

This is an array formula, so don't 
type the outer curly brackets; instead, 
press ^-return when you create or edit 
the formula, and Excel adds them, 

Shame Devonshire 

H ttimti Creek, California 


TIP 


Quickly Edit Icon Names 


If you want to edit an icon 
name, you don’t have to wait 
several seconds for the text to turn high¬ 
lighted after you've clicked the icon 
name in the Finder, Instead, just cdick the 


TIP 


103 September 1999 MACWORLD 
























icon and immediately press enter or 
return to highlight the name. 

Rich Glass 
Brooklyn Park , Minnesota 

In order to set the insertion point at the begin¬ 
ning or end of the name, just perform the 
actions mentioned above, and then immedi¬ 
ately press one of the arrow keys ♦ In order to 
select a whole name quickly with the mouse 
alone , simply click the name and as soon as 
you release the mouse button move the mouse 
slightly*—L.R 


Conned Invisibly 

If your Mac has the Control Strip, you 
needn't launch the Remote Access or 
PPP control panel to avoid the modal 
dialog box that blocks other work while 
connecting or disconnecting a dial-up 
Internet connection (as suggested in July 
1999 s Quick Tips). 

James A. Baker of Murfreesboro, 
Tennessee, was the first of several readers 
to point out that die Remote Access 
module, which is standard on the Con¬ 
trol Strip in Mac OS 8.5 and later, has 
Connect and Disconnect commands that 
work invisibly. If you use Mac OS 8.1 or 
earlier, Catherine Hummel of Holly¬ 
wood, Maryland, suggests that you install 
OTPPP Strip, a free Control Strip 
module by Simeon Leifer {http://u'l 
.netgate.net/~simeon/software.html)- no 
waiting, no window! 

If your Mac doesn't have die Control 
Strip, you can install it by doing a custom 
installation of Mac OS 7.6 through 8.1. 


LON POOLE answers readers* questions and 
selects reader-submit red tips for this monthly 
column. His latest hook is Macworld Mac OS 8.5 
Bible (IDG Books Worldwide, 1999). 


All shareware and freeware mentioned in Quick 
Tips is available from the Macworld Online software 
I i bra ry (w w w. m acd uw n load.com). 

We pay $25 to $100 for tips selected for 
publication that discuss how to use Macs, 
peripherals, or software. Please include your full 
name and address so that we can send you your 
payment. Send questions or tips to quick tips® 
macworld.com or to Macworld Quick Tips, 301 
Howard St., 16th FI,, San Francisco, CA 94105, 
All published submissions become the sole property 
of Macworld. Due to the high volume of mail 
received, we cannot provide personal responses, Q1 



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Avoid Photoshop’s Color Calamities 

HOW TO NAVIGATE AROUND PHOTOSHOP'S RGB COLOR-SPACE PITFALLS 



by Bruce Fraser 


D esktop color-management tech¬ 
nologies give designers the possi¬ 
bilities of superior color control— 
but also some serious headaches. A 
prime example is one of the more 
controversial color-management fea¬ 
tures of Adobe's Photoshop 5: the adop¬ 
tion of RGB color-space definitions 
that are not based only on your moni¬ 
tor This was a great leap forward for 
color on the desktop (see the sidebar, 
"Why Use RGB Color Spaces? 51 ), hut 
created problems with most scanner- 
driver software on the market. As a 
result, the image you see in your scan¬ 
ner software often looks different when 
it arrives in Photoshop. So how can you 
reconcile the two, end up with an image 
that has the colors you want, and make 
sure they stay that way? 

A Troubling Mismatch 

Most scanner software does not yet take 
advantage of Apple's ColorSync color- 
management technology, and simply 
sends your image’s RGB values directly 
to your monitor. (If you’re fairly new 
to color management or you aren’t sure 
how ColorSync works, check out 
Apple's ColorSync Web site at www 
.colorsync.com,) Photoshop 5, however, 
interprets these RGB values according 
to the settings you’ve made in the RGB 
Setup dialog box and uses your Culor- 
Sync System Profile to transform the 
values that get sent to your monitor (see 
the screen shot “Your Monitor's Pro¬ 
file”). This disagreement between 
Photoshop and your scanner software 
creates color havoc—how can you tell 
what your image will really look like? 

You have a number of options for 
avoiding the color-fidelity problems 
that arise when you're scanning into 
Photoshop 5, For one, you can just 


hobble Photoshop 5 by using your 
monitor RGB as Photoshop's RGB 
workspace, but this isn't a great idea 
(see “Workaround 1; Downgrade 
Photoshop 5," below)—plus it defeats 
part of the purpose of upgrading to 
Photoshop 5 in the first place. 

Other options let you reap the bene¬ 
fits of Photoshop 5's advances but 
involve a little more effort with your 
scanner software. For example, some¬ 
times your best bet may be to do the 
bulk of your editing in the scanner soft¬ 
ware (see "Workaround 2: Correct the 
Prescan Image," below). Most scanners 
can capture more than 8 hits per channel 
but are limited to 8 bits on output. You 
can obtain significantly better quality by 
making as many of your large edits as 
possible in the scanner software, where 


you'll have more data and more detail to 
work with, rather than editing the 
reduced data in Photoshop. 

When you edit the high-bit data in 
your scanner software, you still end up 
with a full 256 levels per channel in the 
final 24-bit image. But when you edit 
this image in Photoshop, you immedi¬ 
ately start to lose some of the possible 
levels in each channel (see the screen 
shot “Image Quality Control”), For 
example, when you make tone or color 
corrections on a 24-hit image, some lev¬ 
els that were formerly adjacent get 
stretched apart. If they get stretched too 
far apart, you start to see obvious jumps 
of color instead of smooth gradations— 
a phenomenon called posterizat ion. Sim¬ 
ilarly, some levels that were formerly 
continues 


www.macwDrld.com September 1999 10S 














CREATE GRAPHICS 


apart get squashed together, resulting 
in loss of detail. So there’s a stgnifi- 
cant advantage to editvng the high-bit 
data in the scanner software instead. 
But then again, if the scanner soft- 


□ . ColdrSyrpt H 



Your Monitor's Profile To use a custom monitor pro¬ 
file on your Mac, you must toad it in the ColorSync 
control panel as the System Profile. {Currently, only 
AppleScript uses the RGB Default and CMYK Default 
settings, so if you aren't scripting ColorSync conver¬ 
sion you can ignore them.) 


ware displays the image differently 
than Photoshop, you may wind up 
with an image that looks beautiful in 
the prescan display but awful in 
Photoshop. 

If your scanner has a color profile, 
you can use that to convert the color 
values to those in Photoshop's RGB 
profile (see “Workaround 3: Convert 
from Your Scanner Profile/’ below). 
But some scanner drivers insist on 
making automatic corrections and 
don’t let you turn this feature off—in 
this case it’s impossible to create a 
ColorSync profile for the scanner. To 
profile a scanner (or any other 
device), you must be able to keep it in 
a consistent state; automatic correc¬ 
tions mean that the scanner scans 
each image differently. 

Even better is when your scanner 
driver allows you to scan to an output 
profile (see “Workaround 4: Choose 
Your Output Profile,” below). Heidel¬ 
berg CPS's LinoColor, Ini aeon's 
ColorFlex LB, LaserSoft’s SilverFast, 
Nikon's scanner software, and Second 
Glance's ScnnTastie all let you do this, 
and other scanner-software makers are 
likely to follow suit in future. 

The best option of all may be to 
bring a high-hit image into Photo¬ 
shop if your scanner software can 
save high-bit scans (a growing num- 


Why Use RGB Color Spaces? 

APPLICATIONS WITHOUT COLOR-MANAGEMENT FEATURES SIMPLY 
send the RGB values in your image directly to your monitor. This creates sev¬ 
eral problems. 

• Since every monitor behaves differently (sometimes a lot differently), 
when you send the same RGB numbers to different monitors, the Images 
don't look the same. Even when you calibrate monitors to the same specifi¬ 
cations, it's rare for them to match exactly. 

• Monitor color gamut“-the range of colors a monitor can reproduce—is 
generally larger than the gamut of most output devices, including printing 
presses. However, it's much smaller than the gamut of film, and it also limits 
some of the colors you can reproduce on a press, particularly cyans, and adja¬ 
cent blues and greens. If you work In monitor RGB, you limit the range of col¬ 
ors you can capture In your scans, as well as the range of colors you can print 

• Monitors are inherently nonlinear, and their RGB color spaces are percep¬ 
tually nonurtiform. This means the same increment of change you gain by 
using editing tools such as Photoshop's Levels, Curves, or Hue/Saturation 
may produce varying perceptual changes in different parts of an image's tonal 
range or color gamut, The same move may result in a barely perceptible 
change or in a large jump, depending on where you apply it. 

Photoshop 5 lets you address all three of these issues by uncoupling the 
RGB color space from the monitor—ft's an arbitrary color space that doesn't 
depend on the quirks of any particular device. For maximum editing flexibil¬ 
ity, you can select a perceptually uniform RGB workspace with a large enough 
gamut to encompass your devices. Plus, you can standardize on a single RGB 
workspace for your workgroup and then move files around from one 
machine to another without worrying about color variations. 

By default, Photoshop 5 automatically embeds a ColorSync profile in every 
image when you save it. When you move the image to another machine, 
Photoshop knows what actual colors the RGB values represent—or, to put it 
another way, the program knows what the colors are supposed to look like. 

Photoshop's Display Using Monitor Compensation feature (see the 
screen shot "Downgrading Photoshop") uses the information stored in your 
ColorSync System Profile to perform a customized on-the-fly conversion of 
the RGB values in the image file as they’re sent to your monitor. This makes 
it possible for the image to appear the same on everyone's monitor, as long 
as the ColorSync profile describes your monitor accurately. 



Image Quality Control The 16-bit-per-channel image on the 
right and the 8-bit-per-channel image on the left may look sim¬ 
ilar, but their histograms show a big difference. The higher-bit 
image contains a full 256 levels in each channel, but the 8-bit 
image has Jots of missing levels that will cause the image qual¬ 
ity to deteriorate under subsequent editing. 


her of scanner drivers can do 
this). When von save a high- 
hit scan, you're grabbing all 
the data the scanner can cap¬ 
ture (see “Workaround 5: 
Import Masses of Raw Data/ 1 
below). This will create a huge 
file, but all the image's data 
will he there for you to edit as 
needed in Photoshop, 

Choosing a Lesser Evil 

Depending on the capabilities 
of your particular scanner soft¬ 
ware, you can use one or more 
of the workarounds discussed 
below (presented from least to 
most desirable) to get around 


IOC September 1 999 MACWORLD 




































Profile Setup 

1 


1 <•"«< 1 

S3 RGB 3 CMYK g Greyscale Ql«b 


Assumed Profiles 


RGB: (Ask When Opening _ej 

cvnc [ Ask When Opening _ij 


Greyscale: f Ask When Opening _ *J 




Profile Msmatch Handling 

RGB: | Ask When Opening 

*1 

CVfncl Ask When Opening 

*| 

Greyscale: | Ask When Opening 

•J 


Automatic Mismatch Warning You can make Photo¬ 
shop’s Profile Mismatch Handling feature let you con¬ 
vert an image as you open it. To do this, choose Pro¬ 
file Setup from the File menu’s Color Settings submenu. 
In the Profile Setup dialog box (above), set all the 
Assumed Profiles settings and Profile Mismatch Han¬ 
dling settings to Ask When Opening. 

When Photoshop's Profile Setup is configured like 
this, you’ll see the Missing Profile dialog box (below) 
when you open a file that has no embedded profile. You 
can then convert the image into your RGB color space as 
it opens, instead of using Profile To Profile after the fact. 



the mismatch between Photoshop’s 
RGB and your scanner’s RGB. At 
least one of these solutions should 
work for you. 

Note: All the workarounds assume 
that your scanner driver operates as a 
Photoshop plug-in. If you scan to disk 
with a stand-alone application and you 
have Photoshop set up to warn you of 
profile mismatches (see the screen shot 
“Automatic Mismatch Warning”), you 
can use the Profile Mismatch Han¬ 
dling feature instead of Profile To Pro¬ 
file to make conversions, using the 
same settings mentioned in each work¬ 
around below. 

Workaround 1: Downgrade 
Photoshop 5 

The simplest solution is to make 
Photoshop 5 behave like older versions 
of the program. I recommend using 
this approach only if your scanner soft¬ 
ware doesn’t let you turn off automatic 
corrections, doesn’t support high-bit 


export, and doesn’t support output 
profiles —mid you can’t he bothered to 
learn to work with the new behavior of 
Photoshop 5. 

What to Do In Photoshop 5, 
choose RGB Setup from the File 
menu’s Color Settings submenu. In the 
resulting dialog box, choose Monitor 
RGB from the RGB pop-up menu, 
and turn Display Using Monitor 
Compensation off (see the screen shot 
“Downgrading Photoshop”). 

Pros The problem disappears, 
because Photoshop now simply sends 
the RGB values in the file straight to 
the screen. 

Cons The fairly substantial dis¬ 
advantage is that you lose all the ben¬ 
efits of the RGB color-space 
approach introduced in Photoshop 5. 
Your color gamut is limited to what 
your monitor can display, and vour 
editing space won’t he perceptually 
uniform (see “Why Use RGB Color 
Spaces?” fora definition). Plus, if you 
send the files to someone else, they’ll 
have to run the files through a con¬ 
version process to get them to display 
properly. And even if they are also 
using Monitor RGB as their color 
workspace, it’s extremely unlikely 
that their monitor’s color quirks will 
match yours. 

Workaround 2: Correct the 
Prescan Image 

Even if your scanner software doesn’t 
let you turn off automatic corrections, 
doesn’t support high-bit export, and 
doesn’t support output profiles, there’s 
a better solution than downgrading 
Photoshop 5. If you correct an image 
based on the prescan, you can make 


RG© Setup 

RGB: (Monitor RGB :| 

Gamma: [tJQ ) 

White Point: (Custom. 1 1 

|| ok 1 
f Cancel j 

i toad. | 

Primaries: | Custom. t \ 

| | 


3 Preview 

Monitor. uispioy 

□ Display Using Monitor Compensation 



Downgrading Photoshop To make Photoshop 5 
behave essentially like Photoshop 4 , choose Monitor 
RGB from the RGB pop-up menu in the RGB Setup 
dialog box. and then turn Display Using Monitor 
Compensation off. Photoshop will then simply send 
raw RGB values to your monitor, 


your monitor, not your scanner, the 
source profile for the image. 

What to Do Scan as usual, mak¬ 
ing the image look good in the prescan 
(see the screen shot “Prescan Edit¬ 
ing”). Once the image is in Photoshop, 
choose Profile To Profile from the 
Image menu’s Mode submenu. In the 
Profile To Profile dialog box (see the 
screen shot “Converting Your Monitor 
Profile”), choose your monitor profile 
in the From pop-up menu. In the To 
pop-up menu, choose RGB Color. For 
the Engine pop-up menu, I generally 
recommend choosing Built-In, hut in 
most cases you’ll get virtually identical 
results no matter which engine you 
use. Then choose Perceptual (Images) 
from the Intent pop-up menu, turn 
Black Point Compensation off, and 
click on OK to perform the correction. 
Once it’s done, the image should look 
the same in Photoshop as it did in your 
scanner driver. 



Prescan Editing If your scanner software sends raw 
RGB values to the monitor, you can use that software 
to edit the prescan and use the monitor profile to bring 
the image into Photoshop's RGB workspace. 

Pros This approach is fairly sim¬ 
ple, lets you scan the way you’re used 
to scanning, and allows you to take 
advantage of most of Photoshop’s new 
color-handling features. 

Cons The colors in the scan are 
limited to those your monitor can dis¬ 
play. .And since the conversion is per¬ 
formed on 24-hit data, you may lose 
some image quality'. 

Workaround 3: Convert from 
Your Scanner Profile 

If you have a profile for the scanner— 
and the scanner driver allows you to 
disable all automatic corrections— 
converting the profile is a more favor¬ 
able approach. 
continues 


www.macworld.com September 1999 1 07 






































































CREATE GRAPHICS 



Converting Your Scanner Profile To convert an 
image from your scanner's RGB color space into 
Photoshop's RGB colorspace, use Photoshop's Pro¬ 
file To Profile command. Choose your scanner profile 
in the From pop-up menu, and RGB Color in the To 
pop-up menu. 


What to Do Sean the linage with 
no corrections. In Photoshop, choose 
Profile To Profile from the Image 
menu's Mode submenu. In the Profile 
To Profile dialog box (see the screen 
shot tl Converting Your Scanner Pro¬ 
file"), choose your scanner profile in 
the From pop-up menu, and RGB 
Color in the lb pop-up menu. Then 
choose Built-In from the Engine pop¬ 
up menu, and Perceptual (Images) 
from the Intent menu. Turn Black 
Point Compensation off and click on 
OK. Once the conversion is done, the 
resulting image should look very much 
like the original. 

Pros You can preserve colors that 
lie outside your monitor’s gamut. 

Cons Since the conversion is per¬ 
formed on 24-hit data, you may lose 
some image quality. 

Workaround 4: Choose Your 
Output Profile 

II your scanner driver allows von to 
choose an output profile, use the 
Photoshop 5 RGB color space. You 
can create a ColorSync profile for 
your RGB workspace by clicking the 
Save button in Photoshop’s RGB 
Setup dialog box (see the screen shot 
“Saving a ColorSync Profile"), To 
make this profile available to other 
applications and to your scanner soft¬ 
ware, make sure you save it in your 
ColorSync Profiles folder, which you 
can find at the root level of your Sys¬ 
tem Folder. 

What to Do Scan as usual, mak¬ 
ing global corrections in the scanner 
software. When the image lands in 
Photoshop, it will look the same as it 
did in the scanner software. 

Pros You can preserve all the 


colors your scanner can capture. Plus, 
you 1 11 get better image quality 
because the color conversion is per¬ 
formed on the high-bit scanner data 
rather than the 24-bit final image. 
Cons You’re making all your edits 
based on a smallish prescan image, so 
you can't see all the detail in the final 
scan. Also, your scanner software’s 
tools are most likely not nearly as com¬ 
prehensive as Photoshops, 

Workaround 5: import Masses 
of Raw Data 

If your scanner driver allows it, bring 
the raw high-hit scanner data—with 
no prescan corrections—-into Photo¬ 
shop as a 48-hit RGB file, and make all 
your corrections in Photoshop, 

What to Do Set die image crop 
and resolution in your scanner soft¬ 


Cons The file size is 
twice as large (at least ini¬ 
tially) as that of a 24-hit 
image. Once you’ve done 
the conversions, you can 
downsize the image to 8 
hits per channel by choos¬ 
ing H Bits/Channel from 
the Mode submenu on the 
linage menu. However, you 
could make a good case for 
archiving the high-hit file 
for future conversions to 
output devices, since you’ll 
always get a better result 
doing the conversions on 
48-bii data than you will on 
24-bit data. 


The new color architec¬ 
ture in Photoshop 5 may 
cause a few folks to do some 
head scratching, but this 
feature really does offer 
some major advantages over 
the old ways. Eventually all 
scanner software will inte¬ 
grate seamlessly with Photoshop 5, 
hut for now, one of these methods 
should help you work around the mis¬ 
matches. No matter which method 
you choose, you should get pre¬ 
dictable color from your scanner fn 


|1 K U C M I’ R A S 1\ R is a sd I - eu n Tl *sl J et >1 1 ir g ve k 
sind si ermithor uf Retfl llttrhl Pkutnxhtip f 
(Peachpit Press, 1VW). 


ware, and bring in all the data you can. 
If you have a profile for your scanner, 
you can use Profile lb Profile to con¬ 
vert the image from scanner RGB to 
Photoshop’s RGB color space before 
you make any corrections. T his should 
get the raw image closer to the appear¬ 
ance of die original so you’ll have 
fewer corrections to make. 

Pros You correct the lull-resolii- 


j Cl ColorSync Profiles s| 


Mltpnium 1D 


© 1 Ltimbilit KotLik Cprlrtll 

* 

I 1 


(ej ISO-line (Pantflne) (rnp) 




f: Adobe Monitor Setting* 


j DeskTop | 


@ Adobe RGEV I we 


1 1 


l|®j Apple Color %W fro 

V- 

Save RGB parameters In: 


| Cancel { 

| |Adobe RGB (1990) 

1 

li Save *1 | 




RGD 5 tf tills 

Adobe RGB (1998) s| 

Gamma: |3-2D | 

White Point: | GSWTK (065) 


Primaries: Adobe BOB {199G) 


Monitor (Mac Display-—— 

0 Display Using Monitor Compensation 


OK 

| Cancel ] 

| Load... | 

I swe -1 

3 Preview 


Saving a ColorSync Profit To create a ColorSync profile of 
your Photoshop workspace, first load the space you want to 
use in Photoshop's RGB Setup dialog box, then dick Save. Save 
the resulting profile in the ColorSync Profiles folder so that your 
scanner software (and other ColorSync-sawy applications) can 
locate and use it. 



Converting Your Monitor Profile You can convert 
your image from the Monitor RGB color space into 
Photoshop s RGB color space using Photoshop's Pro¬ 
file To Profile command, lust choose your monitor 
profile in the From pop-up menu, and choose RGB 
Color (which selects whatever color space you've 
chosen in the RGB Setup dialog box) in the To pop¬ 
up menu, 

tmn image using Photoshop’s tools 
ruth or than correcting the low-resolu¬ 
tion prescan image using the mure 
limited tools scanner soft¬ 
ware offers. 


108 September 1999 MACWORLD 


































































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Esctf-n^ ,ind the- tutfnvi f«gKj jn; ir,«lpnMrfe.-% pi Swl&iMfh .* jradtwrV srf CaipwiiHM Hem* loun q tr-MfemarW <_,r Dub 1 C-d. irvL. Sun(,i« XT cfcvul-oswxJ Ly NKG 

LLC.® (99? ror*tAE*Pt iV .1 TfVttferwarti of iMULSe' SoPtWJ'i* M-timSaih Jfid Un? UrttintBUii 05 H>&* lndMturM af AppH? CWrtpuUT, Inc . trt*id Iilwiw Olhrr #te the proper^ olllwi (rifKtue owner* 

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Choose 14 ot www,macworld,com/getinfo 
































create 


GRAPHICS 


Fast, Filmless Photo Collages 

TRANSFORM D i G I TA L - C A M E R A SNAPS INTO INSTANT ART 


by Mike Wooldridge 


D igital cameras still can't quite 
match film's image quality when it 
comes to high-end photography, 
but they do offer distinct advan¬ 
tages when it comes to the artistic 
process. With a digital camera, you 
don't have to interrupt your creative 
momentum by sending out film for pro¬ 
cessing. Instead, you can immediately 
dive into the results of photo sessions 
and begin creating* 

San Francisco-based photographer 
John Lund, though schooled in tradi¬ 
tional film-based techniques, discovered 
digital imaging eight years ago and has 
never looked back. He likes to use a dig¬ 
ital camera so he can begin work on his 
photo art only moments after shooting. 

For this Magritte-like photo collage, 
Blinders, Lund shot most of the ele¬ 
ments—the train, the umbrella-toting 
man, and the blinders (composed of a 
belt and a wallet)—in his studio with a 
digital camera. This piece is typical of 
the surreal artwork he creates for his 
many clients, including Federal Express, 
IBM, Kodak, and UPS (you can view 
more of his art at www.johnlund.com). 
Digital artists tend to rely exclusively 
on Adobe Photoshop for digital-image 
editing, but Lund says that many artists 
—including him—prefer Live Picture. 
He finds its brush-based tools more effi¬ 
cient and precise than Photoshop’s filters 
for mixing the different photographic 
elements in his work. 

Lund shoots images in his studio 
using a Leaf DCB I digital camera with 
2,048-by-2,048-pixel resolution. He 
then imports them onto a DayStar Gen¬ 
esis Mac clone with four 2Q0MHz pro¬ 
cessors. In addition to Live Picture 2.5.1, 
he uses Photoshop 4 and 5. m 



Full Steam Ahead The completed Live Picture collage included 51 layers, Lund finished by rendering 
the image as a TIFF file and then bringing it into Photoshop to touch up any remaining stray pixels. He 
also adjusted the Hue/Saturation controls in Photoshop to give the piece its sepia coloring. The resulting 
image is a surreal and startling juxtaposition of photo elements that required no trips to FotoMat. 


MIKE. WOOLDRIDGE is a freelance writer and 
new-media developer based in Berkeley, California. 


110 September 1999 MACWORLD 















O Lund started by photo¬ 
graphing a miniature model 
train in his studio. After 
importing the digital photo 
into Photoshop, he duplicated 
the file and applied the Zoom 
Blur filter to create a version 
of the train that conveyed a 
sense of speed. Then in Live 
Picture he painted parts of the 
blurred version on top of the 
original image, so he could 
depict the illusion of motion 
while keeping some of the 
train's details sharp. 



the softness of the smoke and 
steam intact. Then he added 
a few more sharpen and blur 
effects in Live Picture to com¬ 
plete the background. 


O Lund shot the image of 
the man with the bowler hat 
and umbrella in his studio with 
a digital camera. He brought 
the image into Photoshop and 
masked it from the back¬ 
ground using the pen tool. 
Then Lund imported the image 
and its alpha- 
channel mask into 
the Live Picture 
file containing 
the train, smoke, 
and steam. 


O Next, Lund built the 
blinders on the man's face by 
photographing a belt and a 
wallet separately. He photo¬ 
graphed the belt wrapped 
around the model's face so it 
would have the right shape 
when added to the collage. 
In Live Picture, he painted 
strips of dark color beneath 
the belt sections to create 
subtle shadowing on the 
man's face, and added an 
extra layer of color 
atop the wallet to 
give it a more 
wrinkled look. 




www.macworld.com September 1999 111 






















"Foiget the Oscars, here come the Webbies." 

- The Mew Yori< Times, January 7,1999 

Call for Entries 

The International Academy of Digital Arts & Sciences™ invites 
you to submit your Web site for The 4th Annual Webby Awards® 


www.webbyawards.com 



Honoring the Best of The Web In 24 Categories: 

Activism, Arts, Community, Commerce, Education, 

Fashion, Film, Finance, Games, Health, Humor, Living, Music, 
News, Personal Web Site, Politics & Law, Print & Zines, Radio, 

Science, Sports, Technical Achievement, TV, Travel Weird 


Deadline: September 16,1999 







WORKFLOW 


rate 


Collaborate Long-Distance 

SPAN THE MILES WITH THE RIGHT SOFTWARE AND SOME TELEWORKING TIPS 


by J i m Held 



I t used to be that the people who 
worked together on a project were 
located under the same roof. Today, 
they might not be on the same conti¬ 
nent, The Internet has enabled work¬ 
ers to scatter like dandelion seeds in a 
gale, and it isn’t unusual to find yourself 
working closely with someone you’ve 
never met in person. 

Telecommuting is wonderful, hut it 
does introduce complications. How can 
you proof and comment on page designs 
and other documents without the delay 
and expense of couriers? How can you 
brainstorm in real time without racking 
up huge phone bills? How can you mon¬ 
itor or control a Web server that’s located 
a thousand miles away? 

Several software tools can help you 
address these issues. Here’s a guide to 
stocking a remote-collaboration toolbox, 
and some tips for my favorite tools. 

Please Comment ASAP 

They’re common requests: Look over 
the latest brochure layout and get back to 
me. Approve the new logo design. Proof 
the annual report before tomorrow. 

These chores used to mean last- 
minute sprints to the express mail drop¬ 
off box. Then fax machines came along 
and made their contributions to eyestrain 
and aggravation. E-mail has made it far 
more convenient to move documents 
around, and business software has 


WHAT YOU NEED 


Adobe Acrobat 
Netopia's Timbuktu Pro 

^ Instant-messaging software, such as ICQ 

o 

e Internet access 


evolved accordingly—Microsoft Word 
and Excel, for instance, have features for 
adding annotations to documents. These 
stieky-note-like comments don’t appear 
within a document’s text, but instead 
show up as small icons. Double-click on 
an annotation’s icon, and up pops a small 
window containing the comment. 

But graphics and design programs 
generally don’t offer annotation features. 
And even with Word and Excel, there’s 
the risk that someone will make changes 
to a document without letting others 
know about it. 

The answer: Adobe Acrobat 4.0. 
Acrobat lias always been a great tool for 
distributing documents electronically— 
convert a file into Acrobat’s Portable 
Document Format (PDF), and then send 
the PDF to your colleagues, who can 
review it and print it using the free Acro¬ 


bat Reader software. Acrobat adeptly 
preserves the original document’s for¬ 
matting, even simulating fonts not 
installed on a recipient’s system. 

Acrobat 4,0 goes beyond these 
basics to pack a full array of collabora¬ 
tion tools (see “Acrobat Annotated”). 
Each member of a workgroup can attach 
annotations to a document and review 
annotations others have made. Acrobat 
4.0 also enables you to mark up a docu¬ 
ment: you can, for instance, draw a 
strike-through bar to mark a section of 
text for deletion, and then attach replace¬ 
ment text by typing it in a pop-up win¬ 
dow. Because reviewers arc working on 
a PDF file and not the original, there’s 
no worrying about changes to the origi¬ 
nal file and no fretting over whose copy 
is the current version. 

continues 


www.m 3 cw 0 rld.com September 1993 113 










CREATE WORKFLOW 


Chat and Swap 

Annotation features arc noteworthy (get 
it?), but they don’t allow for real-time 
remote brainstorming and collaboration, 
The telephone docs, but can lead to a 
hefty long-distance phone bill. 

One potential solution is instant¬ 
messaging (IM) software. Several free 
IM programs are available for both the 
Mac OS and Windows, and although 
they’re most commonly associated with 
lovelorn teens, they can be powerful 
collaboration tools, too. 

From a telecommuter’s perspective, 
the best IM software for the Mac is the 
freeware ICQ (www.icq.com). ICQ s 
interface is cluttered and cumbersome at 


times, but the software has two crucial 
features: it supports file transfers and 
URL exchange. 

Remote Nirvana 

ICQ) does the job for occasional tele- 
brainstorm in g, but if remote collabora¬ 
tion is a big part of your work life, go 
all the way to Timbuktu. Available for 
both the Mac OS and Windows, 
Netopia’s Timbuktu (510/S 14-5000, 
ww w. netopia.com/so ftwa re /t h 2 /) p ro - 
vides first-rate chat and file-exchange 
features and even an intercom mode 
that lets you chat using your vocal 
cords instead of your hands. 

But these goodies are only side 


dishes; Timbuktu’s main course is remote 
observation and control. Outfit two or 
more computers with Timbuktu, and 
each user can watch the others’ screens or 
even control other computers via modem, 
local network, or the Internet (see 
Reviews, November 1998), 

You get real power by combining 
remote observation with Timbuktu’s chat, 
intercom, and file-exchange features, as 
in the following example: 

‘Tve got the latest layout on my 
screen. What do you think?’ 1 

“Change the headline font to Ran¬ 
som Note Bold.” 

“OK. 1 low’s that? ” 

“Good. And by the way, I rescanned 


Acrobat Annotated 



ACROBAT <1.0‘S ANNOTATION AND 
MARKUP FEATURES SIMPLIFY THE 
PROCESS OF REVIEWING AND COMMENT¬ 
ING ON DOCUMENTS. 

Tips for Working with Acrobat 
Annotations 

* To change an annotation’s properties— 
for example, to use a different icon for 
notes or a different graphic for stamps— 
press control while clicking on it, then 
choose Properties from the pop-up menu. 

* To make an annotation with a custom 
size—for example, a very large Note—- 
don't just click, Instead, drag across the 
PDF until the rectangle is the desired size 
and then release the mouse button. 

* You can import and export annotations 
with the File menu’s Import and Export 
submenus. One reason to do so is to com¬ 
bine annotations from several people into 
one master file. Each user exports his or 
her annotations and then e-mails the file 
to whoever is assembling the master list. 
That person then imports a!l the annota- 
tion files into a single PDF. 

* Want to see only a certain type of 
annotation, or view only one person's 
comments? Choose Filter Manager from 
the Tools menu's Annotations submenu, 
and then choose which or whose annota¬ 
tions you want to see. 


(A) The Stamp tool is a virtual rubber 
stamp. Acrobat includes dozens of stamp 
graphics—everything from the usual Con¬ 
fidential and Approved to offbeat ones 
like Nuke This. 

(B) The preset annotation tool is the Notes 
tool. To choose other annotation tools, 
point to the Notes tool and hold down the 
mouse button to make a pop-up menu 
appear, then drag to select the desired tool. 

(C) The page icon denotes a Note. Double¬ 
click on the icon to view the annotation. 


CD) A Text annotation appears directly 
on the PDF—there's no need to double¬ 
click an icon to view it 

(E) Click on the triangle to display a short¬ 
cut menu that enables you to import, 
export, and sort. 

(F) Click this icon to scan the PDF for 
annotations and update the contents of 
the Annotations palette. 


114 September 1 999 MACWORLD 






































the photo. I’m sending you a revised 
version now,” 

This live collaboration is faster than 
annotating and e-mailing PDFs. It's 
almost like sitting alongside a colleague, 
but you can’t catch his or her cold. 

One of the beauties of Timbuktu is 
its support for multiple platforms and 
protocols. You can tap into other Macs 
on your network via AppleTalk, or you 
can use the Internet to tap into remote 
Macs or Windows machines using 
TCP/1R You can even mix and match 
within a single chat window, connecting 
to local Macs via AppleTalk and remote 
machines via TCP/IP. (For more tips, see 
‘ ‘Tel ecom m uti n g wi th Ti m 1 m kn i 


It's No (Company) Picnic 

Re mote-collaboration tools can span the 
miles, but they aren’t always a perfect 
substitute for getting together in what 
some call meatspace. A lengthy chat ses¬ 
sion can take its toll on your wrists. 

Intercom features such as Timbuktu’s 
can address these shortcomings, but 
voice-over-Internet technology lacks the 
sound quality and reliability' of the tele¬ 
phone. Videoconferencing also holds 
promise; however, all but the most expen¬ 
sive videoconferencing tools deliver frus- 
uaringly poor quality. Until we all have 
Jetsons-quality videoconferencing sys¬ 
tems, the best tools for remote collabora¬ 
tion arc the ones I’ve discussed here. 


And even these tools don’t allow the 
kind of spontaneous brainstorms that can 
occur around watercoolers or in hall¬ 
ways. Telecommuting will always have 
some disadvantages in that regard, but 
the advantages often outweigh these— 
geographic and scheduling versatility-, 
economy, and the flexibility to choose 
colleagues based on their talents rather 
than their locations. That’s not to men* 
tion the chance to take your dog to the 
beach when you've finished a project, m 


A contributor to Mar^orld since 1984. JIM H E [ P 
(wwwJieidsite.com} writes and lectures about 
Internet and multimedia technologies and lives near 
a beach on California's Mendocino Coast, 



with Timbuktu 


NETOPIA'S TIMBUKTU PRO IS A TELECOMMUTER'S DREAM. PACKING REMOTE CONTROL, FILE TRANSFER, 
AND CHAT INTO A SINGLE APPLICATION AVAILABLE FOR THE MAC AND WINDOWS ALIKE, 


Tips for Working with Timbuktu 

• Timbuktu Pro provides two ways to send 
files. The Exchange window (shown at the 
upper right in the screen shot) provides 
two-way exchanges. That's convenient, 
but it's much slower than the Send com¬ 
mand, which simply zaps a file from one 
machine to another. 


* Timbuktu Pro does a remarkable job of 
enabling you to re mote-control a computer 
via a modem connection. It feels like run¬ 
ning under water sometimes, but it works. 
To ensure that remote-control sessions run 
as fast as possible, eliminate any back* 
ground images from your Mac or Windows 
desktops. Solid-colored backgrounds yield 
the best results. 


(A) A distant Web designer's latest layout 
appears on a colleague's local Mac, 

(B) Both designers are chatting with a third 
colleague about the layout. 

(C) The file-exchange window lets you 
beam files between machines and platforms, 

(D) No platform barriers—here a Mac con¬ 
trols a Windows 98 machine remotely. 


4 File foil Setup Service Window Help 


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www.rnacworld.com September 1999 115 




























































































HlacCentral.com 


We’ve got answers 
for everyone. 





The Macintosh Authority 


wwK.macce i titsLa* m 








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INDEX TO ADVERTISERS 


Interact with the companies whose products and services are advertised in 


ADVERTISER 


INTERACT 


PAGE NO. 


Adaptec 
Adobe Internet 
AEC Software 
Agfa Corporation 
AIWA 

Alps Electric 
ALSOFT 

American Power Conversion 
Anthro 

APS Technologies 
Asante Technologies 
ATI Technologies, Inc. 


www. adaptec. com/mac 

www.adobe.com 

800/450-1982 

www.agfahome.com 

www.aiwa.com/csd 

800/536*0400 

800/257-6381 


888/289-APCC ext. 8250 53 


www.anthro.com 

800/285-0638 


Bottom Line Distribution 
Bungie Software 


www.attech.com/ad/mac 47,49,51 

i 

r 

800/990-5693 155 


www.bungie.com 


67 


Casady & Greene www.casadyg.com 

CDW Computer Centers, Inc. 800/509-4239 
CE Software 800/579-9452 


CNET 

Connectix 


www.connectix.com 


Dantz Development 
Dataviz 

Diehl Graphs oft 


www.dantz.com 8 

800/270-0030 ext, 133 41 
www.diehlgraphsoft.com 22 


Epson America 
Extensis 


800/BUY EPSON 
www.extensis.com 


For mac 


www.formac.com 


32,33 


GCC Technologies 
Global Village 


www.gcctech.coin 4,5 

www.globalvfllage.com 9 


Hire Knowledge 


www.hireknowledge.com 61 


Info wave 
Interland, Inc 


www .info wa ve .com 
800/599-0547 



JfrR Computer World 


800/221-8180 


153 

mmamm 


ADVERTISER 


INTERACT 


PAGE NO. 


Kensington 


www.kensington.com/imac BC 


La Cie 


IFC,1 


Lucas Arts Entertainment 
Company LLC 


www.Iucasarts.com 


94 


Mac Zones 


www, maczone.com 128*135 


MacMall/Creative Computers 800/222-2808 


Macromedia 

MacSoft 

MacWa rehouse 

MegaHaus 

MetaCreations Corp 

MicroMat 

Microsoft 


Newer Technology 
Nikon Electronic Imaging 


Orange Micro 


Pangea Software 
Pantone 
PowerOn 
ProDirect 
Publish 


RICOH 

Rocket eBook 


Seybold 

The Creative Group 


ViewSonic 

VST Technologies Inc. , 


Webbies 


800/457-1774 
www,gtstore.com 
800/434*3035 
800/786-1184 
800/846-0111 
800/829-6227 


www.microsoft.com/macl 2,13 


www.newertech.com IBC 

www. n i kon usa. com 21 


714/ 779-2772 


20,58 


63 

888-PANTONE 7 

www,poweronsw,com 100 
800/524-9952 154 

888/887-3679 101 


8O0/63RICOH 11 

www, rocket-ebook.com 103 


888/886-8895 


98 


www. thecr eativegroupcom 103 


800/ 888-8583 57 

www.vsttech.com 20,44,60 


112 


XANTE Corporation 
Xerox Corporation 
XLR8 by tnterex 


www.xante.com 
800-ASK XEROX 
www.xlr8.com 






























PRODUCT INDEX 

Looking for a specific product? Simply use Macworld's product Index to find the page or the advertiser of the products which interest you. 
Then simply log on at www.macworld.coTn/getinfo and receive all the product information you need. 


PAGE NO. ADVERTISER 

ACCESSORIES 


GET-INFO 


FURNITURE 

6 


Anthro 


HARDWARE 


BOARDS 

IBC 

39 

48 

47,49,51 

20,58 

32,33 


Newer Technology 

Adaptec 

XLR8 by Interex 

ATI Technologies, Inc. 

Orange Micro 

Formac 


ENTERTAINMENT 

20,58 Orange Micro 


COMPUTER SYSTEMS 

119-127 MacMall/Creative Computers 


DfGITIZERS/SCANNERS 
21 Nikon Electronic Imaging 


DISPLAY 

57 


ViewSonic 


HARD DISKS/STORAGE 
16 AIWA 

154 Pro Direct 

155 Bottom Line Distribution 


MISCELLANEOUS 
16 AIWA 


EXPANSIONS/UPGRADES 
48 


INPUT DEVICES 
BC 


XLR8 by Imerex 
Kensington 


MISCELLANEOUS 

103 

11 


Rocket eBook 
RICOH 


MODEMS 

9 


NETWORKING 

85 


POWERBOOK 

20,44,60 


Global Village 
Asante Technologies 
VST Technologies Inc., 


RICOH 

GCC Technologies 
XANTE Corporation 
Xerox Corporation 
Epson America 


PRINTER 

56 


Scanner 

50 


MISCELLANEOUS 

53 


SECURITY 

53 


Alps Electric 
Agfa Corporation 
American Power Conversion 

American Power Conversion 


55 


60 


106 





PAGE NO. 


ADVERTISER 


GET-INFO 




HARD DISKS/STORAGE 


IFC.1 

La Cie 

— 

144-149 

APS Technologies 

62 

[mail order 


152 

MegaHaus 

229 

153 

J&R Computer World 

282 

154 

ProDirect 

135 

155 

Bottom Line Distribution 

221 

119-127 

MacMall/Creative Computers 

131 

128-135 

Mac Zones 

71 

136-143 

MacWarehouse 

150 

150,151 

CDW Computer Centers, Inc. 

2 

| SERVICES 


MISCELLANEOUS 



61 

Hire Knowledge 

207 

103 

The Creative Group 

— 

112 

Webbies 

— 

ON LINE 



24,25 

CNET 

— 

TRADESHOWS/CONFERENCES 


98 

Seybold 

— 

101 

Publish Conferences 99 

— 

| SOFTWARE 


BUSINESS 



10 

AEC Software 

203 

12,13 

Microsoft 

- 

CAD/CAM 



22 

Diehl Graph soft 

46 

COMMUNICATION 



18 

CE Software 

170 

41 

Dataviz 

142 

GRAPHICS/DTP 



7 

Pantone 

15 

19 

Macromedia 

36 

104 

MetaCreations Corp 

5 

109 

Extensis 

14 

MULTIMEDIA 



19 

Macromedia 

36 

ENTERTAINMENT 



63 

Pangea Software 

95 

64 

MacSoft 

29 

67 

Bungie Software 

40 

94 

LucasArts Entertainment 



Company LLC 

102 

MUSIC 



45 

Casady & Greene 

115 

ONLINE 



31 

Adobe Internet 

— 

52 

Inter land, Inc 

10 

UTILITIES 



8 

Dantz Development 

26 

26 

MicroMat 

67 

42 

Casady & Greene 

116 

43 

ALSOFT 

140 

54 

Connectix 

105 


Infowave 

32 


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fl Two built-in stereo speakers 

■ Internal omnidirectional microphone 

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■ includes one Lithium-ion battery for up lo 5 
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Software (Pre-installed) 

fl Mac OS 3 . 6 , Apple File Synchronization, Apple 
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Processor and Memory 

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delivery. Freight is based on averwo product wcighl Handling eidra Insurance available. Special orders may require special shipping and handling charges Gall mr 


shipping rates. Prices and prodtstf availability suhjecl tochani 
errors. M .. . . " ' 


September 1999 M ACWOR 


require special shipping and handling charges Gall fqr internal ion 

_ _ r .. .. . .. im wilhoul notice. Specials and promotions may be limited id stock on hind Not responsible for typographical 

errors. M products sold by Multiple Zones international' [MZlfarc third party products and are subject Ed the warrenlies & re presentations ot Ihe applicable manufacturers, 
including bul not limited to Y?K compliance. Accordinnly. MZl makes no representation or warranty with respeci to V2K compUarce of product sow 1999 Copyright Multiple 
, D Zones imernalionai Inc. All rights reserved. Uneulnaraad duplication is a violation ot applicable laws. Aoplef iho Apple logo, Maclniosn* and PowerBook? are registered 
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Cr&diz cards are not charged until the order is sh pp^-d. Most prodtrcls ship Itie same Cay [barring system failure, tic i Shipping options include Ground, 2nd Day and Overnight 
dflrvery Freight is based on average product weight. Handling extra rnsuraise available. Special orders may require speoai shipping and handling charges. Can Ter international 
slipping rales. Prices and product amiability subject to change without notice. Speoafs and promotions may be limited to stock unhand. Hal responsible for rypograpriheal 
errors, Ail products sold by Multiple Zones international (MZlTare third parly products and are subject to the vranantes H represemaiions ol Die applicable manulaclurers. 
including bur not limited to v?K compliance. Accordingly, MZl makes ho representation or warranty wish respect to Y2K compliance oi product sold. £)1M9 Copyright MullipJe 
Zones International Inc. All righis reserved. Unauthorized duplication i$ a violation of applicable laws. Apple; the Apple logo. Macintosh" and PowerBook 1 are registered 
trademarks oi Hie Apple Computer, Inc. 

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Atcretipi, Should you return hardware to MacWAREHOUSE from responsitite lor typographical Errors. All prices shown in US. 

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Our sales slid n reari* totoke ^pur order 24 hoos a day. 7 days 
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Apple dr TekiranU, you win b? assessed a 15% restocking fee 
wuch wiB be chared to Mount Ail retim are scbjeci to 
toe todoning: 1. All prod j.:ts must be rEturoed In otigirul pack¬ 
aging 2. Shipping vet handling charges are nol rrtnhbie, 

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4, Custom orders and cables are not refundable, i Predjcts 
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Copyngfit* 1999 M*ao warehouse, toe IMMMBtOUSE* B a 
dmUon of Micro Warehouse, toe Item jvsitahifify and price 
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the products or services sold by US are rear 2000 Ootnp&aid- 
Year 2000 representaben a.-J warranties may be supplied 
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We accept Those major credit cards. 


§ Leases are only Adii&to id business Ciitomas with approved creac on propjet onl^rs where ar least ate aod.rt toa& S 7M or mcro Lease psymen-s use baed on a 40-nortfi Ftr Martef Vane Lease Call today to see how you can quilty Lease terms are subject to change. 

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MACWORLD September 1999 14 1 




































NEW! Adobe InDesign 


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APS CD-RW 6X4X24 

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External Configuration 


APS CD-R 8x20 

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144 September 1999 MACWORLD 


APS DupliCD Duplicators 

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_J*a- 

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APS DVD-RAM 

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External Configuration 


w/Retrospect 


to 

iTu i 

i rSn 

Hi! 1 ■ \1IJ ■ tl 

115 1 

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APS NS-20 

■ Protects up to 4GB of critical data (native! 

■ ' .the best back-up solution available for the 
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w/ Retrospect 

External configuration 





E I 0i 3S 


k ff you thought DLT was your only choice for 
gigantic backups, think again. The new- AIT Plus 
challenges the DLT70 in both capacity and transfer speeds. 
Self-cleaning features and low cost of ownership. 


w/ Retrospect 


$1,999.95 

Externa: Configurator 


APS TAPE BACKUP SYSTEMS 1 

Model 

Description 

External 

MM 



mm 

Kmymx 

>? 



Si? 





mmmB 


mmmate 



mm 

D;a30.^m 

199? 

APSDLT70 

DLTTOOOI35-7.DDBI 

m 

mwm 

mmsm 

m 


6mnn AIT Autc^cadr f i^O-260CB) 

w 


Super Archiving 


$1,699.95 

External Configuration 



Advanced tools for digital visionaries 


Call 800-285-0638 

24 HRS/70AV5 A WEEK 

Corporate sales (800) 554-3941 
International (816) 920-4109 












APS ST 18GB10K 
Ultra2 Wide IVD SCSI 

■ Brand-new, third-generation Cheetahs offer even better performance 
and reliability 


APS 19GB10K U2W LVD SCSI 


$549.95 

Intern# OonSgunSn 


APS ST 9GB Ultra SCSI 

■ inexpensive 7200 rpm drives with Ultra SCSI interface 

■ 4 and 9GB capacities for workstation through server storage 

With (his Medalist Pro-based drive, you wn upgrade vour file and print servers to 
7200 rpm speed and keep your budget well under control. 


APS ST 9CB ULTRA SCSI 


$319.95 

Bare internal Configuration 


APS 19GB10K 
Uttra2 Wide LVD SCSI 

■ 10,000 rpm drives from the original developers of the hard drive 

■ Maximum performance for graphics and video editing workstations 
and demanding servers 

\ For the absolute maximum hard drive performance on an Uffra2 Wide LVD SCSI- 
* based system, ramp up with a ] 0,000 rpm Ultramar front IBM and APS. Based on the 
new Ultrastar 9LZX18ZX mechanism, these drives offer seek times as low as S.bms and very 
high sustained internal data transfer rates (up to 23.1M B/s). Upgrade your creative 
workstations and servers to rhe power of one of the fastest mechanisms in the world and 
Ultra2 Wide LVD SCSI speed. 


APS Ultra SCSI Drives 


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■ 10,000 rpm and Ultra2 wide LVD for multimedia. 3D, even digital video 

■ 18GB capacity for high-performance workstation and creative 
department/workgroup servers 


Get the ultimate performance from your content creation workstations and servers, 
j These Cheetahs really scream, with up to 28MB/s internal data rales and super-low 
3.2mscc seek times. Third‘generation technology and experience make this line 
more reliable than ever For your next digital masterpiece, order an APS ST ISGB 10K today. 


APS ST 18GB U2W LVD SCSI 


$949.95 


internal Configurate 

Surf on over to our website at www.apstech.com 
for the most up-to-date prices 

S September 19 99 MACWORLD 


APS 136GB 
Ultra2 Wide LVD SCSI 

■ 7200 rpm mechanisms from the inventors of the hard drive 

■ 36GB capacities for high-volume workstations, 
departmental/enterprise servers 


This Ulrauar-based drive turbocharges your high-volume servers. The Ultra’ 
Wide LVD SCSI interface is perfect for huge files that need maximum throughput. 


APS 136GB U2W LVD SCSI 


$1,289.95 

Interns? Ccnfjgyradon 


























Advanced tools for digital visionaries 

Coll 800-285-0638 

MMK/7MKAHBK 


LaCie USB CD-RW 

■ Finally, a rewritable 
CO drive with a USB 
interface 

■ hot-swappable, so your 
workstations an quickly and 
easily share one CD-RW drive 

l You asked. YY'c answered. Many of you have been 
f clamoring for USB-based devices for ynur iMacs* 
new G3$ and USB Windows™ machines. So. APS is pleased 
to offer the IjlGc USB CD-RW. This drive combines the 
power and flexibility of a rewritable CD drive with the hot- 
swappable ease of USB. USB eliminates the toil and trouble 
of shutting down ynur system, checking SCSI IDs or ATA 
settings* configuring your system, and so on. USB is truly 
plug and play. So your USB workstations can qutcldy and 
conveniently share one CD-RU h drive* 


LACIE USB CD-RW 


$349.95 

Externa'CcTf^uratejn 


LACIE EKO 10GB USB 


$299.95 


LACIE EKO 20GB USB $499.95 


EKO Enclosure 


VST 10CB FireWire Hard Drive 

■ Ample hard drive with 
fast, hot-swappable 
FireWire/IEEE-1394 
interface 

■ Great for multimedia/ 
digital video pros, graphic 
designers 

Forget device Illstcrmimlion,and 
hassle This KX'.B FireWire drive offers hot- 
swapping to any FireWire-equipped Mae or PC. Perfect for 
transfering video and other huge liles among workstations 
and offices. 

VST 10CB FIREWIRE 


$779.95 


External 


aps 18GB shortstack 
Disk Array 

■ Choose from RAID levels D, 1,0+1 or 5' for 
greater speed and/or data availability 

■ Complete with Ultra2 Wide/LVD SCSI drives 

■ Perfect for small graphics/multimedia 
businesses and high-end workstations 

■ Easy connectivity for instant results 

Non;even smaII and home businesses, or individual 
workstations, can enjoy the blistering performance 
of an array. The APS ShortStaek Disk Array is made 
up of two 7200 rpm dish that work together with your 
choice of RAID software products in become a high- 
performance disk array. The Short Stack Is perfect for 
graphic design and image editing, digital video production, 
database environments* transaction processing and more* 

aps iscb shortstack 

°"$1199.95 

’ External 


Iomega 
Zip 250 

■ NOW 

-eve 

for content 
creators 


i Also reads and writes original 100MB Zip disks 
to extend your investment 

l Now you can store, work with, and transport even 
bigger files, like multimedia, animation, 3D, CAD 
and graphics files. Based on the immensely popular Zip* 
the new Zip 250 holds 250MB of data. And the SCSI 
version is up to 56 limes fastenhan your floppy drive. Or 
choose the parallel port version for nearly instant hook-up 
to your PC. The Zip 250 is read/write compatible with 
100MB Zip disks, so you can purchase it with confidence. 
The Zip 250 is an exciting and inielligeni investment. 


IOMEGA ZIP 250 


$179.95 

Extern^ 5G or Parallel verecu 


APS 20GB IDE 

■ Ultra ATA interface keeps up with fast 
hard drives with 33MB/S transfers 

■ Always the best price/performance available 

Sivt time, save effort AMD SAVE MONEY with thv APS 
Ultra ATA series of drives. We’ve done the research for you. 
picking l lie best UltraATA storage options from the 
worlds premier mechanism manufacturers, all at awesome 
prices. You always get the best price/performance possible 
w ith an APS Ultra ATA drive* 

APS 20GB IDE 


LaCie EKO 10GB USB 

■ Among the first hard drives 
with USB 

■ Easiest way to add over ten 
gigabytes of storage 

i Adding more capacity to your 
desktop, workstation or server is a 
snap with this UbH hard drive. It's hoi- 
swappable; just hook it up and go. 


r 

Li 

d 

TECH 


Dmct an ihtstptigts arc cowed lt>- JfuMPS 30-Day 
Mi) rity'Buck. Guarantee. 


Visit us online at 

www.apstech.com 


Corporate Sales (800) 554-3941 
international (816) 920-4109 

APS Technologies * sin Derail • Kansasotv* MO 










1 i • U 


How to turn your 


LaCie eiectron22Blue 

■ Brand-new 22‘ Diamondtron Natural 
Flat technology eliminates distortion 
and glare 

■ Mammoth resolution of 1800x1440 
pixels at 80Hz for biggest layouts 

■ Five USB ports for the most advanced, 
convenient computing system ever 

Introducing quite possibly the most advanced 
monitor ever for digital visionaries. This 22" 
display gives you outstanding color fidelity and 
perfectly geometrical images. No more distortion or 
straight lines that curve on screen. And the USB 
connections let you quickly swap USB devices like the 
LaCie USB CD-RW, new scanners, and more. 

LACIE ELECTRON 22BLUE 


tAClE 



$1,399.95 

LACIE ELECTRON 19BLUE $769.95 


Wacom LCD Display Tablets 

■ Amazing tablets act as monitors - you draw and design 
directly on screen and work more intuitively 

■ Pressure-sensitive tablets 1256 levels) include cordless Erasing UltraPens 

■ Must-have for cutting-edge graphics pros, animators, Web designers, 
multimedia 


EPSON Stylus Color 900 Printer 

■ 1440 dpi and Micro Piezo technology for sharp 
details, no splatters 

■ Faster color printing lup to 10 ppm) 
makes you more productive 


-W 


At APS, we are not easily impressed by new 
technologies. Bui Wacom has knocked our socks off. 
L The new LC D Displ ay Tablet 1i nc is I ike havi ng the mu tutor 


*. 


screen on vour bp or desk. You can design, il lust rale, paint, 
animate and edit on-screen more accurately - to 
within 0.02 inches. VVe could say more, but you 
really have to see it to believe it. Be the first on your 
block to get a Wacom LCD Display Tablet.Call today. 


The new' Stylus Color 000 lets even home 
and small businesses print corporate-class ^ 
documents. And you can print color pieces 
faster I han ever So you spend less t ime 
wai I ing and mo re t i me drumm mg up ^ 

business. Plus, w ith USB, parallel 
and Mac serial connections, you can 
use this image-maker with almost any computer. Get 
sharp, brilliant color fast and make a splash with the Stylus Color 900 from EPSON. 



EPSON STYLUS COLOR 900 PRINTER 


$429.95 


WACOM PL-300 W/ 10.4" WORK AREA 


$2,199.95 

PL-400 -13.3" work area - $2,999.95 


APC Back-UPS Pro 


Agfa DuoScan solo Color Scanner 

■ Versatile scanner for creative departments, small firms 

■ innovative TwinPlate for transparencies and reflective documents 

■ One-pass tri-linear CCD with 1000 x 2000 ppi resolution 

The DuoScan handle all of your business scanning needs with ease, capturing images 
from virtually any kind of document. The built-in scanning bed for transparencies 
makes switching between media types easier than ever. And the DuoScan is fast. You will 
see vour preview in just) l seconds. And the DuoScan can deliver Aa-sired color scans at 
1000 ppi in just two minutes. So get high-quality scans for business documents fast with 

the DuoScan from Agfa. 


Extra surge suppression and 
longer runtime 

Safeguards data & equipment 
from lightning strikes and blackouts 



Tapi 1 backup is critical to safeguarding your irreplaceable data. But it wonYstop lightning 
from trying your motherboard. Back-UPS Pro, the ultimate workstation UPS, safeguards 
your data and equipment, like your CPU, drives, and monitor, against disasters like 
lightning strikes. And the uninterruptible power supply gives you lime lo save your files 
and shut down in case you ever lose power. Don’t watt until it’s loo late. Get Back-UPS now. 


Site 

■*r, 

^1 



AGFA DUOSCAN SOLO 
(MAC/PCI 


$2,459.95 


are 

OUTPUT CAP. TYPICAL SAT 

ITEM DSC VA WATTS RUNTIME CUTLETS 

SURGE ON.T 

outlets 

DM0SONS 

wtwm m£ 

103355 

6P28QS 

230 130 7-13 HI# 2 

1 

611472145 SU4J5 

108356 

BP420S 

420 280 12-18 Nlft 3 

1 

81147X145 219,95 

108357 

BP650S 

850 410 35-40 MIN 3 

i 

6114.7X145 26995 

108717 

BP1000 

iooo m HMswr t 

m 

85X67X17.5 365.95 

108714 

BPTO 

1400 950 15-20 Hr 8 

m 

85 X 67X17.3 459.95 

■ tVrrfi .1 tfw fyutrn mwntil 




ii 

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14S September 1 999 MACWORLD 



















■ Convenient 

digital cameras nBflMv 
capture photos 
and video 

■ Store and transfer content on standard 
floppy disks 

■ Add images and multimedia to presentations, 
Websites 

The MVC-FD9I Digital Mavka Camera grabs digital 
photos and video quickly. And these smart cameras store 
iheir contents on standard floppies that you can use to 
easily transfer your images to your Mae or PC The IW\ 
really gels in there at UX* And you can record up to 15 
seconds of presentation-quality MPEG video or 60 seconds 
for a video e-maiL Pick up a MVC-FD91 Digital Mavica 
Camera today. 


canon ELURA 
Digital Video Camcorder 

■ Palm-sized DV Camcorder with Canon 
12X optical/48X digital Zoom lens 

■ Noise reduction and Optical Image 
Stabilizer give you top quality footage 

Now, you can get the power of digital video and the 
precisiun of Guinn, nil in the palm of your hand. The 
ELURA sports all of the advanced capture features of 
Canon's larger camcorders. You get crystal clear digital 
video, with intricate details and true colors. The 
progressive scan CCD captures much better quality images 
than other, interlaced CCD camcorders. With up to 500 
lines of horizontal resolution, you get 20% better-than- 
analog quality. Automatic or manual controls satisfy both 
the beginner and veteran. Plus, you can easily add your 
own personal touch to your video using I he faders, effect*, 
and a mu It id mage screen. So get the power of the Canon 
ELURA in the palm of your hand today. 


SonyDSC-D700 
Digital camera 

■ tSMegapixel images A 

(1344x1024)for ' 

top-quality print 

projects 

■ 5X manual optical 1 

zoom, equivalent ■OE.\Bj 1 

to f28mm to }m/' 

140mm 

zoom lens on a 
35mm camera 

■ includes Type li PC Card 

and reader for easy transfer to desktop 
computer 


Surf on over to 
www.apstech.com 

for more multimedia tools 


1 9 

W rfmfn K 

ii ki m li, 

.111114 1 


Adaptec Ultra 
HotConnect 
8945 

■ Connects both digital 
video camcorders and 
Ultra Wide SCSI devices to your computer 
using only one PCI slot 

■ Includes DV capture software, FireWire and 
SCSI cables/connectors 



This Id card Ids you connect your digital video 
camcorder to your Mac or PC on the same slot as your 
SCSI driv es. You can chain up to 62 I EEE-1394/FireWire 
devices and up to 15 SCSI device*, like Ultra Wide SCSI 
hard drives, CD recorders. ]az and tape devices. This 
awesome package includes a complete set of SCSI and 
1394/FirtWirc cables and connectors, plus digital video 
capture software, 

ADAPTEC 8945 



Professing! photographer for print? You may think that 
digital photography just doesn't have the quality or 
flexibility of your SLR camera. Well, now It does. 
Introducing the Sony DSC-P700 Digital Camera. This 
powerful device captures 1,5 mil I km pixels per image to 
give you the kind of resolution you want for print,The 
DSC-D700 also gives you the control you are used to with 
your traditional camera. You get a 5X optical zoom lens 
with a manual focus ring that feels familiar and 
professional. Choose between using the 2,5* color LCD 
screen or the viewfinder, depending on your situation. 
Advanced features Include manaal white balance, a center- 
weighted spot meter, auto/manual exposure, and a Hot 
Shoe for connecting an external flash with strobe lights. 
The pop-up flash comes in handy out in the field. 

SONY Q5C-D7Q0 $1,699.95 


Call 800-285-0638 

24HRS/7DAYS A WEEK 

corporate Sales fsooi 554-3941 
international (8161920-4109 

APS Technologies »6i;i ceramr,» okkoiv. uowix 



E~ J®.. Si 


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Choose 62 at www.macworlti.corn/gatirifo 













Real 


£?nly 4)1199 


Blueberry Strawberry Tangerine 

CDW161620 COW 161623 CDW161632 


*t>reaMts solil separately. 


Grape Lime 

CDW 161627 CDW 161634 


'Miy dream in black and white 


Apple® iMac' 

+ 335MHz PowerPC G3 processor ♦ 15” display, 13.8” viewable, with 
1024 x 768 resolution ♦ 32MB SDRAM ♦ 6GB hard drive 

♦ 24X Max CD-ROM drive + 56Kbps modem + 1CV100BASE TX Ethernet 

♦ Two 12 Mbps Universal Serial Bus {USB) ports * 6MB video memory 

♦ Built-in stereo speakers wiih SRS sound 


/ 




Apple® Power Macintosh G3 Series 


qtn 


800-509-4239 

www.cdw.com 


Apple Macintosh 


Power Book G3 Series 

* 400MHz PowerPC G3 processor 

* 1 MB backside cache 

* 160MHz bus speed 

* 64MB HAM 

* 6GB hard drive 

* 2X Max DVD-ROM drive 

* 56Kbps {V.9G) modem 

* 14.1" active-matrix display 


3494.00 


CDW 167073 




Authorized 
Catalog Reseller 


- 350MHz PowerPC G3 

* 1MB backside cache 

* 100MHz system bus 

* 64MB SDRAM 

* 6GB Ullra ATA hard drive 

* 24X Max CD-ROM drive 

* 16MB video memory 

1594.00 

CDW 171054 

- 400MHz PowerPC G3 

* 1MB backside cache 

* 100MHz system bus 

* 64MB SDRAM 

- 6GB Ultra ATA hard drive 

* 5X/32X DVD-ROM drive 

* 16MB video memory 

*1994.00 

CDW 171055 

- 400MHz PowerPC G3 

* 7 MB backside cache 

* 100MHz system bus 
-126MB SDRAM 

* 12GB Ultra ATA hard drive 

* 24X Max CD-ROM drive 
-100MB Zip drive 

■ 16MB video memory 

*2494.00 

CDW 171056 

- 4S0MHz PowerPC G3 

* 1MB backside cache 

• 100MHz system bus 

• 120MB SDRAM 

* 9GB Uilra2 SCSI hard drive 

• 24X Max CD-ROM drive 

* 16MB video memory 

*2994.00 

CDW 171057 


>f)Lim, stunning, superfast 


©1999 COW Comp-JlflF Onlers, <nc. 2tX} N. Milwaukee Avenue. VanvHi Hilts, !L 60061 MW4S23A 9:99 















World 


Authorized 
Catalog Reseller 


klntfW your options 



COW is a JL9 billion. Fortune TOOO company. In September 1998. 
Fortune magazine listed CDW as one of "Amertea's Fastesl Crowing 
Companies" for the second consecutive year, CDW is an Apple* 
authorized catalog reseller and your one-stop source for all your 
computing needs. 


Apple Mac OS 8.5 

s 88.92 


CDW 134030 


Entrega 4-port USB Hub 

s 55.74 

CDW 133137 


Epson Stylus Color 740i 

Color inkjet printer 

for Mae A 

$ 279.00 4B 

CDW 161209 


Global Village Teleport 
Internal 56K modem 


S 109.18 


CDW 148272 



Adobe 

Photoshop V5.5 

Upgrade 

*187.92 


M CDW 171265 




MONITORS 

APPLE 


Applo Studm Display l T 
{ 16* view) 0 25mm AG 

*499 00 

Apple Stuido Display 21‘ 

{13 8 new) 0 254 27nvn AG 

Appto Studio Oisptoy LCD 15 1* 

{15,1* VMW] 

11499 Ofl 

$1299 06 

MITSUBISHI 

Diamond Pm 900U 19‘ (18' w#w) 
D25-0 27mm AG 


Diamond Ptu$ 70 17' 

|16 + vie*! 0 25mm AG 

$345.40 


PHtLIPS/MACNAVOX 

1055 IS* 114’vowj d.28mrh *155,67 

107S 17' lie.2' view) o 28mm . *239 *7 

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MACWORLD September 1999 161 


























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Ml 

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MACWORLD September 193“ 163 

















































































Peripheral Products 
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Apple QuickTake 200 refurbished .$219. 

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MACWORLD September 167 













































































































PowerMac is a division of Computer Stores NW, Corvallis. OR, 


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Includes rive 
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168 September 1999 MACWORLD 


































































SHOPPER 


Systems E Peripherals 


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Pfl Jtt f f ll.l&J P0WERBOOK5 


P Q w t r Ma c # 

G3/4501?a^GU2/CD '[JEW* 
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POWE RBOOK5 

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HEWLETT 

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1 MAC G3/206 / G1'33J 1095/1195 (gncfi &t/4ft2QX/5GK/l4 rt 1995 VC150 Z 1 L700 

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499 

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im 



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Battery for PB-G3 Or 5300 series 
Power Book 1001/120/14.4 
Powcrflook 520C 12/240/19,2 
Powcrbook W0c 16/500/19,2 
pQWDiSook 500 S&rias BnLtury 
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Cyrei Pentium 1 OCMHi PC cart 
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Apple Eirt Video connector w 

Perlurma 54012/500/0 Q 195 

Apple Laser 1 6/600 220 V&lls 935 

Mafnctosh Ccnlrs Nubus Adap. card 19 


182/949533 

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119 

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Mac OS 8 t $15.99 


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MACWORLD September 19 39 169 






















































The Manufacturer Of G3 Upgrades, Award 
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HDD 22GB/ 9.5 ACCESS/ 2MB / RUNNING AT 7200RPM . $599.99 

CDRW 4x4x16...$399.99 

MAGNETO OPTICAL 640MB DRIVE Includes Cartridge .$499.99 

DAT 6GB DRIVE Includes Tape .$799.99 


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■ 

VISL0N3D PRO II LITE BMB/SVGA .SColl 

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V1SI0N3D PRO II16MB VRAM UPGRADE^ TOTAL) ... .$149.00 

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■Point USB MOUSE.$19.95 


iMac USB COMPATIBLE ( 
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$79.95 


n 


iParallel USB PRINTER ADAPTER ...$49.95 

iParallel USB PRINTER ADAPTER WITH MACJET SOFTWARE (BUNDLE) .S79.95 

iGame USB STANDARD GAMEPORT CONVERTER.$24.95 

IDrive USB 1.4MB FLOPPY DRIVE W/SOFIWARE AND CABLE .$99.95 

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G3 266Mhi 32/6GB/CD/KB ..$1399 

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9600 400Mhz 64/4GB/CD/VC/KB .$1989 
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7200 90Mhi 8/500MB/CD/KB..$329 

6500 27SMhz 32/4G8/CD/K8/MOO .$879 

6500 250Mhi 32/4G8/CD/KB/MOD.$849 

6500 225Mhi 32/3GB/CD/KB .$639 

4400 20DMhi 32/2G8/CD/KB .$499 


* 


PERFORMAS 


6400 200Mhz 16/2GB/CD/KB .$539' 

6400 ISOMhi 16/1GB/CD/KB .$449' 

6360 160Mhz 16/1gb/cd/kb ..S469' 

6300 lOOMhz 16/1 GB/CD/KB .$399' 

5300 lOOMhz I6/800MB/CD/KB/I5".$649' 

I 


Apple CD-ROM a DVD Drive 


APPLE SCSI CD-ROM Drive 2xCD..$39 

APPLE SCSI CD-ROM Drive 4xCD.$59 

APPLE SCSI CD-ROM Drive 12xC0. .$79 

APPLE SCSI CD-ROM Drive 24xCD..$129 

APPLE IDE CD-ROM Drive 24xCD ..$159 

APPLE 12xCD-R0M Drive For PB3400t..$55 

APPLE Power&ook G3 Series DVD-Video.. .$489 
APPLE DVD-ROM Drive, 2i ATAFJ (For Biege G31$199 


PowerMac 7500 

120MHZ/16M B/1G B/CD/KB 
Upgraidable To G3 
* 


Performa 6360 

160MHZ/16MB/1 GB/CD/KB 


Apple Monitor 
15”AV $109* 
17“ 720Multi. $189* 


Apple Original 
SCSI Internal 
24xCD-ROM $129 
12xCD-R0M $89 



OWERBOOKS & DUOS 

RECONDITIONED 


G3 300Mhi 64 /8 G B /C D/14.1 "A/ETH/5 i K.$2595 

G3 250Mhi 64/4GB/CD/13.1 "A/ETH/56K.$1595 

G3 233Mhi 32/2GB/CD/14.1 "A/ETH/S6K..$1490 

G3 233Mhi 32/2GB/CD/12.1 "A/ETH..$1249 

3400c 240Mhi 16/3GB/12XCD/Modem/rm .. .SI 449 
3400c 200Mhi 16/2GB/6XCD/Medem/ETH ...$1295 
3400C 180Mhi 16/1GB/6XCD $1179 
1400C 133Mhi 16/lGB/SxCD $1179 
520c 33Mhi 4/160/Modem ... .$379' 

1 70 25Mhz 4/40/Modem .$199' 

5300ce 117Mhi 32/1GB..$679 

5300c lOOMhi 16/750MB .$529 

540c 33Mhi 8M8/320MB/Modem....$469 

DUO 2300c lOOMhi 20MB/1GB/Modertt ....$629 

DUO 280c 33Mhi 4MB/120/Modem .$199' 

DUO 270c 33Mhi 4MB/120/Modem.$179- 

DUO Dock .$69 

8100 llOMhi 16/1GB/CD ....$569 
8100 lOOMhi 16/700MB/CD ,,.$395 
8100 SOMhz I6/500MB/CO ....$329 
7100 SOMhi 8/250MB/CD ....$199 
6100 66Mhi B/25DMB .$199 



APPLE studio 21". $1389 

APPLE VISION 850AV 20" .$895* 

APPLE VISION 850 20". $879* 

APPLE Multiple S«n 20" .$395* 

APPLE Studio 17".$395 

APPLE Vision Colorsync 17"S379* 

APPLE Vision 750 17" ....$339* 

APPLE VMon 1710 17" ....$249* 

APPLE Multiple Stan 720 17" $189* 

APPLE Multiple Scan 15AV 15" .$109* 

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PRINTERS 


APPLE LaserWriter 8500 .Si 049* 

APPLE LoierWriter 16/600 . $899* 

APPLE LaserWriter 12/640PS .5799* 

APPLE LaserWriter INTX.$169* 

APPLE LaserWriter 1INT .$139* 

APPLE LaserWriter IINT .$139* 



APPLE Personal LW NT ...$149* 

_ 

!Hi i 

APPLE StyleWriter 2500 ..$159* 

U- - 


APPLE StyleWriter 2200 ..$129* 



APPLE ImogeWriler II .$79* 

■ 


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MFKT1MK WARRANT? 




POWER MAC 03 S-DRAM (PCI 00} (YQSEMITE) 

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CALL FOR ALL OTHER MODEL MEMORIES. WE HAVE 
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Price* Subjecl to Change Without Notice • All Price! reflect i% Cosh Discount • ' Refurbished "Upgraded Machines 

ICN Is Not An Authorized Apple Dealer • All Trndemorks Are Properly Of Their Respective Companies. 


APPLE PARTS & DRIVES 


APPLE 1.44 Floppy Drive .$35 

APPLE ADB II Mouse.$35 

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Systems E Peripherals 



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vtrfit 9I3.S99£227 - Rut 91JJ9MI 11 ■ Sim-fipm Morvfri CST 
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17" MoltiScan 
IF Appletsfon ITIOav $299” 
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12" Monochrome $39" 


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Replacement Logic Boards CALL 
Power Supplies CALL 

3,6v Uflhlum Battery SI 9” 
Internal Floppy Drives $4F/$79" 
Apple Extended Keyboard $39" 
Apple Design Keyboard $19" 
Apple Desktop Bus Moose II $49" 
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Apple GeoPort Adapter I 

4f°' $19" 


Newton 120 


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Color SW 2200 BatL Attach. $49" 
Color SW 22» Battery $19" 

Color $W 2200 Slack Ink $14" 
Color SW 2200 Color Ink $14" 
Apple Color Printer Black Ink $14" 
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Color SW Pro Black Ink $9" 


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MACWORLD September 19 9 B 173 































































Systems S Peripherals 



SHOPPER 


TRADE YOUR MAC FOR A NEW ONE. We Pay Top SSS For Your Mac S Mem. 

S25£BUY'SELL'TRADE C310)441 -4771 


mm i 


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Apple 2GB HD 165 
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PB 140 4/40/14,4. ..$159 PB 170 B/80...$199 

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W3 Ex cel ‘98.$98 M5 Office '9 S „ $299 

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fcil .. _ Reflect a 3^ 

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Mac OS 8.5 OEM CD-ROM...S49 !!! 

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! sled CPU plus 13" or 14" monitor. KB, mouse) 

tlci 8/425...,$ 179 llsi 9/230....$169 
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or Call toll free: (888) 466-2271 


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Sales E-mail: SafBs@MediaGtjlde.com * Purchasing E-mail: Furchaslng©MediaGuide,com ■ http://www.mediaguide.com 



Check out the Shopper's 


snopper s jm * i section, starting on Page 159! 
Chock-full of everything ^w' want for USB. 

Don't miss out on any of the hot deals on the hottest USB 

products! 


174 September 1999 MACWORLD 




























































































SHOPPER 


Systems & Peripherals 


Think 

COMPUTER 


REVELATIONS 


IT^I 


^feiaabr 

COMPUTER 





ALL APPLE PARTS & 
ACCESSORIES IN STOCK 

Leasing 

Rentals / Supplies 

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R# < tlifiBOMfor 

m < MMfcHwh Ut i 199 
(2-1? < Hidnlinh TVS Uj&CD > *2*9 
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*TO < fowtt Hic6l«l66 34 SWC43 > (399 
J2P9 < fvmtt Hit 7100.66 24 500 CD > f 299 
iM < P6irttMK7ZOOM4V 24iMa» (TO 
*599 < ?mtr Mic 720090 24^000) > (399 
(TO < ryjwr Mk 6(00110 U/TCKCD > (TO 
(TO < PffliCf Mx 9W0.152 M 2GBCD > |TO 
*5*99 < lOlbAnnkwHUfT HidnUnb JZ/lGftCD > *5+99 
*599 < Apple ftoftoofc S«c U 16019.3 > *499 
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Apple Monitors 
*79 < Apple ir RCB Dljplij 1 » *79 
*99 « Apple 13" HCBDbfilii > *99 
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Apple Printers 
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i TO < Apple Color Primer £1 la 17) > * 199 
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200/90 
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4400/200' 
8500/120* 
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8/500/CD 
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16/1.2/CD 
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32/2GB/CD 
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Notebook 
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DUO DOCK PLUS 
Duo 2300c 20/1G E/Mod. 

Printers 

SVV4500 ALPS GLIDEPOIMT 5219 
LIVI2/640* TRACKPAD ADB- $799 
LW8500* FB^= 5999 

Monitors 

IS'/IS"^* S139/S179 

7 5 0*/S5 0/8 50a v S299/S699/5799 

20" Colorsync* $999 

ViewSonic C810 21" 5889 

SONY 220GS/420PS S449/S669 


SONY 520G5 21" 

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IBM 4.0GB 50 pins SCSI 
Apple 4.0GB UW SCSI 
Seagate 18GB UW SCSI 
USB 10GB external 

MEMORY 


S969 


$149 

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64MB SDRAM/PC100 S89/5S9 
128MB SDRAM/POQO S129/S109 

256MB SDRAM/PC1O0 $429/5659 

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$799 

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51339 


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5225 

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800-673-MACS 

916-652-1880 FAX 916-652-1881 800-673-6227 

www.poweron.com 

^ Visit our Online Catalog 


PowerMac 

16/1.2GB/CD 



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Power Macs 


PowerMac 6100-60 J 

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HDs & CDs 


12X 1800i 


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Apple 4\ 600i CTIROM-Iutenwl £19 79,99 

Apple 1 1\ taiMJi CDROM4M.IP) _ 99,99 

Apple 24x3600! CDROM-Jnl,BlXiP}„ 129,99 

Apple 500 MBSCSI-linenHi AT’tPJ- 59.99 

1.2 CD* S CS 1-Eni jiJ" tJh... 99,99 

2 Cift fiCSMm \F (Pi _____—. 129.99 

PowerMac 7100-80 S/500 (U) 

Power PC' 

■ ^ . m SoMtut T) r 

PM 7600-120 16/I.2C/CIXU) 

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F 6B4 HOMhz nil / V 
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I'M IpIIHWi'U 2AT1.2t.;Ut> MiWiciU) 329.99 

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Quutlru 800 8/2511 KiM |U) 99.99 

Quadra 9+^ i him k&m d j 149.99 

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Apple Floppy Drives-Auto |N).99+99 

Monitors 

PowerBooks , 

Appif 13" rc;« ButmuHuj — -- 99.99 

Apple 14” M1212 tKifria% itJ| ___ 119,99 

■j] PB160 8/8D/M»dem (U) 

199 

10" Sujicmvisi LCD i ^ ^ 

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Apple 15" AV .MuJlkeun Di^Mty (Ul 179.99 

\p pie IT” 17115 M S l Jhr Li .Hi . 279.99 
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Radius 20" [nldHeolt»r 2*lt£U> .... -- 399,99 

ATI MACH 644MB PCI KJEMi __ 59.99 

jvMiem m Chlmnli- Me/ lx 1*9.99 

jWPBDuo 2300c 20/750 (U> 


.Networking 


a 1 *! GULL) ! 

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79.99 
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IUK»t 

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, 49.99 
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,h 79.99 
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Printers 


StyleWriter 2500 (N) 

j tncliHles: ^ 4 A 

™ $149 


Inkjet Cartridges & Supplies 

Pajjit^ ■ Tramlm * farlrlilurt 
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MACWORLD September 19S9 175 


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TWE/WOgV 


^wcejr 


ABSOLUTELY, POSITIVELY 

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42 

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CALL 800-80-WE-BUY 



Pm-owned machinal subjcti lo prm i sale inventory changes daily, call for availability pmtiuel available In-store only, 


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IBM 1 gb SCSI 
Quantum 1.2 gb SCSI 
Seagate 4.5 gb Medalist Pro SCSI 
IBM 9.1 gb SCSI 

Quantum 9.1 gb ATLAS IV Wide SCSI 
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IBM 36 gb Wide SCSI 
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IBM 16 gb IQE 
TEAC 6x2 CD-R with TOAST 
SOFTWARE & PERIPHERAL SPECIALS 
Apple QS X Server 
Apple Final Cut Pro 
Epson 740i color ink jet printer 
Epson 740 color ink jet printer 
MacAlly iMouse 
MacAlly IHub 
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99 

125 

195 

350 

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555 

699 

719 

895 

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999 

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Authorized Dealer fk Apple Specialist • Authorized Service Proritler 


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Macsoluticms, Inc. Fax: ( 310 ) 966-4433 
11933 Wflsfiire Bkl West Los Angeles, CA 90025 
University A School P.O 's Welcome, 


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Secure Online Ordering at 

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AH prices are sublet Id change Merchandise subieel to pnoi sale Please call Ter up-to-l he-minute into and availability. Nal responsible for Typographic errors. Limited id r.ioc* qh hang. Ad Cods rfciG 


176 Sepiember 9 99 MACWOSLO 









































































SHOPPER 


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■M 


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s 99 

128MB 

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POWERMAC G3 
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SIMMs 

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Crescendo G3/NoBus 250 MHz/125 MHz/512K Coche.>299” 

Crescendo G3/NuBus 266 MHz/133 MHz/lMBCocho.'399" 

Crescendo G3/Nu6us 300 MHz/150 MHz/IMB Coche iS 0 .il 0 &i 20 MKin«M’499” 
Crescendo G3/NuBus 400 MHz/200 MHz/1MB Codie '699” 

7100 PDS AV/HPV Video Adopter KH for Crescendo G3.>99” 

8100 PDS AV/HPV Video Adopter Kit for Crescendo G3.’9V' 

7100/8100 Sonata Pro 24 NuBus Video Card.‘199" 

CRESCENDO G3 CARDS fOR PCI MACS (his in processor slot) 


Crescendo G3/PCI 250 MHz/125 MHz/512K Coche . 

Crescendo G3/PCI 300 MHz/150 MHz/512K Cache . 

Crescendo G3/PCI 300 MHz/150 MHz/1 MB Coche . 

Crescendo G3/PCI 333 MHz/166 MHz/1 MB Coche . 

Crescendo G3/PCI 400 MHz/200 MHz/1 MB Coche . 

Crescendo G3/PCI 466 MHz/233 MHz/1 MB Coche 

CRESCENDO G3 UPGRADES fOR "UPGRADE-CHALLENGED' 
PCI POWER MACS (fits in ll cam slot) 


.‘249*’ 

‘299” 

*499” 

.‘549" 

*699" 

‘899” 


Sonnet" Technologies manufactures the finest Macintosh 
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• Backed by a three-year warranty. 

We now have video card support for the 6100AV. If you 




Crescendo G3/L2 250/125 MHz/512K Coche .‘299- 

Crescendo G3/L2 300/150 MHz/512K Cache .‘399" 

Crescendo G3/L2 300/150 MHz/1MB Coche .‘499- 

Crescendo G3/L2 400/200 MHz/1MB Coche (5S/6S00. iam only).‘699” 

Crescendo G3/12 250/125 MHz/512K Coche .*299” 

Crescendo G3/12 300/150 MHz/512K Cache .’399" 

Crescendo G3/L2 300/150 MHz/1MB Cache .’499" 

ENCORE G! (ARDS EOR G3 POWER MACS (tits in zif socket) 

Encore G3 466/233 MHz/1 MB Cache ‘799" 

PRESTO PPC UPGRADES EOR QUADRA &CENTRIS (ms in pds slot) 


have a 7100 or 8100 with a video card in the PDS slot just 
install one of our 7100 or 8100 Adapter Kits. Or install a 
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the Apple PDS AV and High Performance Video Cards. 

Other PCI Power Macs (upgrade-challenged) can now be 
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The Desktop Critic 

by David Pogue 


Stealing for a Better Tomorrow 

WHAT THE MAC OS AND WINDOWS CAN LEARN FROM EACH OTHER 


UOM R HR LATER, STEVE 
jobs and Bill Gates 
will be hauled into that 
big principal’s office in 
the sky. “You've been 
bad boys/' Saint Peter 
will boom. “ Ha veu V yo u 
rt tv heard that thou shalt 
not stall foak-tt ml-feel?” 
Steve will shuffle his feet and point 
accusingly at Bill. “He started it!” 

lie’ll be right: for years, Microsoft 
Windows engineers have shamelessly 
ripped off Apple’s best design ideas. 
But after lawsuits proved to be futile, 
Apple began helping itself to a few 
features of its own. Mac OS K.5, for exam¬ 
ple. could almost he Windows 98 s bet- 
ter-looking brother: the Favorites menu, 
draggable window edges, proportional 
scroll boxes, the little arrow “badge” 
on an alias icon, program switching via 
3£-tah, daylight saving time self-correc¬ 
tion, and rhe Network Browser all 
debuted in Windows. 

Now Apple and Microsoft are both 
gearing up for massive OS overhauls: 
Mae OS X and Windows 2000. In the 
interest of better computing for all, 1 
wholeheartedly applaud their dueling 
in tel tactual-property raids. Here’s what's 
worth pilfering from each company’s rival 
OS . . , that hasn’t already been stolen. 

What Apple Should Steal 

hi Windows, you can press Windows 
key-M to jump to the desktop. All win¬ 
dows in all programs are instantly hid¬ 
den, giving you uncluttered access ro 
your icons, disks, and the Recycle Bin. 
Wouldn’t that be nice? 

Furthermore, in Window's, you can 
assign a keystroke to any alias; you don’t 
have to buy QuicKeys jusi to get program 
launching from the keyboard. 

The Calculator, the Mac’s handy but 
antediluvian desk accessory, hasn't 
changed since Reagan was president. The 
Windows calculator has bigger buttons, 


memory functions, a dear-error key, and 
a complete 11P scientific-calculator mode. 

The Windows Start menu is an obvi¬ 
ous rip-off of our Apple menu—and now 
it’s payback time. Apple should add a Pro¬ 
grams menu item, like the one in the Start 
menu, to file Apple menu, h lists ereiy 
program on your hard drive, which saves 
everyone, novices and experts alike, infi¬ 
nite window burrowing. 

In Windows, little underlines tell you 
what keystrokes activate menu com¬ 
mands, check boxes, and radio buttons. 


Apple has always res islet I giving us such 
total keyboard control. But now that large 
numbers of Mae buyers are refugees from 
Windows* its lime to reconsider. (If 
Apple’s worried about cluttering up the 
screen, it should do what Claris used to 
do: make die little underlines appear only 
when you’re pressing the 3S key.) 

What Microsoft Should Steal 

Windows desperately needs a title-bar 
doodad, like rhe Mac’s zoom box, that 
resizes windows so they’re exactly large 
enough to contain die icons in them. 

Windows PCs don’t come with a sys¬ 
tem-software start-up CD-ROM like 


every Mac does; older models can’t even 
boot from a CD. If your Windows folder 
gets corrupted, get read) for three hours 
on the phone with a tech-support rep. 
Despite the fact that Windows 98 is 
supposed to be able to handle file names 
up to 255 characters long, the vast 
majority of files provided by Microsoft 
itself still have stupid names like 
FJWINIT.DLL. For heaven’s sake, 
Microsoft: you’ve got rhe space, now 
give self-explanatory names to your own 
files, as Apple does. Or come up with an 
equivalent to the Mac’s Exten¬ 
sions Manager, to help us fig¬ 
ure out what all ihis lint is, 
AppleScript. Enough said. 
Hard though it may be to 
believe, when you quit a Win¬ 
dows program, some of its 
windows may remain open, 
stranded on your screen—a 
complication of Windows' win¬ 
dow-centric approach. The 
Mac’s application orientation 
works better. 

Finally, despite all its recent 
talk about simplicity, Microsoft 
still believes that what makes a 
better Min daws is more fea¬ 
tures. The Microsoft credo, “If 
you upgrade it, they will come,” 
only aggravates the worst 
aspects of Windows—bloat and complex¬ 
ity, On the other hand, it’s been years 
since Apple foisted useless, porcine fea¬ 
tures on us (remember Open Doc and 
PowerTalk?). These days, the Mac’s 
designers consider new OS features much 
more carefully, weighing how each will 
affect the whole. When it comes to 
enhancing system software, Microsoft is 
still years away from stealing—or even 
noticing—Apple’s crown jewel: knowing 
when to stop, m 

DAVID POGUE is j coauihur, with Adam C. 
Fmrst, nf the forthcoming Crvsring Platforms: ./ 
A Lie*-* J f 'tWtftn Dictionary ((V U iri II y. 1990). 




184 September 1999 MACWORLD 




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usesr 

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1M 


To learn how to get the most from your Mac, visit us at www.newertech.com. 


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Smart design at work. 

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